CURRICULUM VITAE. Dr. SMARO P. NIKOLAIDOU Lecturer in Ancient Greek Philology

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1 Dr. SMARO P. NIKOLAIDOU Lecturer in Ancient Greek Philology Department of Greek Philology Democritus University of Thrace University Campus GR tel.: fax: CURRICULUM VITAE RESEARCH AREAS Ancient Greek Tragedy Self-referentiality and Metatheatre Lyric Poetry and Tragedy Archaic Lyric Poetry (Epinician odes and dithyrambs) Ancient Greek Comedy Dionysus and Dionysiac Worship Ancient Greek Historiography (Herodotus, Thucydides) EDUCATION : Aristotle University of Thessaloniki, Ptychion (Classical Philology) : Aristotle University of Thessaloniki, PhD in Ancient Greek Philology. PhD Dissertation: Η υποδοχή των Βακχών του Ευριπίδη κατά τον 19o και 20ό αιώνα. Ένας μεταθεωρητικός κριτικός απολογισμός [The Reception of Euripides Bacchae in the 19th and 20th centuries. A Metatheoretical Critical Review], Thessaloniki Supervisor: Prof. Daniel Iakov CAREER HISTORY : High School, Teaching : Democritus University of Thrace-Department of Greek Philology, Teaching : Democritus University of Thrace-Department of Primary Level Education, Teaching (Education Program) : Historical Archives of Komotini, Patron of collections and research : Democritus University of Thrace-Department of Greek Philology, Teaching : Democritus University of Thrace-Department of Greek Philology, Lecturer : Hellenic Open University, Tutor (School of Humanities, Course of Greek Cultural Studies: Ancient Greek Theater. 1

2 Undergraduate/Graduate Courses Greek Tragedy (Aeschylus Eumenides, Sophocles Philoctetes, Antigone; Euripides Bacchae) Reconstruction of Greek Tragedy (Aeschylus Lycurgeia) Greek Comedy (Aristophanes Frogs) Aristotle Poetics Historiography (Herodotus, Thucydides, Plutarch) Philosophy (Plato, Ion) Greek Rhetoric (Gorgias Praise of Helen, Demosthenes Against Midias) History of Ancient Greek Literature Ancient Greek Prose Composition I: Thematography (Plato Republic, Apology; Xenophon Memorabilia, Hellenica, Agesilaos) Ancient Greek Prose Composition II Postgraduate Courses The Poetics of Ancient Greek Tragedy About Archaic and Tragic Chorus Dithyramb and Tragedy Reconstructing Greek Drama PUBLICATIONS I. BOOKS 1. Η υποδοχή των Βακχών του Ευριπίδη κατά τον 19o και 20ό αιώνα. Ένας μεταθεωρητικός κριτικός απολογισμός, [The Reception of Euripides Bacchae in the 19th and 20th centuries. A Metatheoretical Critical Review], Thessaloniki 1998 (pp. 219). 2. Ευριπίδης: Βάκχες [Euripides: Bacchae (with introduction, translation and commentary)], Thessaloniki 2006 (pp. 687) 3. Η Λυκούργεια Τετραλογία του Αισχύλου. Δοκιμή Ανασύνθεσης [The Lycurgeia Tetralogy of Aeschylus. A Reconstruction], Athens 2010 (pp. 115). 4. Αντιθέσεις και Μεταθέατρο στον Φιλοκτήτη του Σοφοκλή [Polarities and Metatheater in Sophocles Philoctetes], submitted for publication. 5. From Ritual into Drama: Dramatic Transformations of Ritual in the Choral Odes of Tragedy, in progress. II. ARTICLES «The satyric agon: Euripides Cyclops and Alcestis», forthcoming in A. P. Antonopoulos, M. M. Christopoulos, G. W. M. Harrison (eds.), Brill s Companion to Satyr Drama, Leiden/Boston 2. «Συγκρούσεις ρόλων και ταυτοτήτων στους Επτά επί Θήβας του Αισχύλου», [ Conflicts of roles and identities in Aeschylus Seven against Thebes ], 2

3 forthcoming in (electronic) Acta of the International Conference Identies: Language and Literature, Department of Greek Philology-Democritus University of Thrace, Komotini, October Choral Projections and Embolima in Euripides Tragedies, Greece & Rome 62.1 (2015) 25-47, pp. 23 ( 4. Maiden Choruses in the Epinician Odes of Pindar and Bacchylides. Poet s Choral I, QUCC 1 (2014) (valentina.pagnan@libraweb.net), pp Τὸν χορὸν δὲ ἕνα δεῖ ὑπολαμβάνειν τῶν ὑποκριτῶν; Ο τελετουργικός ρόλος του τραγικού χορού και η σύζευξη με τον δραματικό του ρόλο [ Should the tragic chorus be regarded as one of the actors? Combining the tragic chorus original ritual function with its dramatic role ], Proceedings of the 4th Panhellenic Theatrological Conference of the Department of Theatre Studies of Patras University ( The Ancient Theatre and Its Reception ) (May 26-29, 2011), Partas 2014, (pp. 13) 6. Καταργώντας τα όρια ανάμεσα στον υποκριτή και τον χορό: Οι λυρικές ωδές της Ηλέκτρας στην ομώνυμη τραγωδία του Ευριπίδη [ Blurring the limits between actor and chorus: Electra s lyrics in Euripides tragedy of the same name ] in Xenia Toruniensia, Series Nova III (XIII): Hellenika, pod red. Włodzimierza Appela (Totun 2013) (pp. 22) 7. Towards Conceptualizing Dionysus Myth and Cult in Euripides Bacchae, Electra, the e-journal issued by the Centre for the Study of Myth and Religion in Greek and Roman Antiquity (founded by the Department of Philology of the University of Patras), for its second issue entitled Dionysus: Myth, Cult, and Ritual (2013) (pp. 11) 8. Bacchylides Theseus (Ode 18 Maehler): An anti-platonicus Dithyramb, Επετηρίδα του Τμήματος Ελληνικής Φιλολογίας «Ροδόπη» 2 (2013) (pp. 9) 9. Η πολιτική διάσταση των Ευμενίδων του Αισχύλου: Δοκιμή επαναπροσέγγισης [ The political character of Aeschylus Eumenides: A reapproach ], in A. Markantonatos and L. Platypodes (eds.), Θέατρο και Πόλη: Αττικό Δράμα, Αθηναϊκή Δημοκρατία και Αρχαία Ελληνική Θρησκεία [Theater and Polis: Attic Drama, Athenian Democracy and Ancient Greek Religion] (Athens 2012) (pp. 20) 3

4 10. Νύφες του Άδη ή Μαινάδες του Διονύσου: Περιπτώσεις αντιστροφής του γάμου με τον θάνατο στην αρχαία τραγωδία [ Brides of Hades or Maenads of Dionysus: From marriage to death in ancient Greek tragedy ], Hellenika 61.2 (2011) (pp. 39) 11. Time and Space in Euripides Choral Odes. The Technique of Choral Projections, in FirstDrafts@Classics@ (September 9, 2010) 1-32, The Center of Hellenic Studies (Harvard), pp Οι αντιθέσεις ψεύδος-αλήθεια και εχθρός-φίλος στον Φιλοκτήτη του Σοφοκλή [ The polarities falsity-truth and enemy-friend in Sophocles Philoctetes ], Epeteris of the Department of Greek Philology Ροδόπη 1 (2005) (pp. 14) 13. Το τέλος του Πελοποννησιακού πολέμου στα Ελληνικά του Ξενοφώντα και την Ιστορία του Θουκυδίδη [ The End of the Peloponnesian War in Xenophon s Hellenika and Thucydides Histories ], Φιλολογική 76 (2001) (pp. 4) 14. Θέματα ερμηνείας της Ιστορίας του Θουκυδίδη Μια δοκιμή προσέγγισης με οδηγό το κεφ. 65 του Β βιβλίου [ Interpreting Thucydides Histories under the light of the passage 2.65, Φιλόλογος 102 (2000) (pp. 15) 15. Ελένης Εγκώμιον: Ο έπαινος της Ελένης στο φερώνυμο δοκίμιο του Γοργία και στις τραγωδίες Τρωάδες και Ελένη του Ευριπίδη [ Ελένης Εγκώμιον: The praise of Helen in Gorgias, and Euripides Troades and Helen], Ενδοχώρα 67 (2000) (pp. 10) 16. Ευριπίδου Βάκχαι στ : Το θαύμα του παλατιού [ Euripides Bacchae : The Palace Miracle ], Φιλολογική 68 (1999) 8-12 (pp. 5) 17. Συγκρούσεις ρόλων και ταυτοτήτων στους Επτά επί Θήβας του Αισχύλου [ Conflicts of roles and identities in Aeschylus Seven against Thebes (submitted) SELECTED CONFERENCE PAPERS (July 1-3). The satyric agon: Euripides Cyclops and Alcestis, at the International Conference Greek Satyr Play: Reconstructing a Dramatic Genre from its Remnants, Patras University. 4

5 -2016 (March 12-13). Διόνυσος και Αρχαία Τραγωδία: Το σκηνικό της χώρας των Θρακών [ Dionysus and Ancient Tragedy: The scenic space of Thrace ], at the Conference Myths and mythical persons of Thrace, Democritus University of Thrace, Komotini (November 25). Τελετουργία και δραματικότητα στην αρχαία ελληνική χορεία [ Rituality and Dramatization in ancient Greek choreia, Colloquium, Department of Greek Philology-Democritus University of Thrace, Komotini (October, 9-11). Συγκρούσεις ρόλων και ταυτοτήτων στους Επτά επί Θήβας του Αισχύλου [ Conflicts of roles and identities in Aeschylus Seven against Thebes, at the International Conference Identies: Language and Literature, Department of Greek Philology-Democritus University of Thrace, Komotini (March 5) Γυναίκες της τελετουργίας. Μια μεταμοντέρνα προσέγγιση της γυναικείας παρουσίας στην Αρχαιότητα [ Worshiping Women. A post-modern approach of the women position in antiquity ], at the Conference Πρόσωπα της γυναίκας στη διαχρονία [Women faces from antiquity to modern times], Komotini (September 11-12): Between Poetry and History: Aristotle Poetics 9 (1451 a b 32), at the Conference SCIENCE / FICTION / HISTORY: THE LITERARY IN CLASSICAL HISTORIOGRAPHY, Hosted by the Aristotle University at Thessaloniki, Athens (April 5-6): Μεταξύ δήμου και άστεως: Ίδιον και δημόσιον στους Αχαρνείς του Αριστοφάνη [ Between Country and City: Private and Public in Aristophanes Acharnians], at the Conference Αριστοφάνους Αχαρνείς [ Aristophanes Acharnians ] organized by the Επισκήνιον (Episkenion) in the municipality of Acharnes, Athens (March 23-24): Jane Ellen Harrison and the spirit of interpreting Greek Tragedy in the 20th century, at the festive interdisciplinary Conference Women as Classical Scholars, organized by Edith Hall and Rosie Wyles in honour of Jacquelin de Romilly, London (University of Notre Dame) (October 25-27): Ancient Routes to Happiness in Herodotus and Thucydides, at the 13th Unisa Classics Colloquium of the Department of Classics and World Languages, Pretoria (University of South Africa) (June 13-14): Rituality and Dramatization in the Dithyrambic Odes of Pindar and Bacchylides, at the 41st Conference of the Israel Society for the Promotion of Classical Studies, Jerusalem (Hebrew University). 5

6 -2012 (April 11-14): Maiden Choruses in the Epinician Odes of Pindar and Bacchylides: Poet s Choral I, at the Classical Association Annual Conference, Exeter (Department of Classics and Ancient History) (May 26-29): Τὸν χορὸν δὲ ἕνα δεῖ ὑπολαμβάνειν τῶν ὑποκριτῶν; Ο τελετουργικός ρόλος του τραγικού χορού και η σύζευξη με τον δραματικό του ρόλο [ Should the tragic chorus be regarded as one of the actors? Combining the tragic chorus original ritual function with its dramatic role ], at the 4th Panhellenic Theatrological Conference The Ancient Theatre and Its Reception, Patras (Department of Theatre Studies, Patras University) (May 9-10): Η πολιτική διάσταση των Ευμενίδων του Αισχύλου. Δοκιμή Επαναπροσέγγισης [ The political character of Aeschylus Eumenides: A reapproach ] at the Conference Ancient Greek Theatre and the Athenian Polis: Democracy and Religion, Athens (Hellenic Open University) (May 15-18): Ο τόπος και ο χρόνος στα χορικά του Ευριπίδη. Η περίπτωση των χορικών προβολών [ Time and Space in Euripides Choral Odes. Some patterns of Choral Projection ], at the Second International Conference of Hellenic Civilization ( Space and Time in Ancient Theater ), Alexandroupolis (Hellenic Open University). 6