ΠΕΡΙΕΧΟΜΕΝΑ Σελ. Προλεγόμενα 3 Πρόλογος α ἐκδόσεως 5 Σημείωμα στή δεύτερη ἔκδοση Ἀφιέρωση 7 Χριστός Ἀνέστη, ἀργόν 13 Χριστός Ἀνέστη, σύντομον 14 ΚΥΡΙΕ ΕΛΕΗΣΟΝ Γερασίμου Κανελλίδου, ἦχος πλ. δ 14 Κωνσταντίνου Πρίγγου, ἦχος ὁ αὐτός 15 Νηλέως Καμαράδου, πεντάηχον 15 Καλυμνιακά, εἰς τήν ὕψωσιν τοῦ Τιμίου Σταυροῦ, ἦχος πλ. 17 ΤΥΠΙΚΑ Τυπικά, κατά τήν ἡμέτερη ἀπόδοση, ἦχος πλ. δ. Στάσις Α-Β 18 Ἕτερα, ἀνώνυμα, ἦχος πλ. β. Στάσις Α 27 ΑΝΤΙΦΩΝΑ ΤΩΝ ΚΥΡΙΑΚΩΝ Ταῖς πρεσβείαις τῆς Θεοτόκου, ἦχος β 34 Σῶσον ἡμᾶς, Ὑιέ Θεοῦ, ἦχος ὁ αὐτός 34 Ὁ Μονογενής Ὑιός, ἦχος ὁ αὐτός 26 Εἰσοδικόν, Δεῦτε προσκυνήσωμεν, ἦχος ὁ αὐτός 34 ΤΡΙΣΑΓΙΟΝ ΤΟΥ ΑΠΟΣΤΟΛΟΥ Ἅγιος ὁ Θεός, Πέτρου Πελοποννησίου, ἦχος β 35 Ἕτερον σύντομον τοῦ ἰδίου, ἦχος ὁ αὐτός 37 Ἕτερον Κ. Πρίγγου, ἦχος ὁ αὐτός 37 Δύναμις του Βήματος, ἦχος ο αὐτός 37 Ἕτερον Δύναμις Νηλέως Καμαράδου, ἦχος ὁ αὐτός 38 Ἕτερον Δύναμις Γεωργίου τοῦ Κρητός, ἦχος ὁ αὐτός 40 Ἕτερον Δύναμις Ἰωάννου Παλάση, ἦχος ὁ αὐτός 41 Ἕτερον Δύναμις Σίμωνος βαγιανού, ἦχος ὁ αὐτός 44 Ἕτερον Δύναμις Ἡμέτερον, ἦχος ὁ αὐτός 46 Ἅγιος ὁ Θεός, Μανουήλ Πρωτοψάλτου, ἦχος α 47 Δύναμις ἡμέτερον, ἦχος ὁ αὐτός 48 Ἅγιος ὁ Θεός καί Δύναμις. Ἡμέτερον, ἦχος δ (Ἅγια) 50 Ἅγιος ὁ Θεός καί Δύναμις. Ἡμέτερον, ἦχος πλ. α 52 Ἅγιος ὁ Θεός καί Δύναμις. Γερασίμου Πρεβεζάνου, ἦχος πλ. β (Νενανω) 55 Ἅγιος ὁ Θεός καί Δύναμις. Ἡμέτερον, ἦχος Βαρύς διατονικός 58 Ἅγιος ὁ Θεός καί Δύναμις. Ἡμέτερον, ἦχος πλ. δ (κατά τριφωνίαν) 60 Όσοι ειςχριστόν, ἦχος α 62 Δύναμις. Ἡμέτερον, ἦχος ὁ αὐτός 63 Τόν Σταυρόν σου προσκυνοῦμεν, ἦχος β 64 Δύναμις. Ἡμέτερον, ἦχος ὁ αὐτός 64 ΑΛΛΗΛΟΥΑΡΙΑ ΕΙΣ ΤΟΥΣ ΟΚΤΩ ΗΧΟΥΣ Ἡμέτερα 65
Δόξα σοι Κύριε μετά τό Εὐαγγέλιο ἤχος δ 69 ΧΕΡΟΥΒΙΚΑ ΚΑΤ ΗΧΟΝ Ἡμέτερα 69 (Ἦχος α ἕτερον ἦχος ὁ αὐτός, 71, ἦχος β 73, ἦχος γ 75, ἦχος δ Ἅγια 77, ἦχος δ Λέγετος 79, ἦχος πλ. α 82. Τό αὐτό ἐκτενέστερο 84, ἦχος πλ. β 86, ἦχος Βαρύς 88, ἦχος πλ. δ 90). Τό αὐτό ἐκτενέστερο 92. ΧΕΡΟΥΒΙΚΑ ΔΙΑΦΟΡΩΝ Ἀθανασίου Καραμάνη, ἦχος α 95 Κωνσταντίνου Ψάχου, ἦχος β 98 Κωνσταντίνου Πρίγγου, ἦχος γ 101 Κωνσταντίνου Πρίγγου, ἦχος δ 103 Ἀνδρέου Τσικνοπούλου, ἦχος δ 105 Ἰακώβου Ναυπλιώπου, ἦχος πλ. α χορωδιακόν) 107 Κωνσταντίνου Ψάχου, ἦχος πλ. β 109 Κωνσταντίνου Ψάχου, ἦχος βαρύς 112 Νικολάου Χρυσοχοϊδου ήχοςπλ. δ 114 ΕΙΣ ΤΗΝ ΛΕΙΤΟΥΡΓΙΑΝ ΤΩΝ ΠΡΟΗΓΙΑΣΜΈΝΩΝ Νῦν Αἱ δυνάμεις. Π. Πελοποννησίου, ἦχος πλ. β 117 Ἔτερον συντομώτερον. Ἡμέτερον, ἦχος πλ. α 119 Γεύσασθε καί ἴδετε. Ἰωάννου Κλαδά, ἦχος πλ. α 121 Ἕτερον. Ἡμέτερον, ἦχος ὁ αὐτός 123 ΕΙΣ ΤΗΝ ΑΓΙΑΝ ΚΑΙ ΜΕΓΑΛΗΝ ΠΕΜΠΤΗΝ Τοῦ Δείπνου σου. Ἀνδρέου Τσικνοπούλου, ἦχος πλ. β 125 Ἕτερον σύντομον. Ἡμέτερον, ἦχος ὁ αὐτός 127 ΕΙΣ ΤΟ ΜΕΓΑ ΣΑΒΒΑΤΟΝ Σιγησάτω πᾶσα σάρξ. Ἰακώβου Πρωτοψάλτου, ἦχος πλ. α 128 Ἕτερον. Ἰωάννου Σακελλαρίδου, ἦχος ὁ αὐτός 130 ΛΕΙΤΟΥΡΓΙΚΆ ΑΞΙΟΝ ΕΙΣ ΤΟΥΣ ΟΚΤΩ ΗΧΟΥΣ Ἡμέτερα 132 (Ἦχος α 132, Ἕτερα πιό ἀργά 136, ἦχος β 139. Ἕτερα πιό ἀργά, ἦχος αὐτός 142. Ἕτερα κατά μίμησιν Χ. Ταλιαδώρου, ἦχος ὁ αὐτός, 146. Ἦχος γ 150. Ἦχος δ (ἅγια) σύντομα 153. Ἕτερα ἀργοσύντομα, ἦχος ὁ αὐτός 156. Ἕτερα ἀργότερα, ἦχος ὁ αὐτός 158. Ἕτερα ἦχος ὁ αὐτός (λέγετος) 160. Ἦχος πλ. α 163, ἕτερα, ἦχος ὁ αὐτός (σκληρός διατονικός= μινόρε) 167. Ἕτερα, ἦχος ὁ αὐτός (ἐναρμόνιος) 169. Ἦχος πλ. β 172. Ἕτερα, ἦχος ὁ αὐτός 175. Ἕτερα ἦχος ὁ αὐτός (νενανώ) 180. Ἕτερα ἦχος ὁ αὐτός (τα τετράχορδα συνημμένα) 184. Ἦχος βαρύς (Ζω διατονικός) 187. Ἕτερα, ἦχος ὁ αὐτός (Ζω εναρμόνιος) 191. Ἕτερα ἦχος ὁ αὐτός (Γα) 195. Ἕτερα πιό ἀργά, ἦχος ὁ αὐτός (Γα) 198. Ἦχος πλ. δ 200). Ἕτερα, ἦχος ὁ αὐτός (χρωματικός) 204. ΛΕΙΤΟΥΡΓΙΚΑ ΑΞΙΟΝ ΔΙΑΦΟΡΩΝ Θρασυβούλου Στανίτσα, ἦχος δ (λέγετος) 207 Εὐστ. Τιμωνίδη - Δημ. Βασιάδη, ἦχος δ (σκληρόςδιατονικός) 212 Γερασίμου Κανελλίδου, ἦχος πλ. α 215 Μάρκου Βασιλείου (τά πατριαρχικά), ἦχος ὁ αὐτός 218 Μιχαήλ Χατζηαθανασίου, ἦχος ὁ αὐτός «Φρύγιος» 221 Ἀθανασίου Καραμάνη, ἦχος πλ. β 225 Ἰακώβου Ναυπλιώτου, ἦχος πλ. δ 228
ΕΙΣ ΤΗΝ ΛΕΙΤΟΥΡΓΙΑΝ ΤΟΥ Μ. ΒΑΣΙΛΕΙΟΥ Ἅγιος, Ἅγιος, Ἅγιος Κύριος Σαβαώθ. Κλασικόν, ἦχος β 231 Σέ ὑμνοῦμεν. Κλασικόν, ἦχος ὁ αὐτός 232 Επί Σοι χαίρει. Κλασικόν, ἦχος πλ α 233 Ἕτερον. Ἡμέτερον, ἦχος ὁ αὐτός 236 ΚΟΙΝΩΝΙΚΑ ΚΥΡΙΑΚΩΝ ΚΑΤ ΗΧΟΝ Ἡμέτερα 238 (Αἱνεῖται: Ἦχος α 238. Ἦχος β 241. Ἦχος γ 243. Τό αὐτό συντομώτερον, Ἦχος ὁ αὐτός 246. Ἦχος δ 248. Ἦχος πλ. α 251. Ἦχος πλ. β 253. Ἦχος βαρύς 256. Ἦχος πλ. δ 258) ΚΟΙΝΩΝΙΚΑ ΤΟΥ ΕΝΙΑΥΟΥ Ἡμέτερα 260 (Της Ἰνδίκτου 260. Τοῦ Σταυροῦ 262. Τῶν Χριστουγέννων 264. Τῶν Θεοφανείων 266. Τῆς Ὑπαπαντῆς 269. Τοῦ Εὐαγγελισμοῦ 271. Τῆς Μεταμορφώσεως 273. Εἰς τήν Κοίμησιν τῆς Θεοτόκου 276). ΚΟΙΝΩΝΙΚΑ ΤΡΙΩΔΙΟΥ-ΠΕΝΤΗΚΟΣΤΑΡΙΟΥ Ἡμέτερα 278 (Τοῦ Λαζάρου 278. Τῶν Βαΐων 281. Τοῦ Μ. Σαββάτου 283. Τῆς Ἀναστάσεως 286. Τοῦ Θωμᾶ 288. Τῆς Μεσοπεντηκοστής 291. Τῆς Ἀναλήψεως 331. Τῆς Πεντηκοστῆς 293. Τοῦ Ἁγ. Πνεύματος 296. Τῶν Ἁγ. Πάντων 298). ΚΟΙΝΩΝΙΚΑ ΕΒΔΟΜΑΔΟΣ (συνεπτυγμένα) Πέτρου Πελοποννησίου 301 (Τῆς Δευτέρας 301. Τῆς Τρίτης 302. Τῆς Τετάρτης 303. Τῆς Πέμπτης 304. Τῆς Παρασκευῆς 306. Τοῦ Σαββάτου 307) ΑΝΤΙ ΚΟΙΝΩΝΙΚΟΥ (ψαλμός 135) Ἐξομολογεῖσθε τῷ Κυρίῳ Ἀ. Τσικνοπούλου, ἦχος πλ.α 308 ΚΑΛΟΦΩΝΙΚΟΣ ΕΙΡΜΟΣ (κατά τήν διανομήν τοῦ ἀντιδώρου) Πᾶσαν τήν ἐλπίδα μου, ἡμέτερος, ἦχος πλ. β 311 ΥΜΝΟΙ ΑΠΟΛΥΣΕΩΣ Εἴδομεν τό φῶς 312 Εἴη τό ὄνομα Κυρίου 313 Μνήσθητι εὔσπλαχνε Ευλογήσω τόν Κύριον 314 Τόν Δεσπότην καί Ἀρχιερέα 315 Τόν εὐλογούντα 315 Φήμη Μητροπολίτου Καλύμνου 316 ΕΡΓΑ ΤΟΥ ΙΔΙΟΥ Πίνακας ἐργογραφίας 317
ΠΡΟΛΟΓΟΣ ΤΗΣ ΠΡΩΤΗΣ ΕΚΔΟΣΕΩΣ* Ἡ ἔκδοσις τοῦ παρόντος βιβλίου τοῦ ἐκλεκτοῦ καθηγητοῦ τῆς Ἐκκλησιαστικῆς Μουσικῆς εἰς τὴν Σχολήν μας, κ. Γεωργίου Χατζηθεοδώρου, χαιρετίζεται μὲ χαρὰν καὶ αἰσθήματα εὐγνωμοσύνης πρὸς τὸν Θεόν. Πόθος καὶ ἐπιδίωξις τῶν ἐργαζομένων εἰς τὴν Σχολὴν κατὰ τὰ τελευταῖα ἔτη εἶναι νὰ δημιουργηθῆ μιὰ πληρότης καταρτίσεως καὶ ἐπιδόσεως τῆς Σχολῆς εἰς ὅλους τοὺς τομεῖς. Εἰς τὰ θεωρητικὰ μαθήματα ὅλων τῶν γυμνασιακῶν τάξεων, μηδενὸς ἑξαιρουμένου καὶ ὑποτιμωμένου,εἰς τὰ καλλιτεχνικὰ μαθήματα, εἰς τὸν θεολογικὸ χῶρο καὶ ἰδίως στὴν περιοχὴ τῶν νέων θεολογικῶν μαθημάτων τὰ ὁποῖα διδάσκονται ἐσχάτως εἰς τὴν Ζ τάξιν, ἀλλὰ καὶ εἰς τὴν Ἐκκλησιαστικήν, Ὀμιλητικήν, Ποιμαντικήν, Κατηχητικὴν καὶ Ἰεραποστολικὴν Πράξιν, πρὸ πάντων ὅμως εἰς τὴν λατρείαν καὶ τὴν ἐν γένει λατρευτικὴν ζωήν, ἡ ὁποία συνυφαίνεται μὲ τὴν Μουσικὴν τῆς Ἐκκλησίας μας καὶ ἀποτελεῖ τὴν καρδιὰ τῶν προσπαθειῶν καὶ τοῦ ἔργου τῆς Σχολῆς καὶ δίδει τὸν ρυθμὸν τῆς καθημερινῆς ζωῆς της. Μὲ τὴν λατρεία καὶ μέσα εἰς αὐτὴν ἀπὸ τοὺς θόλους τοῦ μεγαλόπρεπου ναοῦ τῆς Ἄγ.Τριάδος, ἐπιδιώκομεν ὄχι ἁπλῶς νὰ εἴμεθα, ἀλλὰ καὶ νὰ ζοῦμε νὰ κοινούμεθα καὶ νὰ ἐκφραζώμεθα ὡς Σχολὴ τῆς Ἐκκλησίας καὶ αὐτὸ βεβαίως προϋποθέτει ὅπωσδηποτε καλὴν κατάρτισιν καὶ ἐπίδοσιν εἰς τὴν Βυζαντινὴ Μουσικήν. Ἐπιστεύσαμεν καὶ πιστεύομεν ὅτι κάθε προσπάθεια καὶ πτυχὴ τοῦ ἔργου καὶ τῆς ζωῆς τῆς Σχολῆς πρέπει νὰ εἶναι λατρευτικῆ καὶ ἑπομένως νὰ ἔχη κατ ἀρχὴν τὸν τόνον καὶ τὸ χρῶμα τὸ ὁποῖον ἡ Βυζαντινὴ Μουσικὴ δίδει εἰς τὴν ὕπαρξιν καὶ τὴν ἔκφρασίν της. Κατανοοῦμεν ἄλλωστε τὴν Σχολὴν μόνον ὡς μίαν Ἐκκλησιαστικὴν Κοινότητα καὶ οἰκογένειαν ἡ ὁποία ζῆ καὶ κινεῖται καὶ ἐκφράζεται εἰς τὴν λατρείαν καὶ τὴν Μουσικήν. Γὶ αὐτὸ καὶ μᾶς ἔλλειπε καὶ μᾶς λείπει τὸ μουσικὸ βιβλίον τὸ ὁποῖον περιέχει μίαν Μουσικὴν μέσα εἰς τὶς δυνατότητες καὶ τὸ ἐπίπεδον τῶν μικρῶν μαθητῶν τῆς Σχολῆς μας, οἱ ὁποῖοι ὅσον καὶ ἐὰν ἔχουν τὴν διάθεσιν δὲν διαθέτουν καὶ τὴν πείραν καὶ τὴν κατάρτισιν γιὰ μουσικὰ κείμενα «ἀνώτερα» καὶ «βαρειά» καὶ ὅμως χρειάζονται τὰ δικά των μουσικὰ κείμενα γιὰ νὰ καταρτίζωνται καὶ νὰ γίνωνται ἱκανοὶ σὺν τῷ χρόνῳ γιὰ τὰ ἀνώτερα μουσικὰ μαθήματα. Τὴν ἀνάγκη καὶ τὸ κενὸ αὐτό, ἔρχεται νὰ καλύψη ὁ ἐκλεκτὸς συνάδελφος κ. Χατζηθεοδώρου, μὲ τὸ ἀνὰ χείρας βιβλίον του, γι αὐτὸ ἡ ἔκδοσίς του εἶναι γιὰ μᾶς μία ἀφορμὴ ἀγαλλιάσεως καὶ αἰσιοδοξίας. Ἤδη τὰ παιδιὰ τῆς Σχολῆς θὰ μποροῦν νὰ ἔχουν τὸ δικό των βιβλίον καὶ ἡ λατρεία τῆς Σχολῆς θὰ ἔχη μεγαλύτερον πλοῦτον. Ἀπὸ τῆς θέσεως αὐτῆς συγχαίρομεν τὸν καθηγητὴν κ. Χατζηθεδώρου καὶ τὸν εὐχαριστοῦμε γιὰ τὴν πολύτιμη συμβολὴν καὶ προσφορὰν τοῦ εἰς τὴν Σχολὴν καὶ τοὺς μαθητάς της καὶ εὐχόμεθα νὰ συνεχίση τὴν πορείαν του γιὰ νὰ προσφέρη ἀπὸ τὸν θησαυρὸ τοῦ μουσικοῦ «χαρίσματός» του, ὄχι μόνο εἰς τὸ ψαλτήρι τῆς Ἐκκλησίας, ἀλλὰ καὶ εἰς τὰ Σχολεῖα τῆς Ἐκκλησίας, τὰ ὁποῖα μορφώνουν καὶ καταρτίζουν τὰ στελέχη της. Χαρὰν ἐπίσης μᾶς προξενεῖ τὸ γεγονὸς ὅτι μοιραίως τὸ βιβλίον τοῦτο γίνεται ἕνας ἀκόμη κρίκος καὶ ἕνα σημεῖον ἐπαφῆς, ἀνάμεσα εἰς τὴν σημερινὴν Σχολὴν καὶ τοὺς κατὰ καιροὺς ἀποφοίτους της,οἱ ὁποῖοι συναντῶνται εἰς τὸν κοινὸ χῶρο τοῦ βιβλίου καὶ γιὰ ἄλλη μιὰ φορὰν ἀκόμη συμψάλλουν καὶ συμπορεύονται εἰς τὴν «ὁδὸν τοῦ Κυρίου» (Μάρκ.Ἴ, 3), μετὰ ἀπὸ τὸ ξεκίνημα καὶ τὰ πρῶτα βήματά τους εἰς τὴν Ἰερατικὴν Σχολὴν Κρήτης. Ἐν Ἁγίᾳ Τριάδι τῆς 2ας Ἰουνίου 1973 Ἀρχιμ. Εἰρηναῖος Ἀθανασιάδης * Ὁ Πρόλογος συντάχθηκε ἀπό τὸν τότε διευθυντή τῆς Σχολῆς καὶ νῦν Ἀρχιεπίσκοπο Κρήτης κ.κ. Εἰρηναίο.
ΣΗΜΕΙΩΜΑ ΣΤΗ ΔΕΥΤΕΡΗ ΕΚΔΟΣΗ Τό ἀνά χείρας βιβλίο ἐκδόθηκε γιά πρώτη φορά τό 1973, προκειμένου νά καλύψει τίς διδακτικές ἀνάγκες τῶν μαθητῶν τῆς Ἱερατικῆς Σχολῆς Κρήτης, στήν ὁποία τότε ὑπηρετούσα ὡς καθηγητής μουσικής. Ὡς ἐκ τούτου ἡ μορφή καί ἡ ὕλη τοῦ περιεχομένου τῆς πρώτης αὐτής ἐκδόσεως ἤταν ἀπόλυτα προσαρμοσμένη στίς δυνατότητες τῶν μαθητῶν τῆς Σχολῆς. Σήμερα, μετά ἀπό τόσα χρόνια, μέ τή βοήθεια τοῦ καλοῦ φίλου καί διά βίου συνεργάτη μου, τοῦ γνωστοῦ ἐκδότη βιβλίων βυζαντινῆς μουσικῆς, τοῦ κ. Γιάννη Πολυχρονάκη, ἀποφάσισα νά ἰκανοποιήσω τήν ἐπιθυμία πολλῶν παλαιῶν καί νέων μαθητῶν μου, ἐπανεκδίδοντας τό ἤδη ἀπό πολλῶν ἐτῶν ἐξαντλημένο αὐτό βιβλίο μου. Γιά τήν ἱστορία ἀναφέρω ὅτι ἡ πρώτη ἔκδοση τῆς «Βυζαντινῆς Λειτουργίας» μου ἤταν χειρόγραφη καί ἡ ἐκτύπωσή της εἶχε γίνει στή Θεσσαλονίκη ἀπό τό «Ἑλληνικό Ἴδρυμα Ἐξυπηρετήσεως Πανεπιστημίων», μέ τό σύστημα ΟΦΣΕΤ πού μόλις τότε εἶχε ἀρχίσει νά χρησιμοποιείται στήν Ἑλλάδα, μέ φυσικό ἐπακόλουθο τό αἰσθητικό τυπογραφικά ἀποτέλεσμα νά μήν ἦταν πολύ καλό. Γιά τήν καθαρογραφή τοῦ βιβλίου βοήθησαν οἱ τότε συνάδελφοί μου π. Ἀντώνιος Τσουρλάκης (πεζά κείμενα - τά μουσικά τά ἔγραψα ἐγώ) καί ὁ Ἀντώνης Πεζανάκης (σχεδιασμό - διακόσμηση), πού εἶχε ἄλλωστε τήν πρωτοβουλία καί τήν ὅλη ἐπιμέλεια τῆς ἔκδοσης. Ἡ τωρινή ἔκδοση τῆς «Βυζαντινῆς Λειτουργίας» μου, σέ ὅ,τι ἀφορά το περιεχόμενο, εἶναι πλήρως ἀναθεωρημένη ἀπό τήν πρώτη καί τοῦτο, γιατί σ αὐτήν θέλησα νά παραδώσω πρός τούς πολυπληθείς μαθητές μου, ὡς μιά ὕστερη διδασκαλική μαρτυρία, τήν ἑδραζόμενη σέ μία πεντηκονταετή καί πλέον ἐμπειρία, ὁριστική ἔκφραση τῆς ψαλτικῆς μου πράξης. Κατόπιν τούτου τό περιεχόμενό της, ἄν καί στηρίζεται κατά βάση καί ἀκολουθεῖ τά ἵχνη τῶν προγενεστέρων μεγάλων διδασκάλων τῆς ἐκκλησιαστικῆς μας μουσικής, ἔχει προσωπικό χαρακτήρα και ἀποτυπώνει, ἐπίσης, ὡς ἕνα βαθμό καί τήν ἔκφραση τῆς καλυμνιακῆς μουσικῆς παράδοσης, πού ὑπηρετῶ ἀπό τήν παιδική μου ἡλικία. Σημειώνω ὅτι ὅσα μέλη δέν εἶναι δικά μου καί ἔχουν ληφθεῖ ἀπό ἄλλες ἐκδόσεις, διατηροῦν τήν ὀρθογραφία τους. Ἔγραψα στήν Κάλυμνο τήν πρώτη Ἰουλίου τοῦ ἔτους δύο χιλάδες ὁκτώ Γεώργιος Ι. Χατζηθεοδώρου
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