ÓÇÌÁÍÔÉÊÅÓ ÏÄÇÃÉÅÓ ÁÓÖÁËÅÉÁÓ ËÅÐÔÏÌÅÑÅÉÓ ÏÄÇÃÉÅÓ ÁÓÖÁËÅÉÁÓ: ÐÑÏÓÏ Ç: ÐÑÏÅÉÄÏÐ : Ãéá íá ðåñéïñéóôåß ï êßíäõíïò çëåêôñïðëçîßáò, äåí åðéôñýðåôáé ç áöáßñå

Óýíôïìåò Ïäçãßåò êäïóç 1 2 Éïýëéïò 2004 ÅËËÇÍÉÊÁ

ÓÇÌÁÍÔÉÊÅÓ ÏÄÇÃÉÅÓ ÁÓÖÁËÅÉÁÓ ËÅÐÔÏÌÅÑÅÉÓ ÏÄÇÃÉÅÓ ÁÓÖÁËÅÉÁÓ: ÐÑÏÓÏ Ç: ÐÑÏÅÉÄÏÐ : Ãéá íá ðåñéïñéóôåß ï êßíäõíïò çëåêôñïðëçîßáò, äåí åðéôñýðåôáé ç áöáßñåóç ôïõ åðüíù êáëýììáôïò (Þ ôïõ ðßóù ôïé þìáôïò) ôçò óõóêåõþò Óôï åóùôåñéêü äåí õðüñ ïõí åîáñôþìáôá ðïõ ìðïñïýí íá åðéóêåõáóôïýí áðü ôï ñþóôç Ãéá ôéò åñãáóßåò åðéóêåõþò ðñýðåé ïðùóäþðïôå íá áðåõèýíåóôå óå åîåéäéêåõìýíï ðñïóùðéêü Ãéá íá áðïöýãåôå ôïí êßíäõíï ðõñêáãéüò Þ çëåêôñïðëçîßáò, áõôþ ç óõóêåõþ äåí ðñýðåé íá åêôßèåôáé óå âñï Þ Þ õãñáóßá Åðßóçò ç óõóêåõþ äåí ðñýðåé íá Ýñ åôáé óå åðáöþ ìå íåñü ðïõ óôüæåé Þ åêôïîåýåôáé, åíþ åðüíù óôç óõóêåõþ äåí åðéôñýðåôáé íá ôïðïèåôïýíôáé áíôéêåßìåíá ðïõ ðåñéý ïõí õãñü, üðùò ð âüæá 1) ÄéáâÜóôå ôéò ðáñïýóåò ïäçãßåò 2) ÖõëÜîôå ôéò ðáñïýóåò ïäçãßåò 3) ÐñïóÝîôå üëåò ôéò ðñïåéäïðïéþóåéò 4) ÔçñÞóôå üëåò ôéò ïäçãßåò 5) Ìçí ñçóéìïðïéåßôå áõôþ ôç óõóêåõþ êïíôü óå íåñü 6) Ãéá ôïí êáèáñéóìü ñçóéìïðïéþóôå ìüíï Ýíá óôåãíü ðáíß 7) Ìç öñüæåôå ôá áíïßãìáôá åîáåñéóìïý Ç åãêáôüóôáóç ðñýðåé íá ðñáãìáôïðïéåßôáé óýìöùíá ìå ôéò ïäçãßåò ôïõ êáôáóêåõáóôþ 8) Ìçí ôïðïèåôåßôå ôç óõóêåõþ êïíôü óå ðçãýò èåñìüôçôáò, üðùò ð êáëïñéöýñ, èåñìïóõóóùñåõôýò, óüìðåò Þ ëïéðýò óõóêåõýò (áêüìç êáé åíéó õôýò) ðïõ ðáñüãïõí èåñìüôçôá 9) Ìçí á ñçóôåýåôå ôá áñáêôçñéóôéêü áóöáëåßáò åíüò öéò óõãêåêñéìýíçò ðïëéêüôçôáò Þ åíüò öéò ìå ãåßùóç íá âýóìá óõãêåêñéìýíçò ðïëéêüôçôáò äéáèýôåé äýï åëüóìáôá, üðïõ ôï Ýíá Ý åé ìåãáëýôåñï ìþêïò áðü ôï Üëëï íá öéò ìå ãåßùóç äéáèýôåé äýï åëüóìáôá êáé ìéá ôñßôç ðñïåîï Þ ãåßùóçò Ôï Ýëáóìá ìåãáëýôåñïõ ìþêïõò Þ ç ôñßôç ðñïåîï Þ áðïóêïðïýí óôçí áóöüëåéü óáò ÅÜí ôï öéò ðïõ ðáñý åôáé äåí ôáéñéüæåé óôçí ðñßæá óáò, óõìâïõëåõèåßôå Ýíáí çëåêôñïëüãï ãéá ôçí áíôéêáôüóôáóç ôçò ðñßæáò Ôï óýìâïëï áõôü óáò ðñïåéäïðïéåß, üðïõ åìöáíßæåôáé, ãéá ôçí ýðáñîç ìç ìïíùìýíùí ñåõìáôïöüñùí êáëùäßùí åðéêßíäõíçò ôüóçò óôï åóùôåñéêü ôïõ ðåñéâëþìáôïò, ç ïðïßá åãêõìïíåß êßíäõíï çëåêôñïðëçîßáò Ôï óýìâïëï áõôü óáò ðñïåéäïðïéåß, üðïõ åìöáíßæåôáé, ãéá ôéò óçìáíôéêüôåñåò ïäçãßåò åéñéóìïý êáé óõíôþñçóçò óôá óõíïäåõôéêü Ýíôõðá ôçò óõóêåõþò Ðáñáêáëïýìå íá äéáâüóåôå ôï åã åéñßäéï ïäçãéþí ñþóçò Åðéöõëáóóüìáóôå ãéá ôõ üí ôå íéêýò äéáöïñýò êáé äéáöïñýò ôùí åéêüíùí ¼ëåò ïé ðëçñïöïñßåò áíôáðïêñßíïíôáé óôçí êáôüóôáóç ôçò óõóêåõþò êáôü ôç ñïíéêþ óôéãìþ ôçò åêôýðùóçò Ïé åôáéñåßåò, ôá éäñýìáôá Þ ôá äçìïóéåýìáôá êáé ôá áíüëïãá ëïãüôõðü ôïõò, ðïõ áðåéêïíßæïíôáé Þ áíáöýñïíôáé åäþ, áðïôåëïýí óþìá êáôáôåèýí ôùí áíüëïãùí êáôü ùí ôïõò Ç ñþóç ôïõò äåí ðñïâüëëåé óå êáìßá ðåñßðôùóç êüðïéá áîßùóç ðñïò ôï åêüóôïôå óþìá êáôáôåèýí Þ ôçí ýðáñîç ó Ýóçò áíüìåóá óôïõò êáôü ïõò ôïõ óþìáôïò êáôáôåèýíôïò êáé ôçò åôáéñåßáò BEHRINGER Ç åôáéñåßá BEHRINGER äåí åããõüôáé óå êáìßá ðåñßðôùóç ôçí ïñèüôçôá êáé áêåñáéüôçôá ôùí åóþêëåéóôùí ðåñéãñáöþí, åéêüíùí êáé ðëçñïöïñéþí Ôá ñþìáôá ðïõ áðåéêïíßæïíôáé êáé ïé ðåñéãñáöýò ðïõ áíáöýñïíôáé åíäý åôáé íá áðïêëßíïõí óå êüðïéï âáèìü áðü ôï ðñïúüí Ïé ðñïìçèåõôýò êáé ïé Ýìðïñïé äåí áðïôåëïýí åîïõóéïäïôçìýíïõò áíôéðñïóþðïõò ôçò BEHRINGER êáé óõíåðþò äåí Ý ïõí êáíýíá áðïëýôùò äéêáßùìá íïìéêþò äýóìåõóçò ôçò BEHRINGER êáôü ïðïéïíäþðïôå ôñüðï, ñçôü Þ óõìðåñáóìáôéêü Áõôü ôï åã åéñßäéï åßíáé íïìéêü êáôï õñùìýíï ÏðïéáäÞðïôå áíôéãñáöþ Þ áíáôýðùóç, áêüìá êáé ìåñéêþ, êáé ïðïéáäþðïôå áíáðáñáãùãþ åéêüíùí, áêüìá êáé ôñïðïðïéçìýíç, åðéôñýðåôáé ìüíï êáôüðéí ãñáðôþò óõìöùíßáò ôçò åôáéñåßáò BEHRINGER Spezielle Studiotechnik GmbH Ôï üíïìá BEHRINGER åßíáé Ýíá êáôá ùñçìýíï óþìá êáôáôåèýí ÌÅ ÔÇÍ ÅÐÉÖÕËÁÎÇ ÏËÙÍ ÔÙÍ ÄÉÊÁÉÙÌÁÔÙÍ 2004 BEHRINGER Spezielle Studiotechnik GmbH BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str 36-38, 47877 Willich-Muenchheide II, Deutschland Tel +49 2154 9206 0, Fax +49 2154 9206 4903 10) ÐñïóôáôÝøôå ôï êáëþäéï ôñïöïäïóßáò, äéüôé äåí åðéôñýðåôáé íá ôï ðáôþóåôå Þ íá ôï ðéýæåôå åéäéêü óôçí ðåñéï Þ ôùí öéò, ôùí êáëùäßùí ðñïýêôáóçò êáé óôï óçìåßï åîüäïõ áðü ôç ìïíüäá 11) ñçóéìïðïéþóôå áðïêëåéóôéêü ðñüóèåôá åîáñôþìáôá/ áîåóïõüñ ðïõ ðñïâëýðïíôáé áðü ôïí êáôáóêåõáóôþ 12) Ç óõóêåõþ åðéôñýðåôáé íá ñçóéìïðïéåßôáé ìå êáñïôóüêé, âüóç, ôñßðïäï, âñá ßïíá Þ ðüãêï ðïõ ðñïâëýðåôáé áðü ôïí êáôáóêåõáóôþ Þ ðïõ äéáôßèåôáé ìáæß ìå ôç óõóêåõþ ÅÜí ñçóéìïðïéåßôå êáñïôóüêé, ðñýðåé íá åßóôå ðñïóåêôéêïß üôáí ìåôáêéíåßôå ôï óõãêñüôçìá êáñïôóüêé/óõóêåõþ, ãéá íá áðïöýãåôå ôõ üí ôñáõìáôéóìïýò ëüãù åìðïäßùí 13) ÁðïóõíäÝóôå ôç óõóêåõþ áðü ôï çëåêôñéêü äßêôõï êáôü ôç äéüñêåéá êáôáéãßäùí ìå êåñáõíïýò Þ åüí äåí ðñüêåéôáé íá ôçí ñçóéìïðïéþóåôå ãéá ìåãáëýôåñï ñïíéêü äéüóôçìá 14) Ãéá ôéò åñãáóßåò åðéóêåõþò ðýðåé ïðùóäþðïôå íá áðåõèýíåóôñå óå åîåéäéêåõìýíï ðñïóùðéêü ÓÝñâéò áðáéôåßôáé üôáí ç ìïíüäá Ý åé õðïóôåß æçìéü, üðùò ð æçìéü óôï êáëþäéï ôñïöïäïóßáò Þ ôï öéò, åüí ðýóïõí õãñü Þ îýíá áíôéêåßìåíá ìýóá óôç óõóêåõþ, åüí ç ìïíüäá åêôåèåß óå âñï Þ Þ õãñáóßá, åüí äåí ëåéôïõñãåß óùóôü Þ ðýóåé óôï Ýäáöïò 15) ÐÑÏÓÏ Ç Ïé ðáñïýóåò ïäçãßåò óýñâéò áðåõèýíïíôáé áðïêëåéóôéêü óå åîåéäéêåõìýíï ðñïóùðéêü óýñâéò Ãéá íá áðïöýãåôå ôïí êßíäõíï çëåêôñïðëçîßáò, ìçí åðé åéñþóåôå íá ðñáãìáôïðïéþóåôå åñãáóßåò óýñâéò ðïõ äåí ðåñéëáìâüíïíôáé óôï åã åéñßäéï ïäçãéþí ñþóçò, åêôüò åüí äéáèýôåôå ôéò áíüëïãåò åîåéäéêåõìýíåò ãíþóåéò 2

1 ÅÉÓÁÃÙÃÇ Óáò åõ áñéóôïýìå ðïëý ãéá ôçí åìðéóôïóýíç ðïõ ìáò äåßîáôå ìå ôçí áãïñü ôïõ VINTAGER AC112 Ìå ôï VINTAGER áðïêôþóáôå Ýíá óýã ñïíï åñãáóôþñé êéèüñáò, ôï ïðïßï èýôåé íýá ðñüôõðá óôçí ôå íïëïãßá ôùí åíéó õôþí êéèüñáò Ðñùôáñ éêü ìáò ìýëçìá, êáôü ôç äéüñêåéá ôçò êáôáóêåõþò, Þôáí íá ôåëåéïðïéþóïõìå ôïí áõèåíôéêü Þ ï êáé ôáõôü ñïíá íá ôïí óõíäýóïõìå ìå ôçí ôåëåõôáßá ôå íïëïãßá DSP Óå áõôü åß áìå ðüíôá êáôü íïõ ôïí äéáéóèçôéêü åéñéóìüò + Ïé ðáñáêüôù ïäçãßåò èá óáò åîïéêåéþóïõí êáô áñ Üò ìå ôçí åéäéêþ ïñïëïãßá, ãéá íá ãíùñßóåôå üëåò ôéò ëåéôïõñãßåò ôïõ ìç áíþìáôïò Áöïý äéáâüóåôå ðñïóåêôéêü ôéò ïäçãßåò, óáò ðáñáêáëïýìå íá ôéò öõëüîåôå ãéá íá ìðïñýóåôå íá ôéò óõìâïõëåõôåßôå êüèå öïñü ðïõ èá ôéò ñåéüæåóôå ÐÑÏÓÏ Ç: + Óáò åöéóôïýìå ôçí ðñïóï Þ, üôé ç ìåãüëç ç çôéêþ Ýíôáóç ìðïñåß íá ðñïêáëýóåé âëüâç óôçí áêïþ óáò êáé/ Þ óôá áêïõóôéêü óáò Ãõñßóôå üëïõò ôïõò äéáêüðôåò LEVEL ôýñìá áñéóôåñü, ðñéí áíïßîåôå ôï ìç Üíçìá ÐñïóÝ åôå íá Ý åôå ðüíôá ôçí êáôüëëçëç Ýíôáóç 1 1 Ðñéí îåêéíþóåôå Ôï VINTAGER óõóêåõüóôçêå óôï åñãïóôüóéï ìå ðñïóï Þ, ãéá íá äéáóöáëéóôåß ç áóöáëþ ìåôáöïñü ÅÜí, ðáñ üëá áõôü, ôï áñôüíé ðáñïõóéüæåé æçìéýò, óáò ðáñáêáëïýìå íá åëýãîåôå áìýóùò ôï ìç Üíçìá ãéá åîùôåñéêýò æçìéýò + Óå ðåñßðôùóç åíäå üìåíùí æçìéþí ÌÇÍ åðéóôñýøåôå ôç ìïíüäá óå åìüò, áëëü åíçìåñþóôå ðñþôá ïðùóäþðïôå ôïí Ýìðïñï êáé ôç ìåôáöïñéêþ åôáéñßá, ãéáôß óå äéáöïñåôéêþ ðåñßðôùóç ìðïñåß íá ìçí éó ýóåé ç áîßùóç ãéá áðïæçìßùóç + ñçóéìïðïéåßôå ðüíôïôå ôçí áñ éêþ óõóêåõáóßá ãéá íá áðïöýãåôå ôéò æçìéýò êáôü ôçí áðïèþêåõóç Þ ôç ìåôáöïñü + Ìçí áöþíåôå ðïôý ôá ðáéäéü íá áó ïëïýíôáé ùñßò åðßâëåøç ìå ôç óõóêåõþ Þ ôá õëéêü óõóêåõáóßáò + Ðáñáêáëþ ðåôüîôå üëá ôá õëéêü óõóêåõáóßáò ùñßò íá åðéâáñýíåôå ôï ðåñéâüëëïí Öñïíôßóôå íá õðüñ åé åðáñêþò áåñéóìüò êáé ìçí ôïðïèåôåßôå ôï VINTAGER êïíôü óå èåñìýò ðåñéï Ýò ãéá íá áðïöýãåôå ôçí õðåñèýñìáíóç ôïõ ìç áíþìáôïò + Ðñéí óõíäýóåôå ôï VINTAGER óôï ñåýìá, åëýãîôå ðñïóåêôéêü, áí ç ìïíüäá óáò åßíáé ñõèìéóìýíç óôç óùóôþ ôüóç çëåêôñéêïý ñåýìáôïò! Ç óýíäåóç óôï ñåýìá ãßíåôáé ìå ôï ôñïöïäïôéêü êáëþäéï (ðåñéëáìâüíåôáé óôç óõóêåõáóßá), ìå õðïäï Þ IEC Ôï êáëþäéï áíôáðïêñßíåôáé óôïõò áðáéôïýìåíïõò üñïõò áóöáëåßáò + Ðáñáêáëïýìå íá ëüâåôå õðüøç óáò üôé üëåò ïé óõóêåõýò ðñýðåé ïðùóäþðïôå íá åßíáé ãåéùìýíåò Ãéá ôç äéêþ óáò áóöüëåéá äåí ðñýðåé óå êáìßá ðåñßðôùóç íá áöáéñýóåôå Þ íá á ñçóôåýóåôå ôç ãåßùóç ôùí óõóêåõþí Þ ôùí êáëùäßùí ôñïöïäïóßáò Ç óõóêåõþ ðñýðåé íá óõíäýåôáé ðüíôá óôçí ðñßæá ìå óùóôü áãùãü ãåßùóçò Ç óýíäåóç MIDI (IN) ãßíåôáé ìýóù ôïõ ôõðïðïéçìýíïõ ñåõìáôïëþðôç DIN Ç ìåôáöïñü äåäïìýíùí ãßíåôáé åêôüò ôüóåùò ìýóù ïðôïóõæåýêôç Ãéá ðåñéóóüôåñåò ðëçñïöïñßåò âë ÊåöÜëáéï 3 ÅÃÊÁÔÁÓÔÁÓÇ 1 ÅÉÓÁÃÙÃÇ 3

1 2 åéñéóìüò 1 2 1 Åìðñüò üøç Åéê 1 1: Ôá óôïé åßá åéñéóìïý óôçí ìðñïóôéíþ üøç 1 Ï ñõèìéóôþò VOLUME óôï êáíüëé CLEAN ñõèìßæåé ôçí Ýíôáóç ôïõ êáíáëéïý CLEAN 2 Ï ñõèìéóôþò BASS ôïõ ôìþìáôïò éóïóôáèìéóôþ (equalizer) åðéôñýðåé ôçí áõîïìåßùóç ôùí óõ íïôþôùí ìðüóóùí óôï êáíüëé CLEAN 3 Ìå ôïí ñõèìéóôþ MID ìðïñåßôå íá áõîïìåéþóåôå ôéò ìåóáßåò óõ íüôçôåò óôï êáíüëé CLEAN 4 O ñõèìéóôþò TREBLE åëýã åé ôçí Üíù ðåñéï Þ óõ íïôþôùí ôïõ êáíáëéïý CLEAN + Óáò ðáñáêáëïýìå íá ðñïóýîåôå üôé üôáí êáé ïé ôñåéò äéáêüðôåò ôïõ ôìþìáôïò ôïõ éóïóôáèìéóôþ óôï êáíüëé CLEAN åßíáé ôýñìá áñéóôåñü äåí öôüíåé óþìá óôá ç åßá Áõôü ïöåßëåôáé óôïõò êëáóéêïýò êáé åîáéñåôéêü áðïôåëåóìáôéêïýò äéáêüðôåò éóïóôáèìéóôþ ðïõ ñçóéìïðïéïýìå óôï VINTAGER 5 Ï õðïäï Ýáò ìå ôçí Ýíäåéîç INPUT åßíáé ç åßóïäïò âýóìáôïò 6,3 mm ôïõ VINTAGER, óôçí ïðïßá ìðïñåßôå íá óõíäýóåôå ôçí êéèüñá óáò Ãéá ôç óýíäåóç ñçóéìïðïéþóôå ôï ìïíïöùíéêü êáëþäéï ðïõ êõêëïöïñåß óôï åìðüñéï (ðñýðåé üìùò íá ôï áãïñüóåôå áðü åéäéêü êáôáóôþìáôá ìïõóéêþí åéäþí) ÐñÝðåé íá ñçóéìïðïéþóåôå Ýíá êáëþäéï ôñéðëïý óôñþìáôïò ìüíùóçò, ãéá íá ìçí Ý åôå äõóüñåóôåò åêðëþîåéò êáôü ôç äéüñêåéá ôçò ðñüâáò Þ ôçò óõíáõëßáò 6 Ðáôþíôáò ôï ðëþêôñï OVERDRIVE åðéëýãåôå áíüìåóá óôï êáíüëé CLEAN êáé OVERDRIVE Ìå ôçí åíåñãïðïßçóç ôïõ êáíáëéïý OVERDRIVE áíüâåé êáé ôï áíôßóôïé ï LED 7 Ìå ôïí ñõèìéóôþ GAIN êáèïñßæåôå ôïí âáèìü ðáñáìüñöùóçò óôï êáíüëé OVERDRIVE 8 Ï ñõèìéóôþò VOLUME ñõèìßæåé ôçí Ýíôáóç ôïõ êáíáëéïý OVERDRIVE + ñçóéìïðïéåßóôå êáé ôïõò äýï ñõèìéóôýò VOLUME, ãéá íá ñõèìßóåôå, êáôü ôïí êáëýôåñï äõíáôü ôñüðï, ôç ó Ýóç Ýíôáóçò ìåôáîý ôùí êáíáëéþí, Ýôóé þóôå íá ìçí ãßíïõí áíôéëçðôýò ïé äéáöïñýò óôçí Ýíôáóç êáôü ôçí áëëáãþ Ç ñýèìéóç åðçñåüæåé êáé ôá øçöéáêü åöý ðïõ åîáñôþíôáé áðü ôç óôüèìç 9 Ï ñõèìéóôþò BASS ôïõ ôìþìáôïò ôïõ éóïóôáèìéóôþ åðéôñýðåé ôçí áõîïìåßùóç ôùí óõ íïôþôùí ôùí ìðüóùí óôï êáíüëé OVERDRIVE 10 Ìå ôïí ñõèìéóôþ MID ìðïñåßôå íá áõîïìåéþóåôå ôéò ìåóáßåò óõ íüôçôåò óôï êáíüëé OVERDRIVE 11 Ï ñõèìéóôþò TREBLE åëýã åé ôçí Üíù ðåñéï Þ óõ íïôþôùí ôïõ êáíáëéïý OVERDRIVE 12 Ôï DISPLAY óáò äåß íåé åßôå ôïí áñéèìü ðñïãñüììáôïò ôïõ åðéëåãìýíïõ PRESET Þ ôçí ôéìþ ôùí ðáñáìýôñùí ðïõ óõíäýïíôáé ìå ôïõò ñõèìéóôýò PARAMETER-, EFFECT A- Þ EFFECT B 13 Ìå ôï ðëþêôñï UP Ý åôå ôç äõíáôüôçôá íá áõîþóåôå ôïí áñéèìü ðñïãñüììáôïò ôçò åíóùìáôùìýíçò ìïíüäáò åöý ÊñáôÞóôå ôï ðëþêôñï ðáôçìýíï, ãéá íá ðåñíüí ïé áñéèìïß 14 Ôï ðëþêôñï DOWN åðéôñýðåé ôç óýíäåóç åíüò áìçëïý áñéèìïý ðñïãñüììáôïò 4 1 ÅÉÓÁÃÙÃÇ

15 ÁõôÜ ôá LED STATUSóáò åíçìåñþíïõí ãéá ôï åßäïò ôùí ðáñáìýôñùí ðïõ ìðïñåßôå íá ñçóéìïðïéþóåôå ìå ôïí ñõèìéóôþ PARAMETER Åîáßñåóç áðïôåëåß åäþ ôï MIDI-LED s MIDI: Áõôü ôï LED áíüâåé, üôáí ðáôüôå ìáæß ôá ðëþêôñá UP êáé DOWN ãéá ðåñßðïõ äýï äåõôåñüëåðôá Ìðïñåßôå ìåôü ìå áõôü ôá ðëþêôñá íá ñõèìßóåôå Ýíá êáíüëé MIDI (1 Ýùò 16, ÏÍ ãéá Ïmni êáé OF ãéá áíåíåñãü Þ ÏÍ ãéá Ïmni êáé 1 Ýùò 16 êüèå öïñü ìå äåêáäéêü óçìåßï ãéá ôç ëåéôïõñãßá Store Enable, óõãêñ êåöüëáéï 2 1) ãéá ôçí ëþøç äåäïìýíùí MIDI ÌåôÜ ôçí åðéëïãþ ðñýðåé íá åðéâåâáéþóåôå ôçí åéóáãùãþ óáò ìå ôï ðëþêôñï ENTER Åêôüò áõôïý, ôï MIDI-LED áíáâïóâþíåé ôáêôéêü üôáí öèüíïõí ó åôéêü äåäïìýíá MIDI + Ç ëåéôïõñãßá Store Enable (óõãêñ ÊåöÜëáéï 2 1) åðéôñýðåé ôçí Üìåóç áðïèþêåõóç ôùí ðñïêáèïñéóìýíùí (presets) ìýóù ôïõ MIDI Óáò ðáñáêáëïýìå íá ðñïóýîåôå, þóôå ìýóù ôçò áðïóôïëþò ôéìþí MIDI Controller 18 íá áðïèçêåýïíôáé áìåôüêëçôá áëëáãýò óôá presets ðïõ åßíáé åíåñãü åêåßíç ôç óôéãìþ + Áí äåí ðñïóèýôåôå ðáñáìýôñïõò, áíáâïóâþíåé ôï ðïëõëåéôïõñãéêü MIDI-LED (áíüâåé óýíôïìá áíüëïãá ìå ôçí Ýíôáóç) óå ðåñßðôùóç åðáðåéëïýìåíçò õðåñöüñôùóçò ôïõ DSP Ó áõôþ ôçí ðåñßðôùóç ãõñßóôå ëßãï ðñïò ôá áñéóôåñü ôïí ñõèìéóôþ VOLUME s s s s s TIME: Áõôü ôï LED áíüâåé, üôáí åðéëýãåôå ôçí ðáñüìåôñï ñüíïõ óå Ýíá åöý (ð Reverb Time Þ Delay Time) SPEED: Ôï LED áõôü áíüâåé üôáí ñõèìßæåôå ôçí ôá ýôçôá ôïõ LFO (Low Frequency Oscillator) ãéá üëá ôá åöý Þ ôçí ðáñüìåôñï SPEED ôïõ óõìðéåóôþ êáé ôïõ äéáóôïëýá SENS: Áõôü ôï LED äåß íåé, üôé ìðïñåß íá ãßíåé ç ñýèìéóç åõáéóèçóßáò óå åöý, üðùò ð Auto Wah, äéáóôïëýá, óõìðéåóôþ PITCH: Áõôü ôï LED áíüâåé üôáí ðñïóôßèåôáé ôï Pitch Shifter êáé äåß íåé åßôå ôçí ðáñáìüñöùóç óôá çìßôïíá åßôå ôçí ðáñáìüñöùóç óôá Cent EQ: Áõôü ôï LED áíüâåé üôáí áëëüæåôå ðáñáìýôñïõò óôá åöý, ãéá ôá ïðïßá ôï ößëôñï åîõðçñåôåß ùò âüóç ÄåîéÜ äßðëá óôï LED-Status âñßóêåôáé Ýíáò ðßíáêáò ðïõ ðåñéý åé ôá äéüöïñá åßäç åöý êáé ôïí áñ éêü áñéèìü ðñïãñüììáôïò ÂÜóåé ôïõ êáôáëüãïõ áõôïý, ìðïñåßôå íá âñåßôå ãñþãïñá ôï åöý ðïõ åðéèõìåßôå, ìðïñåßôå íá ôï ðñïóèýóåôå êáé íá ôï áðïèçêåýóåôå Ç åíóùìáôùìýíç ìïíüäá åöý åßíáé åöïäéáóìýíç ìå 31 äéáöïñåôéêýò ïìüäåò åöý êáé ðåñéëáìâüíåé 99 ðïéêéëßåò åöý ìå ôïõò ó åôéêïýò áñéèìïýò ðñïãñüììáôïò 16 Ìå ôï ðëþêôñï ENTER åðéâåâáéþíåôå ôçí åðéëïãþ ôïõ áñéèìïý ðñïãñüììáôïò + Áí ïé ëåéôïõñãßåò MIDI äåí åßíáé åíåñãýò, ôüôå ìðïñåß íá áðïèçêåõôåß êáé ãéá ôá äýï êáíüëéá ôïõ VINTAGER Ýíá åöý êüèå öïñü ôóé åßóôå óå èýóç, ð ãéá ôï êáíüëé OVERDRIVE íá åðéëýîåôå Ýíá åöý DELAY êáé íá ôáîéíïìþóåôå óôï êáíüëé CLEAN Ýíá óõíäõáóôéêü åöý REVERB/CHORUS Ïé åêüóôïôå áñéèìïß ðñïãñüììáôïò áðïèçêåýïíôáé ìå ôá êáíüëéá êáé ìðïñåßôå íá ôá êáëýóåôå ìå ôïí äéáêüðôç ðïäüò Þ ôá ðëþêôñá óôï VINTAGER ¼ôáí åíåñãïðïéþóåôå ôéò ëåéôïõñãßåò MIDI äåí õðüñ åé áõôþ ç ôáîéíüìçóç Óå áõôþ ôç ëåéôïõñãßá ìðïñïýí íá áëëüæïõí ùñéóôü ôá êáíüëéá êáé ôá åöý ìåôáîý ôïõò 17 Ìå ôïí äéáêüðôç PARAMETER Ý åôå ôç äõíáôüôçôá íá ðñïóèýóåôå Ýíá åöý ðïõ åîáñôüôáé áðü ðáñüìåôñï Ç ôéìþ ôçò ðáñáìýôñïõ öáßíåôáé áìýóùò ìåôü ôçí åðéëïãþ ôïõ ñõèìéóôþ PARAMETER óôçí ïèüíç êáé ôï áíôßóôïé ï LED áñ ßæåé íá áíáâïóâþíåé (âë ) 18 Ìå ôïí ñõèìéóôþ AU IN óôçí êõñßùò ðåñéï Þ (MASTER) êáèïñßæåôå ôçí Ýíôáóç ôïõ óþìáôïò AU ðïõ åéóüãåôáé ìýóù ôùí õðïäï Ýùí óôçí ðßóù ðëåõñü ôïõ VINTAGER (ð Drum Computer, Playback) 19 Ï ñõèìéóôþò PRESENCE óôçí êýñéá ðåñéï Þ åðéôñýðåé êáé óôá äýï êáíüëéá ôçí áõîïìåßùóç ôùí õøçëþí ìåóáßùí 1 ÅÉÓÁÃÙÃÇ 5

20 Ï ñõèìéóôþò EFFECT A åðéôñýðåé ôçí ñýèìéóç ôçò ó Ýóçò ìßîçò ìåôáîý ôïõ ðñùôüôõðïõ óþìáôïò êáé ôïõ åöý ÁíÜëïãá ìå ôá ðñïêáèïñéóìýíá êáèïñßæåôå ìå ôïí ñõèìéóôþ áõôüí åßôå ôç ó Ýóç ìåôáîý ôïõ ðñùôïôýðïõ êáé ôïõ áñéóôåñïý óþìáôïò åöý Þ ìåôáîý ôïõ ðñùôïôýðïõ êáé ôïõ ðñþôïõ åöý (óå óõíäõáóôéêü åöý) Óå ïñéóìýíá åöý ìðïñåßôå ìå ôïí ñõèìéóôþ áõôüí íá ðñïóèýóåôå ìéá äåýôåñç ðáñüìåôñï óõãêåêñéìýíá ãéá ôá åöý 21 Ìå ôïí ñõèìéóôþ EFFECT B ñõèìßæåôå ôç ó Ýóç ìßîçò áíüìåóá óôï ðñùôüôõðï óþìá êáé ôï åöý ÁíÜëïãá ìå ôá ðñïêáèïñéóìýíá êáèïñßæåôå ìå ôïí ñõèìéóôþ áõôüí åßôå ôç ó Ýóç ìåôáîý ôïõ ðñùôïôýðïõ êáé ôïõ äåîéïý óþìáôïò åöý Þ ìåôáîý ôïõ ðñùôïôýðïõ êáé ôïõ äåýôåñïõ åöý (óå óõíäõáóôéêü åöý) Óå ïñéóìýíá åöý ìðïñåßôå ìå ôïí ñõèìéóôþ áõôüí íá ðñïóèýóåôå ìéá ôñßôç ðáñüìåôñï óõãêåêñéìýíá ãéá ôá åöý + Áí ðñïóèýóáôå Ýíá preset, áíáâïóâþíåé ôï äåêáäéêü óçìåßá óôçí äéøþöéá ïèüíç Ìå ôï ðáñáôåôáìýíï ðüôçìá ôïõ ðëþêôñïõ ENTER ìðïñåßôå íá óâþóåôå ôá ðñïêáèïñéóìýíá óôïé åßá ôïõ åñãïóôáóßïõ êáé íá áðïèçêåýóåôå ôç äéêþ óáò äçìéïõñãßá Áí èýëåôå íá åðáíáöýñåôå ôá ðñïêáèïñéóìýíá óôïé åßá ôïõ åñãïóôáóßïõ, ðáôþóôå êáé êñáôþóôå ôï ðëþêôñï ENTER ìüëéò áíïßîåôå ôï VINTAGER óáò 22 Ìå ôï ðëþêôñï EFFECT åíåñãïðïéþóôå Þ áðåíåñãïðïéþóôå ôï åðéëåãìýíï åöý 23 Ï ñõèìéóôþ MASTER óôï ôìþìá Master êáèïñßæåé ôçí óõíïëéêþ Ýíôáóç ôïõ VINTAGER 24 Ìå ôçí óôåñåïöùíéêþ õðïäï Þ âýóìáôïò 6,3 mm Ý åôå ôç äõíáôüôçôá, íá áêïýóåôå ôï áêïõóôéêü óþìá ôïõ VINTAGER ìýóá áðü ôá óõíçèéóìýíá áêïõóôéêü ôçò áãïñüò Ìüëéò ñçóéìïðïéþóåôå ôçí õðïäï Þ áõôþ, ôá ç åßá äåí áêïýãïíôáé + ÅðåéäÞ ôá ç åßá åðçñåüæïõí óçìáíôéêü ôïí Þ ï ôïõ åíéó õôþ êéèüñáò, ôï óþìá äéïñèþíåôáé ôüóï óôçí Ýîïäï ôùí áêïõóôéêþí üóï êáé óôï LINE OUT óôçí áðüêñéóç óõ íïôþôùí ùñßò ôéò äéïñèþóåéò, ôá õðåñâïëéêü ìåãüëá ýøç èá åéñïôýñåõáí ôçí åéêüíá ôïõ Þ ïõ Ðáñüëá áõôü ìðïñåßôå íá ëüâåôå ôï ìç åðåîåñãáóìýíï óþìá áìýóùò ìåôü ôï ðñþôï óôüäéï óôçí õðïäï Þ INSERT SEND, ùñßò íá äéáêüøåôå ôç ñïþ ôïõ óþìáôïò óôïí åíéó õôþ (ç õðïäï Þ INSERT RETURN ðñýðåé íá åßíáé åëåýèåñç óå áõôþ ôçí åöáñìïãþ) Óå áêïõóôéêü ìå áìçëü ùì, ìðïñïýí íá ðáñïõóéáóôïýí ðáñáìïñöþóåéò óôá áêïõóôéêü áðü ôçí ìåãüëç Ýíôáóç Ó áõôýò ôéò ðåñéðôþóåéò ìåéþóôå ôçí Ýíôáóç, ãõñßæïíôáò ðñïò ôá áñéóôåñü ôïí ñõèìéóôþ VOLUME 1 2 2 Ðßóù üøç Åéê 1 2: Ïé óõíäýóåéò óôçí ðßóù üøç 25 Ìå ôïí äéáêüðôç POWER áíïßãåôå ôï VINTAGER 26 ÕÐÏÄÏ Ç ÁÓÖÁËÅÉÁÓ/-ÅÐÉËÏÃÅÁÓ ÔÁÓÇÓ Ðñéí óõíäýóåôå ôç ìïíüäá óôï ñåýìá, âåâáéùèåßôå üôé ç Ýíäåéîç ôçò ôüóçò óõìöùíåß ìå ôçí ôïðéêþ ôüóç ôïõ ñåýìáôïò Ãéá ôçí áíôéêáôüóôáóç ôçò êáìýíçò áóöüëåéáò ðñýðåé íá ñçóéìïðïéþóåôå ôïí ßäéï ôýðï áóöüëåéáò Óå ïñéóìýíåò ìïíüäåò ìðïñåß ï äéáêüðôçò áóöáëåßáò íá ôåèåß óå äýï èýóåéò, ãéá íá ãßíåé ç áëëáãþ ìåôáîý 230 V êáé 115V Óáò ðáñáêáëïýìå íá ðñïóýîåôå: ÅÜí åðéèõìåßôå íá ñçóéìïðïéþóåôå ôç ìïíüäá åêôüò Åõñþðçò óôá 115V, ðñýðåé íá ñçóéìïðïéçèåß ìåãáëýôåñç ôéìþ áóöáëåßáò (âë ÊåöÜëáéï 3 ÅÃÊÁÔÁÓÔÁÓÇ ) 6 1 ÅÉÓÁÃÙÃÇ

27 Ç óýíäåóç óôï äßêôõï ãßíåôáé ìýóù ôçò ÕÐÏÄÏ ÇÓ IEC Óôç óõóêåõáóßá èá âñåßôå êáé ôï êáôüëëçëï êáëþäéï 28 ÓÅÉÑÉÁÊÏÓ ÁÑÉÈÌÏÓ Óáò ðáñáêáëïýìå íá äéáèýóåôå ëßãï ñüíï êáé íá ìáò óôåßëåôå óõìðëçñùìýíç ôçí êüñôá åããýçóçò ðïõ óáò Ýäùóå ï áíôéðñüóùðïò, åíôüò 14 çìåñþí áðü ôçí áãïñü Óå äéáöïñåôéêþ ðåñßðôùóç Üíåôå ôçí åããýçóç Ùò åíáëëáêôéêþ åðéëïãþ óáò ðáñý åôáé åðßóçò ç äõíáôüôçôá õðïâïëþò ôçò êüñôáò åããýçóçò ìýóù õðïëïãéóôþ (online) áðü ôçí éóôéïóåëßäá ôçò åôáéñåßáò ìáò óôï äéáäßêôõï (www behringer com) 29 MIDI IN Ç óýíäåóç áõôþ åðéôñýðåé ôïí ôçëå åéñéóìü ôïõ VINTAGER Ìðïñïýí íá ãßíïõí áëëáãýò ðáñáìýôñùí ìýóù ôïõ Controller üðùò êáé áëëáãýò ðñïãñáììüôùí åöý, áëëáãþ êáíáëéïý êáé ôï Bypass åöý ìýóù ôïõ Program Changes 30 Óôçí Ýîïäï LINE OUT ìðïñåßôå íá ëüâåôå óôåñåïöùíéêü ôï áêïõóôéêü óþìá ôïõ VINTAGER, ð ãéá íá ôï ç ïãñáöþóåôå ÁõôÞ ç Ýîïäïò äéïñèþíåôáé óôçí áðüêñéóç óõ íïôþôùí (Speaker Emulation) 31 Ç åßóïäïò AU IN åðéôñýðåé ôçí åéóáãùãþ ðñüóèåôïõ óôåñåïöùíéêïý óþìáôïò óôï VINTAGER ôóé ìðïñåßôå ð íá ðáßîåôå óå Ýíá Drum Computer Þ óå Ýíá Playback åôå åðßóçò ôç äõíáôüôçôá íá ñçóéìïðïéåßôå ôï AU IN óå óõíäõáóìüò ìå ôï INSERT SEND ùò ðáñüëëçëï óýóôçìá åöý Ãé áõôü ðñýðåé íá óõíäýóåôå ôï INSERT SEND ìå ôçí åßóïäï êáé ôï AU IN ìå ôçí Ýîïäï ôçò ìïíüäáò åöý (ç õðïäï Þ INSERT RETURN èá ðñýðåé íá åßíáé åëåýèåñç!) ôóé äåí äéáêüðôåôáé ç ñïþ óþìáôïò óôïí åíéó õôþ êáé Ý åôå ôç äõíáôüôçôá, ìå ôïí ñõèìéóôþ ÁU IN íá ðñïóèýóåôå ôï ôìþìá ôïõ åöý ôçò åîùôåñéêþ ìïíüäáò óôï ðñùôüôõðï óþìá, ôï ïðïßï êñßíåôå êáôüëëçëï Åäþ ðñýðåé íá ðñïóýîåôå, üôé ç ìïíüäá åöý åßíáé ñõèìéóìýíç óôï 100% ôïõ óþìáôïò åöý (100% wet ) 32 Ôï VINTAGER äéáèýôåé åðßóçò Ýíá óåéñéáêü óýóôçìá, óôï ïðïßï ìðïñåßôå íá óõíäýóåôå åîùôåñéêü åöý (ð ðåíôüë Wah) Åäþ âñßóêåôáé ç õðïäï Þ INSERT RETURN, ç ïðïßá ðñýðåé íá óõíäåèåß ìå ôçí Ýîïäï ôçò ìïíüäáò åöý 33 ÁõôÞ åßíáé ç õðïäï Þ INSERT SEND, ç ïðïßá óõíäýåôáé ìå ôçí åßóïäï ôçò åîùôåñéêþò ìïíüäáò åöý + Óáò ðáñáêáëïýìå íá ðñïóýîåôå, þóôå ìå ôçí ñþóç ôïõ óåéñéáêïý óõóôþìáôïò íá ìçí ñõèìßæåôáé ç ìïíüäá åöý óôï 100% ôïõ óþìáôïò åöý, ãéáôß áëëéþò èá ëåßðåé ôï Üìåóï óþìá 34 Ó áõôþ ôçí õðïäï Þ FOOTSWITCH óõíäýåôå ôï óôåñåïöùíéêü âýóìá ôïõ äéáêüðôç ðïäüò FS112 Ìå ôïí äéáêüðôç ðïäüò Ý åôå ôç äõíáôüôçôá, íá áëëüîåôå ôï êáíüëé êáé íá êëåßóåôå ôï åöý 2 ÅÉÑÉÓÌÏÓ MIDI Üñç óôç èýñá MIDI åßóôå óå èýóç, íá óõíäýóåôå ôï VINTAGER óå Ýíá MIDI-Setup To AC 112 ìðïñåß íá ëüâåé ôüóï Program Changes üóï êáé MIDI-Controller ôóé ìðïñïýí íá ãßíïõí ð áëëáãýò ðñïãñüììáôïò ìýóù ôïõ MIDI ìå Ýíáí MIDI-Footcontroller Þ ìå Ýíá ðñüãñáììá MIDI-Sequenzer áðü Ýíáí õðïëïãéóôþ To MIDI-Footcontroller FCB1010 óáò ðñïóöýñåé ìåôáîý Üëëùí áêñéâþò áõôýò ôéò äõíáôüôçôåò êáé åßíáé éäáíéêü ãéá ôç ñþóç ìå ôïí åíéó õôþ êéèüñáò ôçò BEHRINGER ÓõíäÝóôå ìå êáëþäéá ôï VINTAGER ð ùò åîþò: ÓõíäÝóôå ôçí õðïäï Þ MIDI IN ôïõ VINTAGER ìå ôçí õðïäï Þ MIDI OUT åíüò MIDI-Footcontroller Ôþñá åíåñãïðïéþóôå ôéò ëåéôïõñãßåò MIDI óôï VINTAGER Ãéá íá ôï êüíåôå áõôü ðáôþóôå ãéá ðåñßðïõ äýï äåõôåñüëåðôá ôáõôü ñïíá ôï ðëþêôñï UP êáé DOWN óôïí åðåîåñãáóôþ ðïëëáðëþí åöý Åêåß åðéëýîôå Ýíá êáíüëé MIDI (1 Ýùò 16, On ãéá Omni, OF ãéá áíåíåñãü êáé 1 Ýùò 16 Þ On (Omni) ìå äåêáäéêü óçìåßï ãéá ôç ëåéôïõñãßá Store Enable, óõãêñ ÊåöÜëáéï 2 1) êáé åðéâåâáéþóôå ìå ôï ðëþêôñï ENTER Omni óçìáßíåé üôé ôï VINTAGER ëáìâüíåé êáé åðåîåñãüæåôáé óå üëá ôá êáíüëéá MIDI ó åôéêü äåäïìýíá MIDI ÖõóéêÜ èá ðñýðåé íá åðéëýãåôå óôïí MIDI-Footcontroller ôï ßäéï êáíüëé (âë Ïäçãßåò ñþóçò ôïõ MIDI-Footcontroller) + ¼ôáí åíåñãïðïéåßôå ôéò ëåéôïõñãßåò MIDI, äåí õðüñ åé ðëýïí ç ôáîéíüìçóç ìåôáîý ôïõ áñéèìïý åöý êáé ôïõ êáíáëéïý Áõôü óçìáßíåé üôé óôçí áëëáãþ ôïõ êáíáëéïý äåí ãßíåôáé ðëýïí áõôüìáôá ç öüñôùóç ôïõ åöý ðïõ ñõèìßóôçêå ðñéí ÅðåéäÞ óôïí ôçëå åéñéóìü ôïõ VINTAGER ìýóù ôïõ MIDI-Footcontroller áõôþ ç ôáîéíüìçóç èá ðñïêáëïýóå êüðïéï ìðýñäåìá, åßíáé ëïãéêü ìüíï êáôü ôïí åéñéóìü ìå ôïí äéáêüðôç ðïäüò Þ áðåõèåßáò óôï VINTAGER ÅÜí èýëåôå íá åéñéóôåßôå ôï VINTAGER ùñßò ôïí ôçëå åéñéóìü MIDI, áðåíåñãïðïéþóôå ôéò ëåéôïõñãßåò MIDI ( íäåéîç ïèüíçò óôï OF) 2 ÅÉÑÉÓÌÏÓ MIDI 7

åôå ôç äõíáôüôçôá íá êáëýóåôå ôá ðñïêáèïñéóìýíá óôïé åßá ìýóù ôïõ MIDI-Program Changes ÅðåéäÞ ôá Program Changes áñ ßæïõí áðü ôï 0 êáé öôüíïõí ùò ôï 127, ôï Program Change 0 áíôéóôïé åß óôï Preset 1, ôï Program Change 1 óôï Preset 2, êôë (óõãêñ ðßíáêá 4 2 óôï ðáñüñôçìá) ÌåôÜ ôç äéáäéêáóßá áëëáãþí ôï Preset åßíáé Üìåóá åíåñãü, äçë áíåîüñôçôï áðü ôï Bypass ðïõ åíäå ïìýíùò ðñïêáèïñßóôçêå Ïé ôñåéò ñõèìéóôýåò ðáñüìåôñïé PARAMETER, EFFECT A êáé EFFECT B ìðïñïýí íá ôçëå åéñéóôïýí ìýóù ôïõ MIDI-Footcontroller óå ðñáãìáôéêü ñüíï Ãé áõôü åðéëýîôå óôï MIDI-Footcontroller Ýíáí áñéèìü Controller ãéá ôï ðåíôüë ðïäéïý ÅðéëÝîôå ôïí áñéèìü Controller 12 (PARAMETER), 13 (EFFECT A) êáé 14 (EFFECT B) Ôþñá ìðïñåßôå ìå ôï ðåíôüë ðïäéïý íá åðçñåüóåôå ôéò ôéìýò óôï MIDI-Footcontroller ãéá ôéò ôñåéò ñõèìéæüìåíåò ðáñáìýôñïõò óå ðñáãìáôéêü ñüíï Ç áëëáãþ êáíáëéïý ìðïñåß íá ãßíåé áðü ôïí áñéèìü Controller 10 ¼ôáí óôýëíåôå ìýóù áõôïý ôïõ Controller ôçí ôéìþ 0, ôüôå åßíáé åíåñãü ôï êáíüëé CLEAN Ç ôéìþ 1 ðñïêáëåß ôçí áëëáãþ óôï êáíüëé OVERDRIVE H áëëáãþ êáíáëéïý ìðïñåß íá ãßíåé åðßóçò êáé áðü ôï Programm Changes To Programm Change 123 åíåñãïðïéåß ôï CLEAN êáé ôï Programm Change 124 ôï êáíüëé OVERDRIVE ôïõ VINTAGER Åêôüò áðü ôçí áëëáãþ êáíáëéïý ìðïñåßôå íá áðåíåñãïðïéþóåôå êáé ôï åöý Ãéá íá ôï êüíåôå áõôü óôåßëôå ìýóù ôïõ áñ Controller 11 ôçí ôéìþ 0 Óôçí ôéìþ 1 åíåñãïðïéåßôáé êáé ðüëé ôï åöý Ç åíáëëáêôéêþ äõíáôüôçôá ãéá ôï Effect-Bypass åßíáé êáé ç áðïóôïëþ ôïõ ðñïãñüììáôïò Change 127 Ç Ýíôáóç åéóüäïõ ôçò ìïíüäáò åöý êáèïñßæåôáé áðü ôïí MIDI-Controller 7 Áõôü óáò åðéôñýðåé, íá ðñïóáñìüæåôå ôçí Ýíôáóç ôïõ VINTAGER óôéò äéêýò óáò áíüãêåò ÅðåéäÞ áõôüò ï Controller äåí åëýã åé ôïí ñõèìéóôþ Master Volume, èá ðñýðåé ðñþôá íá ñõèìßóåôå ôçí ìýãéóôç áíáãêáßá Ýíôáóç ìýóù ôïõ ñõèìéóôþ Master Volume êáé áìýóùò ìåôü íá ñçóéìïðïéþóåôå ôïí MIDI-Controller 7 ãéá íá ìåéþóåôå ôçí Ýíôáóç Ç ëåéôïõñãßá áõôþ áñáêôçñßæåôáé êáé ùò Volume Controller Ôïí ôïìýá åöáñìïãþí ôïõ åöý Wah ôïí êáèïñßæåôå ìå ôïí MIDI-Controller 15 Åêôüò áõôïý Ý åôå ôç äõíáôüôçôá óå åöý ðïõ åëýã ïíôáé áðü ôï LFO íá áðåíåñãïðïéþóåôå ôï LFO êáé íá ðñáãìáôïðïéþóåôå ôçí äéáìüñöùóç ìýóù ôïõ MIDI-Controller áñ 15 Ãéá íá êáôáóôåß áõôüò ï MIDI-Controller åíåñãüò, èá ðñýðåé ðñïçãïõìýíùò íá èýóåôå ôçí ôá ýôçôá ôïõ LFO åßôå áðåõèåßáò óôï VINTAGER åßôå ìýóù ôïõ áíôßóôïé ïõ MIDI-Controller óôï 0 ÖõóéêÜ ìðïñåß íá ãßíåé üëïò ï ôçëå åéñéóìüò MIDI êáé ìýóù åíüò ðñïãñüììáôïò óõ íïôþôùí MIDI óå Ýíáí õðïëïãéóôþ Áõôü åíäåßêíõôáé éäéáßôåñá ãéá ç ïãñüöçóç óôï óðßôé Ðïëý óýíôïìá èá õðüñ ïõí óôçí äéåýèõíóþ ìáò óôï äéáäßêôõï (www behringer com) êáé ðåñéâüëëïíôá ãéá ðåñéæþôçôá ðñïãñüììáôá óõ íïôþôùí MIDI 2 2 Ëåéôïõñãßá Store Enable ÌÝóù ôçò ëåéôïõñãßáò Store Enable ìðïñïýí íá áðïèçêåõôïýí áëëáãýò óôéò ðáñáìýôñïõò áðåõèåßáò áðü ð Ýíá ðñüãñáììá óõ íïôþôùí MIDI Ãéá íá åíåñãïðïéþóåôå ôç ëåéôïõñãßá áõôþ, ðáôþóôå ãéá ðåñßðïõ äýï äåõôåñüëåðôá ôáõôü ñïíá ôá ðëþêôñá UP êáé DOWN óôïí ðïëëáðëü åðåîåñãáóôþ åöý êáé åðéëýîôå ìåôü ìå ôá ðëþêôñá áõôü Ýíá êáíüëé ëþøçò MIDI (1 Ýùò 16 Þ On (Omni) êüèå öïñü ìå äåêáäéêü óçìåßï) ÌåôÜ åðéâåâáéþóôå ìå ôï ðëþêôñï ENTER Áí ôþñá óôåßëåôå áðü ôï ðñüãñáììá óõ íïôþôùí MIDI óôï ñõèìéóìýíï êáíüëé ëþøçò MIDI ôçí åðéèõìçôþ ôéìþ ðüíù áðü ôïí MIDI-Controller áñ 18, ïé áëëáãýò óôéò ðáñáìýôñïõò èá áðïèçêåõôïýí óôï ðñïêáèïñéóìýíï (preset) ðïõ åßíáé åêåßíç ôç óôéãìþ åíåñãü Ç áðïóôïëþ ôïõ MIDI-Controller áñ 18 óôçí åíåñãïðïéçìýíç ëåéôïõñãßá Store Enable Ý åé ôï ßäéï áðïôýëåóìá ìå ôï ðáñáôåôáìýíï ðüôçìá óôï ðëþêôñï ENÔER ôçò ìïíüäáò åöý 3 ÅÃÊÁÔÁÓÔÁÓÇ 3 1 ÇëåêôñéêÞ ôüóç Ðñéí óõíäýóåôå ôï VINTAGER óôï ñåýìá, åëýãîôå ðñïóåêôéêü, áí ç ìïíüäá óáò åßíáé ñõèìéóìýíç óôç óùóôþ ôüóç çëåêôñéêïý ñåýìáôïò!ç õðïäï Þ áóöáëåßáò ãéá ôï çëåêôñéêü ñåýìá äéáèýôåé 3 ôñéãùíéêýò óçìüíóåéò Äýï áðü áõôü ôá ôñßãùíá âñßóêïíôáé áðýíáíôé Ôï VINTAGER åßíáé ñõèìéóìýíï óôçí ôüóç ðïõ áíáãñüöåôáé äßðëá óôéò óçìüíóåéò áõôýò êáé ìðïñåßôå íá áëëüîåôå ôç ñýèìéóç ðåñéóôñýöïíôáò ôïí õðïäï Ýá áóöáëåßáò êáôü 180 ÐÑÏÓÏ Ç: Áõôü äåí éó ýåé ãéá ôá ìïíôýëá åîáãùãþò, ôá ïðïßá êáôáóêåõüóôçêáí ð ãéá ôüóç 115 V ~! Ç óýíäåóç ìå ôï ñåýìá ãßíåôáé áðü ôï ôñïöïäïôéêü êáëþäéï ìå õðïäï Þ IEC Ôï êáëþäéï áíôáðïêñßíåôáé óôïõò áðáéôïýìåíïõò üñïõò áóöáëåßáò 8 3 ÅÃÊÁÔÁÓÔÁÓÇ

+ Óáò åöéóôïýìå ôçí ðñïóï Þ, üôé üëá ôá ìç áíþìáôá ðñýðåé ïðùóäþðïôå íá ãåéþíïíôáé Ãéá ôç äéêþ óáò ðñïóôáóßá äåí ðñýðåé óå êáìßá ðåñßðôùóç íá áðïìáêñýíåôå ôç ãåßùóç ôùí ìç áíçìüôùí Þ ôùí êáëùäßùí Þ íá ôçí êáèéóôüôå áíåíåñãþ 3 2 ÁêïõóôéêÝò óõíäýóåéò Ïé åßóïäïé êáé Ýîïäïé ôïõ VINTAGER ôçò BEHRINGER åßíáé ìïíïöùíéêýò õðïäï Ýò âýóìáôïò ìå åîáßñåóç ôçí Ýîïäï ôùí áêïõóôéêþí + Óáò ðáñáêáëïýìå íá ðñïóýîåôå, þóôå ç åãêáôüóôáóç êáé ï åéñéóìüò ôçò ìïíüäáò íá ãßíåé ìüíï áðü åéäéêïýò ÊáôÜ ôç äéüñêåéá êáé ìåôü ôçí åãêáôüóôáóç öñïíôßóôå íá Ý ïõí åðáñêþ ãåßùóç ôá Üôïìá ðïõ åéñßæïíôáé ôç ìïíüäá, ãéáôß óå äéáöïñåôéêþ ðåñßðôùóç ìðïñåß íá õðüñîåé åðßðôùóç óôá áñáêôçñéóôéêü ëåéôïõñãßáò ëüãù ôùí çëåêôñïóôáôéêþí åêöïñôßóåùí ê á Åéê 3 1: Êáëùäßùóç åíüò ìïíïöùíéêïý âýóìáôïò Åéê 3 2: Êáëùäßùóç åíüò óôåñåïöùíéêïý âýóìáôïò áêïõóôéêþí 3 ÅÃÊÁÔÁÓÔÁÓÇ 9

3 3 Óýíäåóç MIDI Ç óýíäåóç MIDI óôçí ðßóù üøç ôçò ìïíüäáò åßíáé åîïðëéóìýíç ìå ôçí õðïäï Þ 5-Pol DIN, ç ïðïßá áíôáðïêñßíåôáé óôéò äéåèíåßò ðñïäéáãñáöýò Ãéá ôç óýíäåóç ôïõ VINTAGER ìå Üëëåò óõóêåõýò MIDI ñåéüæåóôå Ýíá êáëþäéï MIDI ÓõíÞèùò ñçóéìïðïéïýíôáé êáëþäéá ðïõ êõêëïöïñïýí óôï åìðüñéï Ìå äßêëùíá êáëþäéá (ð êáëþäéï ìéêñïöþíïõ) êáé äýï êáôü ôï äõíáôüí óôáèåñü âýóìáôá DIN 180 âáèìþí ìðïñåßôå êáé åóåßò ïé ßäéïé íá êïëëþóåôå Ýíá êáëþäéï MIDI: Pin 2 (ìýóç) = ðëýãìá, Pin 4 êáé 5 (äåîéü êáé áñéóôåñü ôïõ Pin 2) = åóùôåñéêüò ïäçãüò, Pin 1 êáé 3 (ôá äýï åîùôåñéêü) ðáñáìýíïõí åëåýèåñá Ôá êáëþäéá MIDI äåí ðñýðåé íá åßíáé ìáêñýôåñá ôùí 15 ìýôñùí + Óáò ðáñáêáëïýìå íá ðñïóýîåôå, þóôå ôï Ñin 4 íá åßíáé óõíäåäåìýíï ìå ôï Ñin 4 êáé ôï Ñin 5 ìå ôï Ñin 5 êáé óôá äýï âýóìáôá MIDI IN: åîõðçñåôåß óôç ëþøç ôùí äåäïìýíùí åéñéóìïý ôïõ MIDI Ôï êáíüëé ëþøçò ñõèìßæåôáé ìýóù ôïõ óõíäõáóìïý ðëþêôñùí UP êáé DOWN On = Omni óçìáßíåé, üôé óå üëá ôá êáíüëéá ãßíåôáé ç ëþøç êáé ç åðåîåñãáóßá äåäïìýíùí MIDI (óõãêñ ÊåöÜëáéï 2) 4 ÐÁÑÁÑÔÇÌÁ 4 1 Ðßíáêáò ÐñïêáèïñéóìÝíùí (Preset) Óôéò åðüìåíåò äýï óåëßäåò èá âñåßôå ôïí ðßíáêá 4 1 ìå ðëçñïöïñßåò ãéá ôïõò áñéèìïýò åöý, ôá ïíüìáôá ôùí åöý, ôï åßäïò ôùí ðáñáìýôñùí, ôïí ôïìýá ðáñáìýôñùí êáé ôéò ñõèìßóåéò ôïõ åñãïóôáóßïõ 10 4 ÐÁÑÁÑÔÇÌÁ

Preset-Nr. Effect Variation PARAMETER Range Default Range Default Range Default EFFECT A EFFECT B 1 SPRING short Pre-Delay Reverb Time 1..32 8 Mix L 0..50 10 Mix R 0..50 10 2 REVERB long Pre-Delay Reverb Time 1..32 14 Mix L 0..50 10 Mix R 0..50 10 3 short Pre-Delay Reverb Time 1..32 5 Mix L 0..50 10 Mix R 0..50 10 STUDIO 4 long Pre-Delay Reverb Time 1..32 14 Mix L 0..50 10 Mix R 0..50 10 5 short Pre-Delay Reverb Time 1..32 8 Mix L 0..50 10 Mix R 0..50 10 CHAMBER 6 long Pre-Delay Reverb Time 1..32 15 Mix L 0..50 10 Mix R 0..50 10 7 short Pre-Delay Reverb Time 1..32 4 Mix L 0..50 10 Mix R 0..50 10 STAGE 8 long Pre-Delay Reverb Time 1..32 12 Mix L 0..50 10 Mix R 0..50 10 9 short Pre-Delay Reverb Time 1..32 9 Mix L 0..50 10 Mix R 0..50 10 CONCERT 10 long Pre-Delay Reverb Time 1..32 16 Mix L 0..50 10 Mix R 0..50 10 11 short Pre-Delay Reverb Time 1..32 7 Mix L 0..50 10 Mix R 0..50 10 PLATE 12 long Pre-Delay Reverb Time 1..32 13 Mix L 0..50 10 Mix R 0..50 10 13 GATED min. Density Gt./Rev. Time 1..32 4 Sensitivity 0..63 9 Mix 0..50 15 14 REVERB max. Density Gt./Rev. Time 1..32 17 Sensitivity 0..63 15 Mix 0..50 10 15 min. Reflections Room Size 0..63 32 Pre-Delay 0..63 15 Mix 0..50 10 AMBIENCE 16 max. Reflections Room Size 0..63 63 Pre-Delay 0..63 15 Mix 0..50 10 17 WAH / Feedback 0 % Delay Time 0..63 35 Drive 0..63 63 Delay Mix 0..50 6 18 DELAY / Feedback 10 % Delay Time 0..63 35 Drive 0..63 63 Delay Mix 0..50 6 19 DISTORTION Feedback 30 % Delay Time 0..63 35 Drive 0..63 63 Delay Mix 0..50 6 20 DELAY / REV. - Delay Time 0..63 50 Delay Mix 0..50 7 Reverb Mix 0..50 20 21 min. Feedback Delay Time 0..63 43 Mix L 0..50 2 Mix R 0..50 11 22 DELAY Delay Time 0..63 63 Mix L 0..50 3 Mix R 0..50 11 23 (stereo) Delay Time 0..63 20 Mix L 0..50 8 Mix R 0..50 16 24 max. Feedback Delay Time 0..63 63 Mix L 0..50 0 Mix R 0..50 35 25 - Delay Time 0..63 15 Feedback 0..63 2 Mix 0..50 8 26 - Delay Time 0..63 25 Feedback 0..63 12 Mix 0..50 10 DELAY 27 - Delay Time 0..63 30 Feedback 0..63 15 Mix 0..50 9 (long mono) 28 - Delay Time 0..63 45 Feedback 0..63 20 Mix 0..50 10 29 - Delay Time 0..63 63 Feedback 0..63 25 Mix 0..50 10 30 Feedback 0 % LFO Speed 0..63 36 Depth 0..63 30 Mix 0..99 50 31 Feedback 62 % LFO Speed 0..63 30 Depth 0..63 35 Mix 0..99 60 PHASER 32 Feedback 62 % LFO Speed 0..63 48 Depth 0..63 25 Mix 0..99 50 33 Feedback 77 % LFO Speed 0..63 63 Depth 0..63 28 Mix 0..99 50 34 fat LFO Speed 1..32 8 Depth 0..63 63 Mix 0..99 30 35 slow LFO Speed 1..32 1 Depth 0..63 30 Mix 0..99 40 CHORUS 36 stereo LFO Speed 1..32 15 Depth 0..63 20 Mix 0..99 50 37 stereo LFO Speed 1..32 1 Depth 0..63 63 Mix 0..99 50 38 ultra Reverb Time 0..63 24 Chorus Mix 0..99 50 Reverb Mix 0..50 10 39 slow Reverb Time 0..63 10 Chorus Mix 0..99 50 Reverb Mix 0..50 10 CHORUS / 40 medium I Reverb Time 0..63 10 Chorus Mix 0..99 40 Reverb Mix 0..50 10 REVERB 41 medium II Reverb Time 0..63 1 Chorus Mix 0..99 50 Reverb Mix 0..50 10 42 fast Reverb Time 0..63 51 Chorus Mix 0..99 50 Reverb Mix 0..50 10 43 ultra Delay Time 0..63 63 Chorus Mix 0..99 50 Delay Mix 0..50 10 44 slow Delay Time 0..63 54 Chorus Mix 0..99 30 Delay Mix 0..50 10 CHORUS / 45 medium I Delay Time 0..63 59 Chorus Mix 0..99 50 Delay Mix 0..50 10 DELAY 46 medium II Delay Time 0..63 48 Chorus Mix 0..99 50 Delay Mix 0..50 10 47 hold Delay Time 0..63 63 Chorus Mix 0..99 40 Delay Mix 0..50 14 48 fat LFO Speed 1..32 15 Depth 0..63 5 Mix 0..99 30 49 classic LFO Speed 1..32 5 Depth 0..63 10 Mix 0..99 14 FLANGER 50 stereo LFO Speed 1..32 20 Depth 0..63 20 Mix 0..99 24 51 stereo LFO Speed 1..32 10 Depth 0..63 5 Mix 0..99 50 4 ÐÁÑÁÑÔÇÌÁ 11

Preset-Nr. Effect Variation PARAMETER Range Default Range Default Range Default EFFECT A EFFECT B 52 ultra Reverb Time 0..63 20 Flanger Mix 0..99 50 Reverb Mix 0..50 10 53 slow Reverb Time 0..63 20 Flanger Mix 0..99 40 Reverb Mix 0..50 10 FLANGER / 54 medium I Reverb Time 0..63 50 Flanger Mix 0..99 50 Reverb Mix 0..50 10 REVERB 55 medium II Reverb Time 0..63 50 Flanger Mix 0..99 50 Reverb Mix 0..50 10 56 fast Reverb Time 0..63 32 Flanger Mix 0..99 50 Reverb Mix 0..50 10 57 ultra Delay Time 0..63 63 Flanger Mix 0..99 30 Delay Mix 0..50 10 58 slow Delay Time 0..63 53 Flanger Mix 0..99 30 Delay Mix 0..50 3 FLANGER / 59 medium I Delay Time 0..63 63 Flanger Mix 0..99 30 Delay Mix 0..50 10 DELAY 60 medium II Delay Time 0..63 32 Flanger Mix 0..99 50 Delay Mix 0..50 10 61 fast Delay Time 0..63 63 Flanger Mix 0..99 30 Delay Mix 0..50 6 62 STEREO - LFO Speed 1..32 10 Pan 0..63 0 Mix 0..99 50 63 TREMOLO - LFO Speed 1..32 19 Pan 0..63 0 Mix 0..99 40 64 slow Delay Time 0..63 19 Tremolo Mix 0..99 50 Delay Mix 0..50 10 TREMOLO / 65 ultra Delay Time 0..63 50 Tremolo Mix 0..99 50 Delay Mix 0..50 10 DELAY 66 medium Delay Time 0..63 19 Tremolo Mix 0..99 60 Delay Mix 0..50 15 67 ROTARY - Speed 0..63 9 Variation 1..32 1 Mix 0..99 50 68 SPEAKER - Speed 0..63 15 Variation 1..32 10 Mix 0..99 50 69 - Delay Time 0..63 5 Variation 0..32 24 Delay Mix 0..50 1 MAGIC DRIVE 70 - Delay Time 0..63 63 Variation 0..32 32 Delay Mix 0..50 11 71 AUTO fast Sensitivity 0..63 63 Depth 0..63 27 Mix 0..99 99 72 WAH slow Sensitivity 0..63 63 Depth 0..63 20 Mix 0..99 90 73 LFO LFO Band Pass LFO Speed 0..63 30 Depth 0..63 45 Mix 0..99 90 74 WAH LFO Band Pass LFO Speed 0..63 60 Depth 0..63 40 Mix 0..99 60 75-12 Tune Left -12..12 0 Mix L 0..99 50 Mix R 0..99 50 76-5 Tune Left -12..12 0 Mix L 0..99 50 Mix R 0..99 34 77 +3 Tune Left -12..12 0 Mix L 0..99 50 Mix R 0..99 34 PITCH 78 +4 Tune Left -12..12 0 Mix L 0..99 50 Mix R 0..99 20 SHIFTER 79 +7 Tune Left -12..12 0 Mix L 0..99 50 Mix R 0..99 34 80 +4 % Tune Left -50..50 0 Mix L 0..99 50 Mix R 0..99 20 81 +8 % Tune Left -50..50 14 Mix L 0..99 34 Mix R 0..99 34 82-12 Reverb Time 0..63 4 Pitch Mix 0..99 30 Reverb Mix 0..50 20 PITCH 83 +3 Reverb Time 0..63 18 Pitch Mix 0..99 24 Reverb Mix 0..50 10 SHIFTER / 84 REVERB +4 % Reverb Time 0..63 10 Pitch Mix 0..99 40 Reverb Mix 0..50 12 85 +8 % Reverb Time 0..63 4 Pitch Mix 0..99 40 Reverb Mix 0..50 20 86-12 Delay Time 0..63 63 Pitch Mix 0..99 40 Delay Mix 0..50 7 PITCH 87-5 Delay Time 0..63 63 Pitch Mix 0..99 34 Delay Mix 0..50 7 SHIFTER / 88 DELAY +4 Delay Time 0..63 63 Pitch Mix 0..99 20 Delay Mix 0..50 7 89 +7 Delay Time 0..63 63 Pitch Mix 0..99 20 Delay Mix 0..50 7 90 fast Sensitivity 0..63 30 Ratio 1..24 10 Gain -3..12 8 COMPRESSOR 91 slow Sensitivity 0..63 30 Ratio 1..24 14 Gain -3..12 8 92 Hell Sensitivity 0..63 35 Ratio 1..24 24 Gain -3..12 0 EPANDER 93 Heaven Sensitivity 0..63 20 Ratio 1..24 14 Gain -3..12 0 94 - Drive 0..63 30 Presence 0..63 42 Mix 0..99 99 GUITAR 95 - Drive 0..63 63 Presence 0..63 63 Mix 0..99 99 COMBO 96 - Drive 0..63 63 Presence 0..63 18 Mix 0..99 99 97 Stack A HF Cut 0..63 20 Peak Gain 0..63 40 Peak Freq. 0..63 63 SPEAKER 98 Stack B HF Cut 0..63 30 Peak Gain 0..63 40 Peak Freq. 0..63 30 CABINET 99 Combo HF Cut 0..63 4 Peak Gain 0..63 30 Peak Freq. 0..63 10 12 4 ÐÁÑÁÑÔÇÌÁ

4 2 ÅöáñìïãÞ MIDI 0,',,PSOHPHQWDWLRQ&KDUW )QFWLRQ 7UDQVPLWWHG 5HFRJQL]HG 5HPDUNV Basic Default OFF, 1-16 memorized Channel Changed OFF, 1-16 Mode Default Messages Altered 1,2 Note Number True Voice Velocity Note ON Note OFF After Touch Keys Channels Pitch Bender Control O 7, 10-15, 18 see add. table Progr. O (0-98) Change True # 1-99 System Exclusive Song Pos. System Song Sel. Common Tune System Real Time Aux Messages Clock Commands Local ON/OFF All notes OFF Active Sense Reset Notes O = YES, = NO Mode 1: OMNI ON Mode 2: OMNI OFF Ðéí 4 2: ÅöáñìïãÞ MIDI 123 = CLEAN 124 = OVERDRIVE 127 = Effect Bypass Parameter Name Display Range Midi Control Control Value Range Number Volume Controller - 7 0.. 127 Channel CLEAN = 0, OVERDRIVE = 1 10 0.. 1 Effect OFF = 0, ON = 1 11 0.. 1 Parameter depends on effect 12 0.. 127 (max.) Effect A depends on effect 13 0.. 127 (max.) Effect B depends on effect 14 0.. 127 (max.) Wah/Modulation Controller - 15 0.. 127 Store Enable Controller - 18 0.. 127 Ðéí 4 3: O MIDI-Controller ôïõ VINTAGER 4 ÐÁÑÁÑÔÇÌÁ 13

5 ÔÅ ÍÉÊÁ ÁÑÁÊÔÇÑÉÓÔÉÊÁ VINTAGER AC112 ÁÊÏÕÓÔÉÊÅÓ ÅÉÄÏÓÏÉ Óýíäåóç Ôýðïò Åßóïäïò êéèüñáò Áíôßóôáóç åéóüäïõ Insert Return Áíôßóôáóç åéóüäïõ Aux-Eingang Áíôßóôáóç åéóüäïõ ÁÊÏÕÓÔÉÊÅÓ ÅÎÏÄÏÉ Óýíäåóç Ôýðïò Insert Send Áíôßóôáóç åîüäïõ Line Out Áíôßóôáóç åîüäïõ MÝã ÓôÜèìç óþìáôïò åîüäïõ ìïíïöùíéêþò õðïäï Þò âýóìáôïò 6,3 mm åßóïäïò HF ùñßò ðáñåìâïëýò ðåñ 1 MΩ ìç óõììåôñéêþ ðåñ 10 kω ìç óõììåôñéêþ ðåñ 10 kω ìç óõììåôñéêþ ìïíïöùíéêþò õðïäï Þò âýóìáôïò 6,3 mm Ýîïäïò óôüèìçò ãñáììéêþò åéóüäïõ áìçëþí ùì ðåñ 100 Ω ìç óõììåôñéêþ ðåñ 120 Ω ìç óõììåôñéêþ +12 dbu ìç óõììåôñéêþ ÄÅÄÏÌÅÍÁ ÓÕÓÔÇÌÁÔÏÓ (Åíéó õôþò áðüäïóçò) Áðüäïóç ôåëéêïý åíéó õôþ 60 Watt óå 5 % THD + N óå 8 Ω; 230 V~ MIDI-INTERFACE Ôýðïò ØÇÖÉÁÊÇ ÅÐÅÎÅÑÃÁÓÉÁ Wandler Óõ íüôçôá äåéãìáôïëçøßáò DISPLAY Ôýðïò ÌåãÜöùíï Ôýðïò Áíôßóôáóç Áíôï Þ õðïäï Þ 5-Pol DIN, MIDI IN 24-Bit Sigma-Delta, 64/128ðëï Oversampling 46,875 khz äéøþöéá, áñéèìçôéêþ Ýíäåéîç LED Ç åßï 12" Heavy Duty-, ÌïíôÝëï JENSEN JCH12/70 / BUGERA 12G70J8 8 Ω 70 Watt Ðáñï Þ ñåýìáôïò ÇëåêôñéêÞ ôüóç ÇÐÁ/ÊáíáäÜò 120 V~, 60 Hz, Åõñþðç/Ìåã Âñåôáíßá/Áõóôñáëßá 230 V~, 50 Hz, Éáðùíßá 100 V~, 50-60 Hz Ãåíéêü ìïíôýëï åîáãùãþò 120/230 V~, 50-60 Hz ÊáôáíÜëùóç åíýñãåéáò ðåñ 40 W min / ðåñ 130 W ìýã ÁóöÜëåéá 100-120 V~ : T 2 A H 250 V 200-240 V~ : T 1 A H 250 V Óýíäåóç ñåýìáôïò ÓôÜíôáñ õðïäï Þ IEC ÄÉÁÓÔÁÓÅÉÓ/ÂÁÑÏÓ ÄéáóôÜóåéò (H x B x T) ðåñ 18,8" (477,5 mm) x 20,3" (515,2 mm) x 10,5" (266 mm) / 12,5" (317,5 mm) ÂÜñïò ca 18,5 kg Ç åôáéñßá ðñïóðáèåß äéáñêþò, íá äéáóöáëßæåé ôá õøçëüôåñá åðßðåäá ðïéüôçôáò Ïé áðáñáßôçôåò ôñïðïðïéþóåéò ãßíïíôáé ùñßò ðñïçãïýìåíç åíçìýñùóç Ãé áõôü, ôá ôå íéêü áñáêôçñéóôéêü êáé ç åéêüíá ôçò ìïíüäáò ìðïñåß íá ðáñåêêëßíïõí áðü ôá áñ éêü óôïé åßá Þ ôéò åéêüíåò 14 5 ÔÅ ÍÉÊÁ ÁÑÁÊÔÇÑÉÓÔÉÊÁ