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7 Key words: im agination natu re self2exp ression im itation Zhang Yan ( 19622) is associate p rofesso r in the English D epartm en t of Beijing N o rm al U n iversity. She go t her Ph. D. in 1994, m ajo ring in critical theo ry. H er research in terests are in English poetry and the decon structive poetics. H er recen t pub lication is T he P lu ra listic T end ency of E ng lish P oetry. The Return of the Roman tic Sp ir it under Postm odern ist V ision: A Reva lua tion of the Sign if icance of Ted Hughes s poetry Abstract: A s one of the mo st impo rtan t po st2w ar B ritish poets, T ed H ughes is characterized by h is great passion and un ique im ages. In h is poetry, the in tim ate relation sh ip w ith N atu re and h igh p raise of hero ism indicate the retu rn of the rom an tic sp iriṫ Yet h is poetry is far from a sim p le rep et it ion of h isto ry T he overdeterm ined st ructu re of h is poet ry w ith a p lu rality of po ssib le m ean ings and h is tex tual decon struction and recon struction have im bued h is w o rk s w ith po stmodern ist featu res. T heo retically, T ed H ughes s poetry is the poetic p ractice of F rankfu rt schoo l s view po in t on the ro le and value of art in con tempo rary society. Key words: rom an tic sp irit retu rn po stmodern ity L i Chengj ian (19692) is associate p rofesso r of the English D epartm en t of X iangtan N o rm al Co llege. She is a lso a Ph. D. cand ida te in X iam en U n iversity. H er resea rch in terest is in con tempo rary A nglo2am erican poetry and has had several essays pub lished on the sub jecṫ D. H. Lawrence s Hum or in The L ost G irl Abstract: D. H. L aw rence is fam ou s fo r the seriou sness of sub ject m a t ter and litera ry descrip tion. Yet h is novel T he L ost G irl is of a qu ite differen t style T he novel reflects th ree featu res of h is humo r, nam ely, h is u se of humo r to cope w ith modern society and its rep ression of hum an natu re; h is creation of Q u ixo tic characters th rough w h ich he dep icts the ab su rdities of the hero ine and her father s adven tu res; h is exp ression of humo r th rough con trasts betw een the characters ideals and reality, appearances and action ṡ L aw rence u ses humo r no t simp ly to w in h is readers laugh ter, bu t exp resses h is p rofound ph ilo soph ical ideas. L aw rence s humo r is a w ay to exp lo re the relation sh ip betw een m an and the un iverse. Key words: D. H. L aw rence T he L ost G irl humo r Zheng Dahua (19562) is associate p rofesso r at the Schoo l of Fo reign L anguages, Zhejiang U n iversity. H is research in terests are in fo reign literary study and tran slation. H is m ajo r pub lication s are A S tudy of D. H. L aw rence s N ovels and P oem s and B y ron. On Tess s Trag ic Image and Its Rela tion sh ip w ith the B ible Abstract: T he essay analyses the tragic im age of the hero ine T ess in T hom as H ardy s novel T ess of the D U rberv illes, and discu sses the relation sh ip s betw een T ess and the characters, p lo ts, background, im agery, allu sion s in the B ib le. F rom th is perspective, the p resen t 169

8 au tho r tries to better understand T hom as H ardy s realistic w riting style, h is rom an tic sp irit of tran scendence, as w ell as the cap italist society in the late n ineteen th cen tu ry England. Key words: T hom as H ardy T ess of the D U rberv illes T ess the B ible M a X ian (19632) is associate p rofesso r in the Fo reign L anguage D epartm en t of Changsha U n iversity of E lectric Pow er. H is m ajo r pub lication s include O n P a ra llelism in B iblica l P oem s, W estern L itera tu re and the B ible and T he E ng lish P resence in the F ield of the Ch inese N ew L itera tu re. On the Prose of Bernard Shaw Abstract: T h is paper analyses Bernard Shaw s criticism s of the B ritish society, including its religion, its educational system, its academ ic research, its social fash ion, etc. T he essay also po in ts ou t the m ain artistic characteristics of Shaw s p ro se such as humo r, m etapho r and un ique ending. T h rough such analysis, the essay confirm s the impo rtan t value of h is p ro se in ideo logical, artistic and cogn itive aspects. Key words: Bernard Shaw p ro se humo r m etapho r Kong Qinghua (19542) is deputy D ean and associate p rofesso r in the T eachers Co llege of Q ingdao U n iversity. H e has pub lished mo re than 20 papers, one book and tw o tran slation ṡ On the D ia logue of Hem ingway s F iction from the V iewpo in t of Narra tology Abstract: H em ingw ay is good at w riting dialogues. H e alw ays u ses dialogues to rep lace descrip tion, narration, comm en t and elucidation. A cco rding to narrato logy, dialogue can sho rten the na rra t ive d istance betw een w riter and reader, con t ro l the po in t of view in narration, and elim inate w riter s in terven tion. It is an ex terio r focu s and narrative w ay of " show ing ". It can tran sfer the narrative scenes, w eaken narrato r s descrip tion vo ice, and qu icken the descrip tion rhythm. Key words: H em ingw ay s fiction dialogue narrato logy Zhang W e i ( 19642) is associate p rofesso r of the Ch inese D epartm en t, Shanghai N o rm al U n iversity. Plays for the Thea tre: A Thea tr ica l Approach to O Ne ill s Plays in the 1920s Abstract: In the 1920s O N eill emp loyed a variety of theatrical devices, such as m ask s, cho ru ses, non2rea list ic set t ing s, m ono logues and though t2a sides. T hese devices g rea t ly b roadened h is theatrical vision by b reak ing th rough the shack les of m ere R ealism and gave unp receden ted freedom to the acto rs, d irecto rs, stage2designers and the p layw righ t h im self. T hese devices also enab led O N eill to dep ict the disto rted m inds of h is characters and to p romo te the participation of the audience. T h is paper indicates that, in addition to tex tual in terp retation, on ly w hen due atten tion has been paid to the theatrical effects can w e fu rther understand the sign ificance and value of O N eill s p layṡ Key words: Eugene O N eill theatrical devices theatrical effects 170