SCORES OF THE ARMENIAN COMPOSERS DUDUK WITH CHAMBER ORCHESTRA DUDUK WITH CHORUS DUDUK WITH CHAMBER ENSEMBLE

Transcript

1 RU/200/CLT/ARM/DUDUC/1 SCORES OF THE ARMENIAN COMPOSERS DUDUK WITH CHAMBER ORCHESTRA DUDUK WITH CHORUS DUDUK WITH CHAMBER ENSEMBLE 200

2 Current publication is organized by SSAFM and the Ministry of Culture and Youth Affairs of RA. Produced with the support of UNESCO and the Japanese Funds-in-Trust for the Preservation and Promotion of Intangible Cultural Heritage. The authors are responsible for the choice and the presentation of the facts contained in this publication and for the opinions expressed therein, which are not necessarily those of UNESCO and do not commit the Organization.

3 INTRODUCTION Current publication contains scores of the Armenian composers in which duduk was used with chamber orchestra, choir, and within different chamber ensembles. Except these scores there are several other compositions of the Armenian composers with use of duduk, such as Avet Terteryans Symphony no. (198, publisher Sikorsky) that has been performed in Armenia, Russia and Europe, Stepan Rostomyans symphony no.4, which has been performed in Armenia, Russia, and Europe (can be found at as well as Vache Sharafyans Morning Scent of the Acacias Song version for duduk and string quartet (played in USA and Europe) and Ascending Kyamancha for duduk, zurna, cello & piano (the first can be found at G. Schirmer and the second is available from All the orchestral parts of the included in publication compositions are available and can be found at authors or SSAFM *** I. The first chapter of the current publication DUDUK WITH CHAMBER ORCHESTRA contains the following five compositions: 1. Vache Sharafyan: Morning Scent of the Acacias Song for duduk, soprano and chamber string orchestra (2001). It is the orchestral version of the piece commissioned for the Silk Road Project Inc. in 2000, which originally was written for duduk and string quartet (publisher is G. Schirmer, Inc). Duration is 1 min. Starting from 2001 both versions of this piece has been performed by Silk Road Ensemble and dudukist Gevorg Dabaghayn in France, Brussels Philharmonie, Cologne Philharmonie, as well as with Xenia quartet in Turin (Italy), with Colin Jacobsen and his quartet in New York, by NCOA (cond. R. Asatryan) in Armenia, by Trans Caucasian chamber orchestra in Tbilisi (cond. U. Berkemer). The premiere of the orchestral version was played by Silk Road Ensemble in Carnegie Zankel Hall in The soprano part is not compulsory and should be sung from offstage, preferably from some upper place in the hall. For the parts contact G. SCHIRMER, Inc and author. Recording is available at sharafyanv@yahoo.com 2. Vache Sharafyan: Concerto Surgite Gloriae for solo viola, duduk, boy soprano, baritone and chamber orchestra (French horn, bell and strings) 200; duration 21 min. This piece is dedicated to Yuri Bashmet, who premiered that with Moscow Soloists at Elba Festival on September 4, 200 as well as in Moscow Conservatory Grand Hall season opening on September 19, 200. The orchestral parts available at sharafyanv@yahoo.com. Vache Sharafyan: 11 Arrangements and Transcriptions by Komitas for duduk, (few with dhol/drum) and chamber string orchestra (200). Duration 18 min. This piece also has version for duduk with string quartet and CD with that version is going to be released in 2008 by Traditional Crossroads in New York. This cycle consists of the transcriptions from Komitas and modern arrangements of the folk tunes by Sharafyan. The premiere of the orchestral version was played by Gevorg Dabaghayn and NCOA orchestra (cond. A. Gharabekian) in April 200 in Chatelet de Paris, France and after that more performances were made in France and Russia. Recording and the orchestral parts are available at sharafyanv@yahoo.com 4. Ruben Altunyan: Hallow Land for duduk, zurna and chamber string orchestra (2000); duration is 1 min. This piece was written for NCOA and premiered by Gevorg Dabaghyan with NCOA (cond. A. Gharabekian) in 2002 in Komitas chamber music hall in Yerevan. NCOA performed that as well with dudukist Ararat Dallakyan in Lincoln Center in

4 New York, in Germany and France. The orchestral parts and the recording are available at c/o Eduard Hayrapetyan: From Afar for duduk and chamber string orchestra (1999). This piece was premiered in 2000 by Gevorg Dabaghyan and NCOA (cond A. Gharabekian) in Komitas Chamber Music hall in Yerevan. Later it was played also with duidukist Ararat Dallakyan. The orchestral parts and recording are available at or *** II. The second chapter DUDUK WITH CHOIR contains the following two compositions: 1. Vache Sharafyan: Tsov Kentsaghuis (the sea of our life is troubling me ) for mix choir or vocal quartet and three duduks (200). This piece is based on the sharakan (Armenian sacred hymn) by St. Mesrop Mashtots ( th C) the inventor of the Armenian alphabet. The duduk parts could be used as life or prerecorded (available at sharafyanv@yahoo.com) This piece was recorded by Hover choir and Dabaghyan duduk trio and CD was released by WEM radio in Boston. 2. David Haladjian: Die Austreibung Der Menshheit for duduk and choir (200) is based on Armin T. Wegners text about deportation of the Armenians in October 191. This piece was premiered in Armenia by Gevorg Dabaghyan and Chamber Choir (cond. R. Mlkeyan). For recording contact the author haladjian@swissonline.ch *** III. The third chapter DUDUK WITHIN CHAMBER ENSEMBLES contains the following two compositions by Vache Sharafyan: 1. The Sun, the Wine and Wind of Time for duduk, violin, cello and piano (1998); duration 1 minutes. This piece was premiered with dudukist Gevorg Dabaghyan in 1999 at Two Days & Two Night international festival in Odessa and later was chosen by great cellist of our days Yo-Yo Ma and was played by him with Gevorg Dabaghyan, violinist Colin Jacobsen and pianist Joel Fan in Carnegie hall, Chicago Symphony space, Berkley and Stanford Universities, Seattle Benaroya Hall, Washington National Mall, Cologne Philharmonie, Amsterdam Concertkgebouw, Florence, Milan, Rome. The New York Times (by Allan Kozinn, May 9, 2002) wrote: "And the Shostakovich, on Tuesday, seemed to flow naturally from the world of the work performed just before it -- ''The Sun, the Wine and the Wind of Time'' by Vache Sharafyan, from Armenia Chicago Tribune ( ) wrote about The Silk Road Ensemble at Chicago Orchestra Hall: "...But the most wonderful piece on the program was "The Sun, the Wine, and the Wind of Time" (1998) by the Armenian composer Vache Sharafyan. The score derived much of its ineffable sadness from the duduk, an oboe-like instrument whose quivery, throaty sounds were framed by piano (Joel Fan), violin (Colin Jacobsen) and cello (Ma). The seamless evolution of moods and textures from soft, somber lines made up of pained intervals, to more violent outbursts, back to mournful lines made it entirely absorbing to the ear and mind..." SAN FRANCISCO CLASSICAL VOCE wrote: (April 0, 2002, Robert Commanday, Senior Editor) The issue with a cross-cultural composition is one of criteria. By what standard and in what aesthetic is the work to be perceived? It must be the product of a real and gifted composer, strong enough a composition to establish its own measure, as Takemitsu s pieces are. To an extent, Vache Sharafyan s The Sun, the Wine, and the Wind of Time (from Armenia, 1998) created its own time and space. The western tradition was reflected in its overall song-form structure and writing for piano, violin and cello CD of Vache Sharafyan On the Fortieth Day with this composition released by Traditional Crossroads in New York in Parts available at sharafyanv@yahoo.com 2. My Lofty Moon for duduk, zurna, Arabic qanun, Japanese sho, Chinese sheng, flute, clarinet, percussion, harp, violin, viola, cello & c-bass (200). Duration is 10 min. Commissioned by Atlas Ensemble and premiered on January in Amsterdam Muziekgebouw; cond Ed Spanjaard. Recording and parts are available at sharafyanv@yahoo.com 4

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6 Vache Sharafyan (2001) The Morning Scent of the Acacia's Song FOR DUDUK, SOPRANO & STRING ORCHESTRA This is the orchestral version of the piece commissioned for The Silk Road Project, Inc. G. SCHIRMER, Inc.

7 Duduk The Morning Scent of the Acacia's Song FOR DUDUK, SOPRANO & * STRING ORCHESTRA [ inc, in Bb, in D.] [orchestral version] Vache Sharafyan (2001) =2, Rubato Violini I div. Violini II div. Viole Violoncelli div. Contrabasso *- soprano part should be sung offstage, from the upper place in the hall. This is the orchestral version of the piece commissioned for The Silk Road Project, Inc. Publisher - G. SCHIRMER, Inc 9

8 Vlni. I Vlni. II Vle. non vibr. non vibr. Vlni. I Vlni. II Vle. Vlni. I Vlni. II gliss. 14 = ampio vibrato poco a poco dim. poco a poco dim. poco a poco dim. poco a poco dim. ord. Vle. 10

9 D-k 1 Vlni. I Vlni. II Vle. 1 Vlni. I Vlni. II Vle. D-k dim. div. dim. dim. dim. non div. sul D. sul A. in D. sul G. 11

10 D-k [in D.] Vlni. I Freely,out of metre 0 gliss. Vlni. II Vle. 2 D-k Vlni. I 2 Vlni. II Vle. D-k 28 Vlni. I Vlni. II 28 non div. pizz. non div. arco Vle. non div. 12

11 D-k 0 Vlni. I Vlni. II Vle. [div.] 88 D-k muta in C. Vlni. I Vlni. II poco a poco rit. Vle. [div.] 1

12 Vlni. I Vlni. II poco a poco meno mosso 2 Vle. div. div. non div. Vlni. I Vlni. II 41 non div. Vle. 14

13 Vlni. I 4 Vlni. II Vle. non div. div. Vlni. I 49 rit. Vlni. II Vle. 1

14 Vlni. I Vlni. II Vle. 2 div. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. div. non div. Vlni. I Vlni. II Vle. D-k in C. [ 2 for doodouk] Freely, out of metre Violoncello solo Freely,out of metre 1

15 Vlni. I Vlni. II Vle. D-k non div. non div. non div. Glissando non div. non div. non div. sim. sim. sim. sim. sim. 9 D-k Vlni. I 9 Vlni. II Vle. sim. improvising 1

16 D-k 1 Vlni. I 1 Vlni. II Vle. 4 D-k Vlni. I 4 Vlni. II Vle. 18

17 D-k Gliss. Glissando Vlni. I Vlni. II Vle. 8 D-k Vlni. I Vlni. II 8 non div. Vle. div. non div. 19

18 Vlni. I 0 div. Vlni. II div. div. poco a poco dim. Vle. poco a poco dim. poco a poco dim. poco a poco dim. D-k 2 Vlni. I 2 non div. 2 out of metre Vlni. II Vle. non div. non div. non div. D-k in C. 48 Freely Vle. D-k 80 Vle. 20

19 D-k 81 Vle. D-k 8 Vle. D-k 8 Vlni. I Vlni. II 8 Solo 1. sul tasto sul pont. ampio vibrato Vle. 21

20 D-k 88 muta in Bb Vlni. I Vlni. II Vle. 88 sul tasto sul pont. approx. sec. morendo Vlni. I Vlni. II Vle sul pont. sul pont. unis. pizz. sul tasto sim. pizz. sul tasto Vlni. I Vlni. II 94 [ pizz.] sul pont. Vle. sul pont. morendo [ pizz.] 22

21 Vlni. I Vlni. II Vle. 9 arco ord. div. ord. div. arco non div. div. = Vlni. I 101 div. div. Vlni. II Vle. div. Vlni. I Vlni. II 10 non div. unis. div. Vle. 2

22 Vlni. I 10 Vlni. II Vle. non div. div. non div. non div. non div. Vlni. I Vlni. II Vle. 108 sul pont. sul tasto Vlni. I Vlni. II Vle. sul pont. ord. 110 sul pont. ord. 24

23 Vlni. I Vlni. II Vle. 11 sul pont. sul pont. Vlni. I Vlni. II Vle. 11 sul pont. sul tasto sul tasto sul tasto Vlni. I Vlni. II Vle. 118 sul pont. ord. poco a poco Accelerando sul pont. ord. 2

24 Vlni. I Vlni. II Vle. 121 ord. = 12 dim. poco a poco cresc. poco a poco cresc. poco a poco cresc. Vlni. I Vlni. II Vle. = 12 poco a poco dim. poco a poco dim. poco a poco dim. Vlni. I Vlni. II Vle. 129 rit. = 120 2

25 Vlni. I 1 dim. Vlni. II Vle. dim. D-k 19 Vlni. I Vlni. II Vle. 19 = pizz. pizz. pizz. pizz. D-k in Bb 144 approx. sec. Vlni. I 144 Vlni. II Vle. non div. arco ampio vibr. ord. 2

26 D-k 148 muta in D Vlni. I 148 pizz. Vlni. II Vle. ampio vibr. ord. pizz. pizz. pizz. Vlni. I 12 con sord. Vlni. II Vle. con sord. con sord. arco arco non div. con sord. arco non div. Vlni. I Vlni. II 1 Vle. 28

27 Vlni. I Vlni. II Vle. 11 unis. non div. non div. Vlni. I 1 ampio vibr. ord. ampio vibr. Vlni. II Vle. div. div. unis. unis. div. non div. div. pizz. Vlni. I 12 ampio vibr. ord. Vlni. II Vle. unis. unis. div. unis. div. div. non div. unis. unis. pizz. pizz. 29

28 Vlni. I Vlni. II Vle. div. 1 div. unis. Soprano 181 [hiden,not from stage] Freely,out of metre D-k Vlni. I Vlni. II Vle. 181 non div. non div. non div. non div. arco non vibr. non vibr. non vibr. non vibr. sul Mi sim. sim. sim. sim. sim. 0

29 Soprano 188 D-k in D. Freely Vlni. I 188 Vlni. II Vle. 190 Soprano Glissando D-k Glissando Vlni. I 190 Vlni. II Vle. 1

30 Soprano 191 vibrato. D-k Glissando Vlni. I 191 Vlni. II Vle. Soprano 19 D-k Vlni. I 19 Vlni. II Vle. 2

31 Soprano 19 D-k Vlni. I 19 Vlni. II Vle. Soprano 19 Glissando Gliss. D-k Vlni. I 19 Vlni. II Vle.

32 Soprano 198 morendo D-k Vlni. I 198 Vlni. II Vle. Soprano D-k 200 Glissando Vlni. I 200 Vlni. II Vle. 4

33 Soprano 202 D-k Gliss. Vlni. I 202 Vlni. II Vle. sim. simile freely Soprano D-k 204 rubato Vlni. I 204 Vlni. II Vle. [solo]

34 Soprano D-k 20 rubato Vlni. I 20 Vlni. II Vle. Soprano 210 D-k Vlni. I Vlni. II Vle. 210 Perdendosi

35 D-k 21 Vlni. I Vlni. II 21 Vle. sul Do sul La [solo] sul pont. morendo Vlni. I Vlni. II Vle. 222 morendo Vache Sharafyan

36 G. SCHIRMER, Inc.

37 Vache Sharafyan (200) " S U R G I T E G L O R I A E " for solo Viola, duduk, corno in F, campana F#, discantus, baritone & string orchestra Dedicated to Yuri Bashmet 9 Contacts: tel: (4 10) 4221 sharafyanv@yahoo.com sharafyanv@inbox.ru

38 Duduk * Corno (F) * Campana (F#) not compulsory * Baritone Discantus * Solo Viola * Violini 1 Violini 2 Viole V-celli C-basso In this piece I used the Latin translation of the text of the sacred hymn by St. Nerses Shnorhali (12th C) "Zartiq Parq im" (Surgite Gloriae). St. Nerses Shnorhali (Nerses the Graceful) was the great Armenian philosopher, musician, and writer. He was the Catholicos of Armenia in St. Nerses Shnorhali is an author of hundreds of sharakans (Armenian sacred hymns), author of most of the melodies of the Armenian Orthodox Liturgy. Latin version of the text (translated by Benedek Zsigmond): 1. Surgite, gloriae, Et exsurgam diluculo, alleluia. 2. Surgite, vigiles, Pueri Sionis caeli, alleluia.. Surgite, filii, Et psallite lucis Patri, alleluia. 4. Surgite, redempti, Laudem date Redemptori, alleluia.. Surgite, populi, Novum cantum Creatori, alleluia.. Surgite, animae, Sancto Sponso venienti, alleluia.. Surgite, una cum Prudentibus virginibus, alleluia. 8. Surgite, parate Lampades cum lacrimabus, alleluia. 9. Surgite, somnio Non cadentes obstupentes, alleluia. 10. Surgite, adorate, Lacrimati hoc clamate, alleluia. Zarfiq, 4aq im, zarfiq, Yv ys zarfeax aav=t0x, alel0ia; Zarfiq und z0arf0ns, Mank0nq werinn Sioni. alel0ia; Zarfiq, ordiq l0so, I orhn0fivn H=rn l0so. alel0ia; Zarfiq, 4rkyalq aryamb, Yv t0q z4as 4rko[in. alel0ia; Zarfiq, nor jo[ow0rdq, Nor yrgs ayal norogo[in, alel0ia; Zarfiq, hars0nq, hogvow Spasyal galo s0rb 4ysain.alel0ia; Zarfiq, wayalq l0sow, Ust imast0n s0rb k0sanaxn. alel0ia; Zarfiq, patrastyxyq iv[ laptyrax Z yrm artas0s, alel0ia; Zarfiq 9 mi nn\yq` Nman imar k0six nirhyq. alel0ia; Zarfiq, yrkir pagx0q, Yv artas0=q zas asasx0q, alel0ia; S. 40

39 Dedicated to Yuri Bashmet Duduk Solo Viola Violini I Violini II Viola Violoncelli ~ 8, Rubato ~ 8, Rubato CONCERTO "Surgite Gloriae" FOR SOLO VIOLA, DUDUK, CORNO (F), BOY SOPRANO, BARITONE, CAMPANA (F#) & STRING ORCHESTRA Vache Sharafyan (200) Contrabass S. Vln.I div. Vln.II div. Sharafyan 41

40 S. Vln.I Vln.II 8 pizz. pizz. S. Vln.I 1 Vln.II non vibr. arco 42

41 S. 1 Vln.I Vln.II div. ord. div. S. Vln.I 19 Vln.II ord. 4

42 S. Vln.I 22 div. Vln.II div. S. 2 Glissando Vln.I Vln.II pizz. pizz. 44

43 S. 28 Vln.I Vln.II poco poco poco arco poco S. 1 Vln.I Vln.II 4

44 S. Vln.I Vln.II 4 S. Vln.I Vln.II pizz. pizz. 4

45 S. Vln.I Vln.II 41 pizz. S. Vln.I Vln.II 44 div. in 2 pizz. arco div. unis. div. unis. Gliss. Gliss. 4

46 S. 4 Vln.I Vln.II unis. S. 0 Vln.I unis. Vln.II 48

47 S. Vln.I Vln.II S. poco a poco Vln.I poco a poco Vln.II poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. 49

48 9 S. Vln.I Vln.II poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. poco a poco cresc. 2 S. Vln.I Vln.II espressivo 0

49 S. Vln.I Vln.II Duduk in C * (poco rubato) 8 S. Vln.I Vln.II * The duduk part is metrically free part. There is no strict metrical dependence between the duduk and orchestra, the places are noticed approximately. 1

50 1 S. Vln.I Vln.II 4 S. Vln.I Vln.II 2

51 S. espressivo Vln.I Vln.II 80 S. Vln.I Vln.II Glissando

52 S. Vln.I Vln.II Duduk in C 8 S. Vln.I Vln.II 8 4

53 89 S. espressivo Vln.I Vln.II 92 Duduk in C S. Vln.I Vln.II

54 9 S. Vln.I Vln.II footfall 98 /1 = 80 S. Vln.I Vln.II : /1 = 80 : : : :

55 S. 101 footfall : : Corno in F (written in C) : : : Vln.I Vln.II (Corno) 104 S. 104 footfall : 2 : 1 : : Vln.I Vln.II 10 S. Vln.I Vln.II 10 : : : : :

56 Corno 110 S. footfall : : : 2 1 : : Vln.I Vln.II 11 S. footfall : : : : : Vln.I Vln.II 11 S. footfall : : : : Vln.I Vln.II 8

57 (Corno) 119 S. Vln.I Vln.II : : : : : : S. 122 : footfall : : : : Vln.I Vln.II 12 S. : footfall : : : : Vln.I Vln.II 9

58 (Corno) 128 S. : footfall : : : Vln.I Vln.II 11 S. Vln.I Vln.II : : : : : 14 S. : : : footfall : : Vln.I Vln.II div. in 2 0

59 (Corno) 1 S. : : : : Vln.I Vln.II 140 S. Vln.I Vln.II : : : : : : 14 S. : : : : Vln.I Vln.II 1

60 (Corno) Duduk S. 14 : : Vln.I Vln.II 149 Duduk in C S. Vln.I Vln.II 12 S. Vln.I Vln.II 2

61 1 S. Vln.I Vln.II 10 S. Vln.I Vln.II V-cello 2 solo sul pont. alla punta 1 S. Vln.I Vln.II solo

62 18 S. Vln.I Vln.II 11 S. Vln.I Vln.II 4

63 14 S. Vln.I Vln.II pizz. pizz. pizz. pizz. 1 S. Vln.I Vln.II V-cello 2 solo sul pont. alla punta arco

64 180 S. Vln.I Vln.II pizz. pizz. pizz. pizz. pizz. 18 S. Vln.I Vln.II pizz. pizz. pizz. pizz.

65 18 S. Vln.I Vln.II pizz. pizz. Bar. Disc. S. 190 baritone Sur - gi - te glo ri - ae Vln.I Vln.II arco V-cello 2 solo sul pont. alla punta

66 Bar. Disc. S. 19 Et ex - sur-gam di - lu - cu - lo, falsetto al Vln.I Vln.II unis. Bar. Disc. 19 S. le lu - ia. Vln.I Vln.II pizz. pizz. pizz. pizz. 8

67 Bar. Disc. S. 199 discantus Sur gi-te, vi-gi - les Pu - e - ri Campana Si - o-nis ca-e-li, al le lu - ia. Vln.I Vln.II arco arco Bar. Disc. S. 202 baritone Sur - Vln.I Vln.II V-cello 2 solo alla punta sul pont. pizz. pizz. pizz. 9

68 Bar. Disc. S. 20 gi-te, fi li-i Et psal-li-te lu - cis Pat - ri Vln.I Vln.II unis. Bar. Disc. S. Vln.I Vln.II 208 falsetto al le lu - pizz. pizz. pizz. pizz. 0

69 Bar. Disc. S. 211 ia. discantus Sur gi - te re - demp - ti, Lau - dem Campana da - te Re-demp-to - ri, al Vln.I Vln.II arco 214 Bar. Disc. S. Vln.I le lu - ia. Vln.II 1

70 21 Bar. Disc. S. baritone Sur gi - te, po pu - li, Vln.I div. Vln.II div. pizz. Bar. Disc. 220 falsetto S. No - vum can - tum Cre - a - to - ri, al Vln.I Vln.II pizz. pizz. 2

71 Bar. Disc. S. Vln.I 22 le lu - ia, discantus Sur gi - te a - ni - mae Sanc - to Vln.II pizz. pizz. 22 Campana Bar. Disc. S. Vln.I Spon-so ve - ni - en - ti, al le lu - ia, Vln.II arco arco

72 Bar. Disc. 229 S. Vln.I Vln.II pizz. pizz. arco pizz. pizz. Bar. Disc. 22 S. poco rubato Vln.I Vln.II pizz. pizz. 4

73 2 Bar. Disc. S. Vln.I Vln.II pizz. pizz. arco pizz. pizz. Bar. Disc. 28 Campana S. Vln.I Vln.II pizz. pizz.

74 Bar. Disc. S. Vln.I 241 Campana FREELY (recitando): Surgite, una cum Prudentibus virginibus, alleluia. Vln.II arco Bar. Disc. 244 Campana (recitando): Surgite, parate S. Vln.I Vln.II div. unis. div. unis.

75 Bar. Disc. S. 24 Lampades cum lacrimabus, alleluia. Surgite, somnio Non cadentes obstupentes, alleluia. Surgite, adorate, Lacrimati hoc clamate, alleluia. morendo Vln.I Vln.II morendo morendo morendo Vache Sharafyan

76 VACHE SHARAFYAN 11 ARRANGEMENTS & TRANSCRIPTIONS OF THE ARMENIAN FOLK TUNES BY KOMITAS for duduk, (dhol) and string orchestra 200 8

77 VACHE SHARAFYAN 11 ARRANGEMENTS & TRANSCRIPTIONS OF THE ARMENIAN FOLK TUNES BY KOMITAS for duduk, (dhol) and string orchestra These 11 arrangements are based on folk tunes by great Armenian composer Komitas; Some are arrangements of just traditional tunes made by Vache Sharafyan and some could be considered as transcriptions by Komitas for duduk and string orchestra made be Sharafyan. In fact this cycle has a form of quoting between Armenian traditional, Komitas and modern (Vache Sharafyan). In three of movements such in Jur kuga verin saren, Shakhkr-shukhkr, Arnem ertam en sare.used also not compulsory part of dhol (an Armenian traditional drum); this part (rhythm) can be played as well by one cellist or contrabass player on the deck. The cycle combines Armenian traditional dance-songs and Armenian traditional wedding songs. Bellow there is information about each song: 1. Jur kuga verin saren (water is purring from the upper Mountain) (Armenian traditional dance-song) Sharafyan 2. Shakhkr-shukhkr (no translation, just word play, joke) (Armenian traditional dance-song) Komitas, arr. Sharafyan. Orhneal barerar Astvats (Blessed is munificent God) (Armenian traditional wedding song) Komitas, arr. Sharafyan 4. Arnem ertam en sare (To take and go to that mountain) (Armenian traditional dance-song) Komitas, arr. Sharafyan. Andzrevn ekav (The rain is came) (Armenian traditional song) Sharafyan. En dizan (no translation) (Armenian traditional wedding song) Sharafyan. Ervum em (I am burning (in mean like suffering)) (Armenian traditional dance-song) Sharafyan 8. Sona yar (Sona love) (Armenian traditional folk dance-song) Komitas, arr. Sharafyan 9. Lusnakn anush (sweet Moon) (Armenian folk song) Komitas, arr. Sharafyan 10. Es gisher (Tonight) (Armenian traditional wedding song) Sharafyan 11. Erknits, getnits (from earth, from heaven) (Armenian traditional wedding song) Komitas, arr Sharafyan It is possible for conductors to choose different order or eliminate some of pieces, to perform not the whole cycle. In some performances the first movement Jur ku ga verin saren (water is coming from upper mountain) repeating at the end of the whole, cycle from the middle of the piece and dudukist playing gradually steps out of stage, building some kind of bridge, as at the beginning dudukist start playing out of stage and gradually step on stage. This cycle has also version for duduk with string quartet. The CD with that will be released in 2008 by TRADITIONAL CROSSROADS label in New York. Performers- Gevorg Dabaghyan, Komitas String Quartet. 9

78 Duduk Violini I JUR KUGA VERIN SAREN "water is purring from the upper mountain" (folk song) for duduk, dhol and strings arr. Vache Sharafyan 200 (from far) Violini II Viola Cello Contrabass Dhol dhol offstage at the beginning, then gradually step on stage improvising around the written rhythm; gradually more loud and active. D-k 11 D-l 11 D-k 1 Vln. I 1 Vln. II Vla pizz. D-l 1 Sharafyan

79 D-k D-l Vln. I Vln. II Vla arco D-k D-l Vln. I Vln. II Vla D-k D-l Vln. I Vln. II Vla

80 D-k 4 Vln. I 4 Vln. II Vla D-l 4 gradually more loud and active, especially at the third time. D-k 2 1, 2, 4 Vln. I 2 1, 2, 4 Vln. II Vln. II solo 1, 2, 4 4 Vla Viola solo 1, 2, 4 4 1, 2, 4 1, 2, 4 D-l 2 1, 2, 4 82

81 D-k 8 Vln. I Vln. II 8 Vla D-l 8 improvising, very loud and active D-k Vln. I Vln. II Vla Violino I (4) solo D-l 8

82 D-k 8 8 Vln. I Vln. II Vla D-l 8 D-k Vln. I Vln. II Vla V-cello 2 solo D-l 84

83 D-k Vln. I Vln. II 8 8 Vla freely improvising on the approximately noticed pitched 2 solo D-l 8 D-k 8 Vln. I 8 unis. Vln. II Vla poco a poco dim. poco a poco dim. 2 solo poco a poco dim. alla punta D-l 8 8

84 D-k Vln. I Vln. II poco a poco diminuendo poco a poco diminuendo poco a poco diminuendo Vla poco a poco diminuendo poco a poco diminuendo poco a poco diminuendo 2 solo poco a poco diminuendo poco a poco diminuendo D-l 88 poco a poco diminuendo D-k 9 Vln. I 9 Vln. II Vla 2 solo D-l 9 D-k 98 Vln. I 98 Vln. II Vla 2 solo D-l 98 8

85 D-k 10 Vln. I 10 Vln. II Vla morendo 2 solo D-l 10 D-k 108 Vln. I 108 Vln. II Vla D-l 108 gradually step off the stage D-k 11 poco rit. Vln. I Vln. II Vla 11 sul pont. sul pont. sul pont. sul pont. poco rit. poco rit. poco rit. poco rit. morendo morendo morendo morendo sul pont. poco rit. morendo D-l 11 poco rit. 8

86 SHAHKR-SHUHKR FOR DUDUK, (DHOL) & STRINGS Komitas (arr. Sharafyan) Duduk in C Violin I Violin II Viola Cello sempre pizz. Contrabass sempre pizz. D-k Vln. I Vln. II 8 8 "Fine" "Fine" "Fine" 8 possible to play with dhol (drum). a' little improvisation concerning the dynamic signs. "Fine" "Fine" "Fine" 88

87 D-k 1 repeat all 2- times. Finish at the sign "Fine" Vln. I 1 repeat all 2- times. Finish at the sign "Fine" Vln. II repeat all 2- times. Finish at the sign "Fine" repeat all 2- times. Finish at the sign "Fine" repeat all 2- times. Finish at the sign "Fine" 1 repeat all 2- times. Finish at the sign "Fine" 89

88 ORHNYAL BARERAR ASTVATS FOR DUDUK AND STRINGS Duduk Violin I Violin II Viola Cello Contrabass Komitas (arr. Sharafyan) D-k Vln. I Vln. II 90

89 ARNEM ERTAM EN SARE Duduk possible to play with dhol (drum) FOR DUDUK, (DHOL) & STRINGS Komitas (arr. Sharafyan) Violin I Violin II Viola Cello Contrabass arco sepre pizz. simile D-k Vln. I Vln. II 91

90 D-k 9 Vln. I 9 Vln. II arco D-k 1 four times Vln. I 1 four times Vln. II four times four times arco four times four times 92

91 Duduk in Bb Violin I sempre pizz. ANDZREVN EKAV "the rain starts" FOR DUDUK & STRINGS arr. Vache Sharafyan Violin II Viola Cello Contrabass 4 Vln. I 4 Vln. II 9

92 Vln. I Vln. II 10 fine Vln. I 10 fine Vln. II fine fine fine fine 94

93 SONA YAR FOR DUDUK & STRINGS Duduk in H Komitas (arr. Sharafyan) Violin I Violin II Viola pizz. arco Cello Contrabass pizz. pizz. D-k (H) for the end make diminuendo disapearing at "Fine" Vln. I Vln. II pizz. arco for the end make diminuendo disapearing at "Fine" pizz. arco pizz. arco pizz. 9

94 D-k (H) 1 (possible to repeat the section from bar 1 till 1 twice at the end) Fine Vln. I 1 (possible to repeat the section from bar 1 till 1 twice at the end) Fine arco Vln. II Fine Fine Fine 1 Fine D-k (H) 19 Da capo Vln. I Vln. II 19 pizz. arco pizz. Da capo Da capo Da capo 19 Da capo Da capo 9

95 EN DIZAN FOR DUDUK & STRINGS Duduk in Bb Violin I Vache Sharafyan 200 Violin II Viola Cello div. Contrabass D-k Bb Vln. I Vln. II div. div. unis. 9

96 ERVUM EM FOR DUDUK & STRINGS Duduk in Bb Violin I Violin II con sord. poco sul pont. con sord. poco sul pont. arr. Vache Sharafyan Viola con sord. Cello con sord. Contrabass con sord. D-k fine Vln. I fine Vln. II fine fine fine fine 98

97 LUSNAKN ANUSH FOR DUDUK & STRINGS Duduk in Bb Violin I Komitas (arr. Sharafyan) Violin II Viola Cello Contrabass D-k 1,2, 4-fine Vln. I 1,2, 4-fine Vln. II 1,2, 4-fine 1,2, 4-fine 1,2, 4-fine 1,2, 4-fine 99

98 ES GISHER "tonignt" arr. Vache Sharafyan Duduk Violin I con sord sul Mi alla punta; sul pont.; freely sim. Vln. I 4 solo Violin II con sord Viola con sord Cello Contrabass con sord con sord D-k Vln. I solo Vln. II 100

99 D-k 9 Vln. I 9 alla punta; sul pont.; freely solo Vln. II D-k 12 Coda rit. Vln. I 12 rit. morendo solo Vln. II rit. rit. rit. rit. 101

100 ERKNITS, GETNITS FOR DUDUK & STRINGS Duduk Violin I Komitas (arr.sharafyan) Violin II Viola Cello Contrabass D-k 9 Vln. I 9 Vln. II 102

101 D-k Vln. I Vln. II 1 1 D-k Vln. I Vln. II

102 Ruben Altunyan (2000) Hallow Land for duduk, zurna, chamber string orchestra & bells dedicated to Alida Yekaryan 10

103 to my wife Alida Yekaryan Hallow Land for duduk, zurna, chamber string orchestra & bells Duduk Zurna in C Moderato, agitato Ruben Altunyan 2000 Violin I 1 div. Violin I 2 Violin II 1 div. Violin II 2 Viola 1 div. Viola 2 div. unis. Violoncello Contrabass Bells 10

104 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Hallow Land Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Duduk

105 Hallow Land 14 poco rit. Vln. I 1 14 Vln. I 2 Vln. II 1 Vln. II Vln. I 1 Vln. I 2 Vln. II 1 Vln. II a tempo 19

106 Hallow Land Vln. I 1 Vln. I 2 Vln. II 1 Vln. II div. unis. Vln. I 1 Vln. I 2 Vln. II 1 Vln. II

107 Hallow Land Vln. I 1 Vln. I 2 Vln. II 1 Vln. II soli Vln. I Poco piu mosso Vln. I 2 Vln. II 1 Vln. II 2 1 2

108 42 Hallow Land Vln. I 1 42 Vln. I 2 Vln. II 1 Vln. II Vln. I 1 4 Vln. I 2 Vln. II 1 Vln. II 2 1 2

109 Hallow Land Vln. I Vln. I 2 Vln. II 1 Vln. II Vln. I 1 Vln. I 2 Vln. II 1 poco rit. Vln. II 2 1 2

110 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II a tempo Hallow Land accel. Vln. I 1 Vln. I 2 Vln. II 1 Vln. II 2 1 2

111 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Molto piu mosso muta in Zurna Hallow Land Vln. I 1 4 Vln. I 2 Vln. II 1 Vln. II 2 1 2

112 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II 2 1 Hallow Land 2 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Zurna div.

113 Hallow Land 81 Vln. I 1 Vln. I 2 Vln. II 1 81 Vln. II Vln. I 1 Vln. I 2 Vln. II 1 8 Vln. II 2 unis. 1 2

114 8 Hallow Land Vln. I 1 Vln. I 2 8 Vln. II 1 Vln. II 2 div Vln. I 1 8 Vln. I 2 Vln. II 1 Vln. II 2 1 unis. 2

115 89 Hallow Land Vln. I 1 89 Vln. I 2 Vln. II 1 Vln. II Vln. I 1 Vln. I 2 Vln. II 1 Vln. II

116 Hallow Land 94 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II div. sub. sub. unis. cresc. cresc. cresc. cresc. 9 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II

117 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Bls Hallow Land cresc. cresc. cresc

118 Hallow Land 10 Vln. I 1 10 Vln. I 2 Vln. II 1 Vln. II Bls. 10 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II div. Bls. 108

119 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Bls unis. 111 Hallow Land 114 muta in Duduk Tempo primo Vln. I 1 Vln. I 2 Vln. II 1 Vln. II Bls div. div. in

120 Hallow Land 121 Vln. I 1 Vln. I 2 Vln. II solo solo Vln. II sola solo Bls. 121 Vln. I 1 Vln. I 2 Vln. II 1 Vln. II altri div. altri div. altri div. altri tuti div. tuti div. tuti div. unis. duduk

121 Hallow Land Vln. I 1 Vln. I div. Vln. II 1 Vln. II Vln. I 1 Vln. I 2 Vln. II 1 Vln. II unis. Bls. 140 solo

122 Hallow Land Vln. I 1 Vln. I (non vibr.) Vln. II 1 Vln. II Bls. 148 dim. dim. dim. dim. Vln. I 1 Vln. I 2 Vln. II cresc. cresc. cresc. cresc. Vln. II cresc. cresc. cresc. cresc. cresc.

123 Hallow Land Vln. I 1 Vln. I 2 Vln. II 1 Vln. II poco rit. a tempo Vln. I Vln. I 2 Vln. II 1 Vln. II Bls. 1

124 Hallow Land Vln. I Vln. I 2 Vln. II 1 Vln. II Bls. 18 Vln. I 1 Vln. I 2 Vln. II Vln. II Bls. 190

125 From Afar Eduard Hayrapetyan (1999) for duduk and chamber string orchestra 129

126 Duduk Partitura scritta in C Violini I Violini II Viole Violoncelli q» & 4 & & B? æ π div. div. æ π J U Œ j Œ U U U æ w æ w æ div. w æ π # æ From Afar for duduk & chamber string orchestra # æ n æ w æ w æ æ b æ b æ w æ w æ nw æ j œ æ. U b œ J æ j Œ U Eduard Hayrapetyan 1999 # æ j U œ@ Œ æ U æ b œ. æ U # æ œ æ U œ. æ œ æ U. U Contrabassi (2)? 4 U U U b æ & # w æ & B? bw æ w æ æ # æ # æ U œ. b æ œ æ U. # æ œ æ U. π U # æ # b w æ æ # w æ # æ n æ j # ##œ æ œ æ j œ æ œ æ j œ # œ æ œ J æ # œ. æ nœæ #.. æ p œ æ... bœ æ pæ b æ. œ. œ. æ p æ # @ æ n # nw æ w æ bœ æ? U 4 4

127 div. 1 & & b æ æ Ó Ó b æ # w π æ bw æ π æ œæ. # J æ j b æ. j œ@ bœæ. piu mosso bw æ p œ P œ œ œ œ œ a tempo j b nœ æ. œ J Œ Ó j b æ œ. & B? æ # æ Ó wæ π wæ n π œ æ. æ æ. œ. æ æ w æ p Nw æ p w - P π j œ@ œæ. j œ@ œæ. j # œ æ j œ æ. w? w - P π w div. 18 & wæ P & w æ P B w æ P? w - F? w - F piu mosso & w æ P & œ œ œ F œ œ œ π π U j œ@ œ æ. # æ F j U œ æ. #œ œ œ f œ U J Œ U j œ@ œæ. U j æ #œ. U U # æ F æ F æ F - f - f # œ œ œ #œ œ œ # œ - œ œ f œ- #œ œ œ # œ œ - œ œ # w æ # w æ w æ w w, q»ª > ƒ > ƒ > non div. non div. non div. ƒ ƒ > # > ƒ > non div. non div. ƒ > ƒ > > > > # > # > # >

128 2 Duduk unis. div. div. unis. 1

129

130 4 rit. poco piu mosso 4 div. div. div sul tasto sul tasto sul tasto sul tasto 1

131 8 8 unis. ord. unis. ord. ord. ord. unis. 1

132 div. div. div

133 4 4 poco accel

134

135

136 10 (div.) 111 (div.) unis. 141

137 11 12 ritard. non div. unis. 142

138

139 1 & & bœ œ nœ ƒ B bœ ƒ n? œ n > œ bœ œ œ œ œ œ œ œ œ bœ nœ œ œ b œ > œ œ nœ œ œ bœ b œ. bœ nœ œ bœ œ œ œ œ bœ œ J Œ # J œ œ nœ œ > # œ œ œ œ # œ œ œ œœ œœ œ bœ œ #œ œ > b œ œ b > œ œbœ n> b œ N œ œ œ œ œ œ œ œ œ #œ n> œ bœ œ œ n œ > œ. œ œ œ. œ bœ œ œ? # n œ. J œ œ œ œ b > œ œbœ. œ bœ œ œ? œ. J œ œ œ œ œ> œ œ œ. œ œ œ? bœ. J œ œ œ œ œ > œ œ œ. œ œ œ 140 bœ & œ & B?? œ> œ. nœ œ unis. œ. # œ œ œ œ œ œ> # œ > b> œ nœ œ œ œ> bœ œ bœ œ œ. œ œ œ œ œ> bœ œ œ b > œ œ œ. œ œ. œ œ. bœ > #> œ œ œ œ > q» #>. œ ƒ œ. œ œ. ƒ div. œ. œ œ. œ œ. œ œ. ƒ div. # œ œ. œ œ. œ. œ œ. œ œ. œ œ. ƒ œ. œ œ. œ œ. œ œ. # œ œ œ œ #. nœ. # œ œ. n œ œ. bœ # œ œ. œ. œ œ. œ œ. œ œ. œ. œ œ. œ œ. œ œ. œ. œ œ. œ œ. œ œ. œ œ œ œ ƒ? œ. œ # œ œ œ. # œ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ ƒ

140 144 unis. 148 poco a poco accel. 12 non div. non div. non div. non div. 14

141 1 10 div. sub. div. sub. div. sub. div. sub. sub. 1 non div. sub. sub. non div. non div. div. div. sub. div. sub. sub. non div. sub. div. sub. sub. div. sub. sub. 14

142 11 # #w & w bw b n b bw N w b n b n ẇ b & w bww b # w nw # b b w B w bw b b w b b w #w n n & bw? #w bw B b n w ẇ w? w #w w b n # B # w w b 1 & & & B w w # b w w # w w #w w bw # n # n w w w n # #w w b bw - nw P w n œ # œ bw - nw π F #. œ # # œ œ œ œ # œ œ nœ # œ.. P F w œ œ. œ œ # P b b (div.) P p π P B B w b w w w w # ẇ n #w w #.. b. œ œ nœ # œ # œ œ w P w nw Duduk 18 & 18 & & & w - P B b - B (div.) w bw b b b B b? œ œ n - bb - bb w b- œ œ b b π bœ œ - π b π bn π b π œ. w w w ww w w p w w n w ww w bw b w w b w ww w w w ww w w b b w? 14

143 unis unis. div. 148

144 201 & n. j œ F œ œ J P b. œ J p w (div.) 201 & n w & B? w? bw œ œ b w q» 20 j & œ œ Ó π 20 w & æ π w & æ π B???.... j œ J œ j œ j œ j œ Œ Ó nw - π w π. b w π bw π w æ w æ œ œ wœæ. æ w æ. æ w w p w j b œ@ œæ œæ œæ J œ Œ w æ w æ π w # w w div. b æ w æ w æ (div.) bw æ π n æ Œ Ó j œ œ Œ J w w #w w æ w æ b b w æ w w w b w æ b w æ w æ bw æ π w æ π

145 (div.) 214 b b w & æ & & B div. in w æ div. in bw æ w æ # # w æ bw æ w æ bw æ q» ## œ R Œ Ó bœ Œ Ó R r œ Œ Ó bœ R Œ Œ div. in 2 œ œ f div. in 2 bw bw- F molto rit. bœ œ œ œ œ œ œ F π œ œ œ F w œ œ œ π œ œ œ œ œ π π j œ œ Œ Ó j œ Œ j œ Ó Œ Ó œ J Œ Œ œ Nœ f B?? bw æ w æ bw æ bw æ w æ nw æ bœ R Œ Œ œ œ œ œ f œ nœ œ œ f œ œ œ œ œ œ f w π j œ Œ π j œ Œ π j œ Œ Œ œ œ bœ f œ œ œ œ f œ œ œ œ œ œ œ f œ (div.)?? œ- œ. f w - f J œ Œ π j œ Œ π œ - œ œ f w - f 219 w & w - F & # œ bœ œ œ œ œ œ F π & B B bw???? œ œ œ F w molto rit. œ œ œ π œ œ œ œ œ π π π J œ Œ π j œ Œ π J œ Œ π j œ Œ π j œ œ j œ f f w - f Œ Ó j œ Œ Œ j œ Œ Œ œ Œ J j œ Œ œ œ- œ œ œ nœ œ œ f œ œ f bœ P œ P œ œ œ œ f œ j œ œ bœ nœ bœ j œ œ œ œ œ œ # œ œ œ œ œ œ œ œ œ Uœ œ F p U bœ œ œ œ œ œ œ F p œ œ œ F bw w œ œ œ molto rit. œ œ œ œ p U U p p œ J U Œ π j U œ Œ π œ J U Œ π j U œ Œ π U œ 10

146 222 (div.) molto rit. 22 molto rit. molto rit. 11

147 229 molto rit. molto rit. Adagio (div.) (div.) Duduk 2 2 (div.) unis. unis. 12

148

149 (div.) poco a poco rit unis. div. 14

150 (div.) 2 div. unis. unis. div. 28 1

151 Vache Sharafyan Tsov Kentsaghuis (The sea of our life ) For Vocal Quartet or Mix Choir & Three Duduks based on sharakan (sacred hymn) by St. Mesrop Mashtots ( th C) *** David Haladjian DIE AUSTREIBUNG DER MENSCHHEIT für Duduk und Chor NACH DEM GEDICHT VON ARMIN T. WEGNER Geschrieben in Meskene am Euphrat, Oktober 191 im Angesicht der armenischen Deportation.

152 Vache Sharafyan /200/ "Tsov Kentsaghuis" /The sea of our life is troubling me/ for vocal quartet /counter-tenore, tenor, baritone and bass/ or mix choir and three duduks based on sharakan/chant/ of St.Mesrop Mashtots /Vth Century/ )ys ifhvg8yr lghg;gb bjr gn=iy0=/ To99o9ifgn gnj2 po4hgtjh jh g9yuvgh=/ Hgug;fk eg9j nf9 ghjh jty g;gu=h/ J lgteghgn jtyut g 2fb bgcr jt 1dhfg jh, K=9/ J 19hyupjuh hy9 19lhfrvyu2 wo9ijc tf9/ Gvfnyu tf9 fu wo9ijc ifvy bghjhr tf9/ The sea of this life is troubling me. The enemy inflicts on me stormy waves. Kind Captain I set my hope upon you. While my eyes rise to you help me o Lord. In new blessing we glorify you our Savior, Jesus. Our visitor and Savor give us life. St.Mesrop Mashtots /Vth Century/ T>Tg4kyv sharafyanv@yahoo.com 19

153 )ys ifhvg8yr>>> Tsov Kentsaghuis for vocal quartet or choir & three duduks based on sharakan /chant/of St. Mesrop Mashtots /Vth Century/ Vache Sharafyan/200/ * Duduk 1. in Bb Duduk 2 in Bb Duduk in Bb Sorano Tsov ken - tsa-ghuis ha-na - paz zis a-le - ko - tse. Alto Tsov ken - tsa-ghuis ha-na - paz zis a-le - ko - tse. Tenor Tsov ken - tsa-ghuis ha-na - paz zis a-le - ko - tse. Basso Tsov ken - tsa ghuis ha-na - paz zis a-le - ko - *-Duduk parts can be life or prerecorded. For prerecorded contact the author sharafyanv@yahoo.com. Sharafyan 10

154 D-k. 1 in Bb D-k 2 in Bb 8 D-k in Bb Sopr. Alto Ten Bas. tse. D-k. 1 in Bb 9 D-k 2 in Bb D-k in Bb Sopr. 9 Alto Ten Bas. 11

155 D-k. 1 in Bb 12 8 D-k 2 in Bb D-k in Bb Sopr. 12 Alto a Ten Me-rer keal Bas. Me- rer-keal Me- rer-keal D-k. 1 in Bb 1 D-k 2 in Bb D-k in Bb Sopr. 1 Alto i a - - liq tesh - na - min indz ha - ru Ten Bas. a - - liq tesh - na - min indz ha - ru a - - liq tesh - na - min indz ha - ru

156 D-k. 1 in Bb 19 D-k 2 in Bb D-k in Bb Sopr. 19 Alto Na - va - pet Ten tsa - ne. Na - va - pet Bas. tsa - ne. Na - va - pet tsa - ne. Na - va - pet D-k. 1 in Bb D-k 2 in Bb 2 D-k in Bb Sopr. 2 Alto ba - ri ba - ri ler and - dzin ler and - zin i-mo a - i-mo a - pa - ven. pa - ven Ten Bas. ba - ri ler and - zin i-mo a - pa - ven ba - ri ler and - zin i-mo a - pa - ven

157 D-k. 1 in Bb 1 D-k 2 in Bb D-k in Bb Sopr. 1 Alto Ten i ham-bar-nal i-mum ar qez zachs im og-nea indz, Ter. Bas. i ham-bar-nal i ham-bar-nal i-mum i-mum ar qez zachs ar qez zachs im og-nea im og-nea indz, Ter. indz, Ter. D-k. 1 in Bb D-k 2 in Bb D-k in Bb Sopr. Alto Ten Bas. i i hor - nu o i hor - nu - i hor -nu tun nor tun, i hor - nu-tun nor tun, i hor - nu-tun nor orh - nes - orh - nes - orh - nes - tsooq ez- qez, Qris- tsooq ez- qez,-qris- tsooq ez- qez, Qris- i hor - nu - tun, i hor - nu-tun nor orh - nes - tsooq ez- qez, Qris- 14

158 Sopr. 42 Alto Ten tos per - kich tos per - kich mer mer Ai - tse - lu mer Bas. tos per - kich mer Ai - tse - lu mer tos per - kich mer Ai - tse - lu mer Sopr. 4 Alto Ten Bas. ev per - kich ev per - kich ke - tso zan - ke - tso zan - dzins mer dzins mer ev per - kich ke - tso zan - dzins mer D-k. 1 in Bb 0 D-k 2 in Bb D-k in Bb Sopr. 0 ke - tso zan dzins mer Alto ke Ten Bas. ke tso ke

159 D-k. 1 in Bb D-k 2 in Bb D-k in Bb 4 MORENDO Sopr. 4 MORENDO Alto tso Ten Bas. tso Vache Sharafyan 1

160 DAVID HALADJIAN DIE AUSTREIBUNG DER MENSCHHEIT für Duduk und Chor NACH DEM GEDICHT VON ARMIN T. WEGNER Geschrieben in Meskene am Euphrat, Oktober 191 im Angesicht der armenischen Deportation. GME 200 1

161 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 DIE AUSTREIBUNG DER MENSCHHEIT Nach dem Gedicht von Armin T. Wegner David Haladjian senza metrum simile Mm oa mm simile Mm oa mm simile Mm oa mm simile Mm oa mm Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 2 Copyrights by David Haladjian, SUISA, Switzerland All Rights Reserved. Copy Prohibited. 18

162 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 Oo... Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 4 Oo... poco a poco vibrando grande ( ) o a o poco a poco vibrando grande ( ) o a o 19

163 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 O o o o o o o o o o o o o o o o o o o O o o o o o o o o o o o o o o o o o o = 100 Hier beginnt ein durchgehendes crescendo (siehe Richtangaben) bis zum Takt 2. Wärend der Achtel Pausen einatmen, entsprechend dem crescendo mit lauter werdendem, starkem Geräusch, wie im Atemnot. S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 Auf ein - em To - ten- hü - gel saß ich, am Rand der Wü- ste, wo der Fluß sich träum - te durch grei - se E - ben- en. B 2 Duduk Auf ein - em To - ten- hü - gel saß ich, am Rand der Wü- ste, wo der Fluß sich träum - te durch grei - se E -ben-en. 10

164 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 Gesprochen und geflüstert, mit Unterbrechungen zwischen Wörter..ein Strom von Men - schen, ein Stromvon Men - schen.. und Silben. Nicht immer hörbar...ein Strom von Men - schen, ein Strom von Men- schen.. Und es ge - schah, vom Ge - birg ein Strom von Men daß - schen schäum - te. Und es ge - schah, daß vom Ge - birg ein Strom von Men - schen schäum - te. Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B ein wilder Wurm, der in die Steppe kroch, von Männer, Weibern, die in Feßeln gingen......ein wilder Wurm, der in die Steppe kroch, von Männer, Weibern, die in Feßeln gingen... Ein wild -er Wurm, der in die Step - pe kroch, von Män - ner, Wei - bern, die in Fes - seln ging - en... Ein wild -er Wurm, der in die Step- pe kroch, von Män - ner, Wei - bern, die in Fes - seln ging - en... 11

165 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B verfolgt von einer kalten Henkerschar......verfolgt von einer kalten Henkerschar... Ver -folgt von ei - ner Hen - ker - schar... Ver - folgt von ei - ner kal - ten Hen - ker - schar, voll Gei - er - kral - len und Ge - klirr der Meu - te, Ver - folgt von ei - ner kal - ten Hen - ker - schar, voll Gei - er - kral - len und Ge - klirr der Meu - te, S 1...die Hände hackten... Oo... S 2...die Hände hackten... S S 4 A 1 A 2 A A 4 T 1 T 2...voll Gei - er - kral- len... hack - ten, hack - ten Beu - te. B 1 die lip - pen - trie - fend mit ge -bläh - tem Haar die Hän - de hack - ten in den Schoß der Beu - te. B 2 Duduk 10 die lip - pen - trie - fend mit ge -bläh - tem Haar die Hän - de hack - ten in den Schoß der 12 Beu - te.

166 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B da sie mit Gesang sich niederstürzten... Der Fel - sen, der Fel- sen Ö - de... sich nie - der - stürz- ten, Der Fel - sen, der Fel- sen Ö - de... sich nie - der - stürz- ten, Der Fel- sen, der Fel - sen Ö-de, da sie mit Ge - sang sich nie -der.. sich nie - der- stürz - ten, Der Fel -sen, der Fel - sen Ö-de, da sie mit Ge -sang sich nie - der.. sich nie - der- stürz - ten, S 1 S 2,,,da sie mit Gesang sich niederstürzten... S S 4 A 1 A 2 A A 4 T 1 gel - ber Sümp - fe La - chen, gel - ber Sümp - fe La - chen... T 2 gel - ber Sümp - fe La - chen, gel - ber Sümp - fe La - chen... B 1 in Brun - nen, die von ih - rem Blut er - bra - chen, Blut er - bra - chen... B 2 Duduk 12 in Brun - nen, die von ih - rem Blut er - bra -chen, Blut er - bra - chen... 1

167 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 1 Oo... Oo... Oo... Oo... Ihr Glück hieß Ster - ben, Ster - ben, Lei - den ihr Ge - nuß... Ihr Glück hieß Ster - ben, Ster - ben, Lei - den ihr Ge - nuß... Ihr Glück hieß Ster - ben, Lei - den ihr Ge - nuß... Ihr Glück hieß Ster - ben, Lei - den ihr Ge - nuß... S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 Der Rach - sucht und des Has- ses gei - le Bra- ut, der Völ - ker Kral voll E -lend oh - ne Mas - sen. T 2 Der Rach - sucht und des Has-ses gei - le Bra - ut, der Völ - ker Kral voll E -lend oh - ne Mas - sen. B 1 Der Rach - sucht und des Has- ses gei - le Bra- ut... die op - fer - ten dem Gott, den sie ver - gas-sen. B 2 Duduk 14 Der Rach - sucht und des Has- ses gei - le Bra- ut... die op - fer - ten dem Gott, den sie ver - gas-sen. 14

168 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 1 Weil im - mer noch der Blick kein En - de spür- te Weil im - mer noch der Blick kein En - de spür- te Da hob Ent -set - zen mei-ne, mei- ne Au - gen a - uf, En - de Da hob Ent -set - zen mei-ne, mei- ne Au - gen a - uf, En - de Da hob Ent -set - zen mei - ne Au - gen a - uf, Da hob Ent -set - zen mei - ne Au - gen a - uf, S 1 S 2 S S 4 A 1 To - des- kampf und letz - tem A - tem -lauf und trock - nem Schrei, A 2 To - des- kampf und letz - tem A - tem -lauf und trock - nem Schrei, A A 4 T 1 von To- des- kampf und letz - tem A-tem - la - uf und trock - nem Schrei, der mir die Brust um- schnür - te. T 2 von To-des- kampf und letz - tem A -tem - la - uf und trock - nem Schrei, der mir die Brust um - schnür - te. B 1 von To- des - kampf und letz -tem A- tem- la - uf und trock -nem Schrei, der mir die Brust um- schnür - te. B 2 Duduk 1 von To-des - kampf und letz- tem A - tem- la - uf und trock - nem Schrei, der mir die Brust um - schnür -te. 1

169 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 1 Und in den Wol - ken auf - ge - blüh- tem Strauß Und in den Wol - ken auf - ge - blüh- tem Strauß Gesprochen und geflüstert, mit...voll Fluch und Schuldbeschwerde... Unterbrechungen zwischen Wörter und Silben. Nicht immer hörbar....voll Fluch und Schuldbeschwerde... Und in den Wol - ken auf - ge - blüh- tem Strauß er - kann - te ich, Und in den Wol - ken auf - ge - blüh- tem Strauß er - kann - te ich, Und in den Wol - ken auf - ge - blüh - tem Strauß er - kann - te ich, Und in den Wol - ken auf - ge - blüh - tem Strauß er - kann - te ich, Und in den Wol - ken auf - ge - blüh - tem Strauß er - kann - te ich, Und in den Wol - ken auf - ge - blüh - tem Strauß er - kann - te ich, S 1 voll Fluch und Schuld- be -schwer - de, voll Fluch und Schuld - S 2 voll Fluch und Schuld- be -schwer - de, voll Fluch und Schuld - S...voll Fluch und Schuldbeschwerde... S 4...voll Fluch und Schuldbeschwerde... A 1 voll Fluch und Schuld - be - schwer-de durch der Jahr- tau - sen - de ge - wölb - tes Haus A 2 voll Fluch und Schuld - be - schwer -de durch der Jahr- tau - sen - de ge -wölb - tes Haus A A 4 T 1 voll Fluch und Schuld - be - schwer - de durch der Jahr- tau - sen - de ge -wölb - tes Haus T 2 voll Fluch und Schuld - be - schwer - de durch der Jahr- tau - sen - de ge -wölb - tes Haus B 1 voll Fluch und Schuld - be - schwer - de durch der Jahr- tau - sen - de ge -wölb - tes Haus B 2 Duduk 18 voll Fluch und Schuld - be - schwer - de durch der Jahr- tau - sen - de ge -wölb - tes Haus 1

170 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 19 der Mensch -heit der Mensch- heit Zug von An - be - ginn, der Mensch -heit Zug der Mensch -heit der Mensch- heit Zug von An- be - ginn, der Mensch -heit Zug...da schrie mein Mund......da schrie mein Mund... der Mensch -heit Zug von An - be - ginn der Er - de, Mensch - heit Zug von An - be - ginn der Mensch -heit Zug von An - be - ginn der Er - de, Mensch - heit Zug von An - be - ginn der Mensch -heit Zug von An - be - ginn der Er - de, Mensch - heit Zug von An - be - ginn der Mensch -heit Zug von An - be - ginn der Er - de, Mensch - heit Zug von An - be - ginn der Mensch -heit Zug von An - be - ginn der Er - de, Mensch - heit Zug von An - be - ginn der Mensch -heit Zug von An - be - ginn der Er - de, Mensch - heit Zug von An - be - ginn S 1 da schri - e, schri - e mein Mund, da schri - e, S 2 da schri - e, schri - e mein Mund, da schri - e, S da schri - e, schri - e mein Mund, da schri - e, S 4 da schri- e, A 1 da schri - e mein Mund, mein Mund, schri - e, mein mund schri - e, A 2 da schri - e mein Mund, mein Mund, schri - e, mein mund schri - e, A A 4 da schri- e, T 1 da schri - e mein Mund, mein Mund, schri - e, mein mund schri - e, T 2 da schri - e mein Mund, mein Mund, schri - e, mein mund schri - e, B 1 da schri - e mein Mund, mein Mund, schri - e, mein mund schri - e, B 2 Duduk 20 da schri - e mein Mund, mein Mund, schri - e, mein mund schri - e, 1

171 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 21 ( ) schri - e, mein Mund schri - e, da schri - e, schri - e, mein Mund schri - e, da schri - e, schri - e, mein Mund schri - e, da schri - e, schri - e, da schri - e, da schri - e mein Mund, mein Mund schri - e, mein Mund schri - e, da schri - e mein Mund, mein Mund schri - e, mein Mund schri - e, schri - e, da schri - e, da schri - e mein Mund, mein Mund schri - e, mein Mund schri - e, da schri - e mein Mund, mein Mund schri - e, mein Mund schri - e, da schri - e mein Mund, mein Mund schri - e, mein Mund schri - e, da schri - e mein Mund, mein Mund schri - e, mein Mund schri - e, 22 Duduk ( ) ( ) S 1 da schri - e, schri - e, schri - e, mein Mund, schri - e, S 2 da schri - e, schri - e, schri - e, mein Mund, schri - e, S da schri - e, schri - e, schri - e, mein Mund, schri - e, S 4 schri - e, mein Mund schri - e, A 1 schri- e, mein Mund, da schri- e mein, mein Mund schri - e, mein Mund, Mund schri - e, A 2 schri- e, mein Mund, da schri- e mein, mein Mund schri - e, mein Mund, Mund schri - e, A A 4 schri - e, mein Mund schri - e, T 1 schri- e, mein Mund, da schri- e mein, mein Mund schri - e, mein Mund, Mund schri - e, T 2 schri- e, mein Mund, da schri- e mein, mein Mund schri - e, mein Mund, Mund schri - e, B 1 schri- e, mein Mund, da schri- e mein, mein Mund schri - e, mein Mund, Mund schri - e, B 2 schri- e, mein Mund, da schri- e mein, mein Mund schri - e, mein Mund, Mund schri - e, 18

172 Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 2 = 80 crescendo bis zum Takt 2 Mensch - heit, Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Mensch - heit, was tatst du dies? Duduk S 1 S 2 S S 4 A 1 A 2 A A 4 T 1 T 2 B 1 B 2 24 Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und dir Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und die Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und die Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at - met und die Wie - sen schäu - men? Mensch - heit, was tatst du dies? Da Er - de at 19 - met und die Wie - sen schäu - men?