A Leaf Falls After, for orchestra. Lily Chen. A dissertation submitted in partial satisfaction of the. requirements for the degree of

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1 A Lea alls Ater, or orchestra By Lily Chen A dissertation sumitted in artial satisaction o the requirements or the degree o Doctor o hilosohy in Music in the Graduate Division o the University o Caliornia, Berkeley Committee in charge: roessor Ken Ueno, Chair roessor Edmund Camion roessor Cindy Cox all 2017

2 Lily Chen 2017 All rights reserved

3 Astract A Lea alls Ater, or orchestra y Lily Chen Doctor o hilosohy in Music University o Caliornia, Berkeley roessor Ken Ueno, Chair A Lea alls Ater is insired y my recent memories o living in Euroe In the all o 201, I received the Ladd rize unded y UC Berkeley and had the great oortunity to live in aris or ten months This as my irst time in aris as ell as in Euroe; I exerienced intimate incidents o ragile eauty that touched me, ut also shocking and terriying ones during my residence there I as imressed y the most clear and colorul all I d ever seen hen autumn leaves ell to the ground, sizzling as i drizzling; I as terriied y the terrorist attack ut also touched y the toughness o the arisians that inter; on a visit to t aul s Cathedral in London, I as ascinated to hear telve ells constantly ringing, intertining together as a huge chaotic ut illusory hirl; I as stunned hen visiting the installation allen Leaves at the eish Museum in Berlin, atching thousands o oen mouthed steel metal aces on the ground create, hen alked on, harshly grating sounds like the victims screams Insired y mixed emotions and diverse sounds, this iece traces the ourney o a lea: a solitary lea alling ith loneliness as descried in an e e cumming s oem; a light lea alling ith other leaves in autumn; a heavy metal lea allen on the ground Hoever, no matter hat virations it has undergone during its alling and allen time, the lea ill eventually e reincarnated into a rising utterly, laing its ings to cause a tornado in sring until the next alling comes Based on such images, I created a constantly loing rocess o dierent kinds o virations along ith air sounds to reresent alling leaves, allen leaves, and las o rising utterlies ings Besides this, metallic sounds/noises either ith ure resonances or ith intense ressure make u another imortant element, hich is associated ith my memories o the ringing ells and the metal allen leaves tructurally, there are three large uninterruted sections ith an introduction and a coda, exressing several dierent scenarios in sequence: a lea alls (Intro), alling leaves (ection 1), ringing chaos (ection 2), rising utterlies (ection ), and a lea alls ater (coda) In the intro (a lea alls), an image o a huge lea shaed y multile linear gestures gently emerges rom ehind the air sounds ut then alls arutly and heavily ith metallic noises ection 1 (alling leaves) reveals a alling/descending rocess, starting rom itchless noises and air sounds, gradually accumulating more and more, clearer and clearer descending gestures, and then inished y an very intense dark grating hrase, hich is a metahor o the metal allen leaves ection 2 (ringing chaos) is a long transition eteen the revious and the olloing section as ell as rom urity to chaos, ased on the constant elllike sounds o chimes as drone and used ith other comlex sounds and resonances to shae a chaotic dizzy atmoshere As an inverted image o alling leaves, ection (rising utterlies) mainly ocuses on ascending gestures ith virations and right timre scattering and echoing in dierent arts to dra a icture o the ing lutters o rising utterlies and the luctuations o the utterly eect In the coda (a lea alls ater), the gaslike reath sounds are not ust a kind o struggle in a ading decay, ut also a hint o reirth recalling the eginning gestures: the alling lea turns over a ne lea in the cycle o transmigration A Lea alls Ater as remiered y National Taian ymhony Orchestra in Taichung, Taian on August 17th,

4 Acknoledgements irst, I ould like to thank the community o the music deartment at UC Berkeley or oering me lots o suort and kindness as ell as giving me such a great environment ith oundless vision o learning and unlimited reedom o creating during my sixyear studies I ant to exress my thanks to my teachers: Ken Ueno, or alays eing insiring and helul in so many asects, not ust in music, and alays ushing me to challenge mysel and think out o my comort zone; Edmund Camion, or leading me to the orld o electronic music, giving me sincere counsel on my music, as ell as encouraging me to vie ar and dream ig; Cindy Cox, or her thoughtul advice regarding my music, my riting, and my career; ranck Bedrossian, or sharing ith me his creative ersectives and recise comments on music o many comosers and me; and David Milnes, or truly loving contemorary music, knoing hat I ant to do in my orks and interreting them or me so eautiully, and making it ossile to ring this dissertation iece to the stage o the Hertz Hall next sring I ould also like to thank other aculty and sta memers o the music deartment ho have heled me or encouraged me technically or siritually, and all my colleagues, ho have een stimulating me ith their creativity and assion Besides, I ant to thank my riends in Berkeley ho have constantly cheered each other as international students, and my riends in Taian ho have exressed their love and concern or me in site o the distance eteen us inally, my deeest thanks go to my mom, ho has alays een my strongest suorter and anchor or thirtyto years anyhere and anytime, and esecially to my artner angwei, ho has not only een my closest riend ut my est listener and consultant during these ast ten years, tasting ith me all the seet and the itter as ell as alking ith me through the good and ad times times herever e have een: in Taian, in the U, or in aris Without you to, I couldn t have comleted my degree studies and een hat I am today i

5 Lily Chen A Lea alls Ater or orchestra

6 INTRUMENTATION 2 lutes 2 ooes 2 clarinets in B lat 2 assoons horns in 2 trumets in C (straight mute, cu mute) 2 tromones (straight mute, Harmon mute) 1 ass tromone (straight mute, Harmon mute) 1 tua ercussion ( layers)* I: ass drum, susended cymal, chimes (9 tues), lexatone II: 2 timani, susended cymal, sizzle cymal, triangle, crotales, glockensiel, chimes ( tues rom erc1) III: tamtam, susended cymal, ell tree, ar chimes, virahone, chimes ( tues rom erc1 ) iano* trings ( layers) *detailed requirements and other accessories listed elo The score is transosed Aroximate duration: 12 min INTRUMENTAL DIOITION UGGETION erc erc1 erc2 iano Brass Woodind Bass Cello Viola Violin I Violin II Conductor AUDIENCE 2

7 ERCUION REQUIREMENT ACCEORIE ercussion I: Bass drum usended cymal Chimes (9 tues ith edal, the other 9 tues ill e searated) lexatone tyrooam Other accessories: 2 sot ass drum eaters, or ass drum 2 sot yarn mallets, or susended cymal 2 ire rushes 2 chime hammers, or chimes o suerall mallet drumstick thick nakin aer (or aer) ercussion II: 2 timani, 29 inches (in 2B2) 2 inches (in B2, ith a susended cymal on the head) usended cymal (to ut on small timani) izzle cymal Triangle Chimes ( tues, searated rom the chimes in ercussion I) Crotales (2 octaves) Glockensiel tyrooam Other accessories: 2 hard unraed mallets, or glockensiel crotales 2 sot timani mallets, or timani and susended cymal 2 sot yarn mallets, or susended sizzle cymals triangle eater, or triangle 2 chime hammers, or chimes suerall mallet 2 os

8 ercussion III: Tamtam Bell tree usended cymal Bar chimes Chimes ( tues, searated rom the chimes in ercussion I) Virahone Other accessories: sot yarn mallets, or virahone susended cymal 2 sot tamtam eaters, or tamtam 2 chime hammers, or chimes hard eater/mallet, or ell tree a metal stick (or triangle eater), or tamtam 2 os suerall mallet steel ire all aer IANO REQUIREMENT ACCEORIE rearation: hang 2 large aerclis on the loest A string (to roduce viration hen the string is layed) Other accessories: ire rush suerall mallet aluminum oil aer lastic or metal ruler (or metal stick) mug

9 ECIAL NOTATION General Accidentals are held through the measure Trills are alays layed u a semitone unless otherise seciied Tremolo should alays e as dense as ossile accelerando / decelerando over given time san ith the seciied numer o notes change gradually rom one sound/osition to another rhythmic igures ith slashes indicate laying raidly ut reely Woodinds luttertongue ure air sound (reathy timre, almost toneless) itch ith air sound (a mixture o reathy timre and itch) audile inhale (exaggerated and hard) audile exhale (exaggerated and hard) key sla, ith random itches and random raid rhythm according to indicated notation harmonics (or lute clarinet); histle tone (or lute) lute: Ooe Bassoon: Clarinet: Brass et histle tongue izzicato (oodind izzicato) *could e relaced y staccatissimo or other ercussive sounds normal laying angle turn lute inards to end itch don turn lute outards to end itch u smack tone, sucking on the reed in a very noisy manner ( kiss ) *could e relaced y staccatissimo or other ercussive sounds tongue sla *could e relaced y staccatissimo or other ercussive sounds luttertongue ure air sound, loing air through the instrument ingerings (valve ositions) hile laying air sounds * ingering is at the erormer s discretion i not indicated

10 audile inhale (exaggerated and hard) audile exhale (exaggerated and hard) valve change: randomly change valves ast (or Hn T) virato (or Hn T); slide ack and orth ast (or Tr) mute in (closed); stoed horn (or Hn) o mute out (oen) ercussion # The choice o mallets: Unless otherise seciied, erormers usually use deault mallets i ossile (see the list o accessories aove), ut the mallets may also e changed at the erormer s discretion in some occasions, esecially or susended and sizzle cymals t q a u m sot yarn mallet (or virahone, cymals) sot timani eater (or timani) sot tamtam / ass drum eater (or tamtam / ass drum) hard unraed mallet (or glockensiel crotales) ire rush " ru ith suerall mallet t ith inger ti(s) ith inger nail (n) lv let virate (((((( scrae circularly sto / damen sound o tyrooam ith ressure according to grahic indication iano # The itches inside iano may e aroximated due to diering designs inside the instrument i t lay inside iano lay ordinarily (on the keys) ith inger ti(s) m ith inger nail ith ire rush " ru along string(s) ith suerall mallet lv let virate sto / damen the sound mute (dam at the end o the string ith inger ti) cluster roduced y taing ith the alm or other tools (indicating aroximate itches)

11 harmonics (touch the artial on the string hile ressing the key) change the seed or range according to the grahic indication trings s ms st ordinario (lay in the ordinary ay or ack to the ordinary osition) sul onticello molto sul onticello (very close to the ridge, rich in harmonics/noise) sul tasto harmonic trill: a trill roduced y raidly alternating the inger ressure eteen normal and light (the sounding result should e a raid alternation o a normal and a harmonic sound) on the ridge (ith x notehead) ehind the ridge (ith square notehead) clatt col legno attuto (strike ith the ood o the o in a straight donard motion) let hand izzicato Bartók (sna) izzicato the highest ossile itch o on tailiece vi molto vi virato molto virato kee the same sacing o the hand through glissando ( eect ) harmonic glissando mule/mute the string ith let hand, to make no itch, only noise aly very hard ressure to the o to roduce an extremely loud and grating sound over ressure (add o ressure gradually according to grahic instruction to roduce a scratching sound, in hich the audile itch is gradually relaced y noise) LH taing randomly, no oing (let ingers alternately ress random itches on our strings ithout oing) reeat gesture ithin the square ith glissando 7

12 2 lutes (I) A Lea alls q = A Lea alls Ater or Orchestra ure air 9 Lily Chen ure air # 7 2 Ooes 2 Clarinet in B 2 Bassoons ure air ure air 9 10 Horns in 2 Trumets in C 2 Tromones Bass Tromone ercussion 1 ercussion 2 ure air (lo air through instrument) ure air (lo air through instrument) a ure air (lo air through instrument) 12 a2 ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ valve change 12 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ valve change valve change (randomly change keys ast) ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ valve change valve change usended cymal ~~~~~~~~~ valve change (randomly change keys ast) ure air valve change (randomly change keys ast) (lo air through instrument) mm ta rim slightly valve change valve change ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ # valve change (randomly change keys ast) usended cymal on timani 12 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 0 valve change mm 0 ercussion Tamtam t (roll / inger tis) rim center rim iano (inside iano) i # # gliss ack/orth ithin indicated range as ast as ossile (itches don't have to e exactly same) # # # Violin I Divisi Violin II Divisi Viola Divisi Cello Doule Bass q = s harmonic trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (I) }O # O} (II) s harmonic trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ }O }O # O} s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ harmonic trill (II) n O} s harmonic trill (III) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ # O} n O} # O} B s harmonic trill (III) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} O} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} B s harmonic trill (IV) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ }O O} harmonic trill s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O_} s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( IO) 8

13 l O B Cl Bn Hn C T T B T ith air 7 a2 ith air ith air valve change ~~~~~~~~~~~ ith air ith air ith air n ith air ~~~~~~~~~~~~ valve change ~~~~~~~~~~~~~ 0 valve change 0 12 ~~~~~~~~~~~~~ 0 valve change # n # # ~~~~~~~~~~~~~~~ valve change # # 7 7 n # # # 7 # n # # # # # n # # # # 7 # # n # # A # *) may use dierent undamental as long as C#7 can e layed hold same itch as long as ossile; i not, change artials sloly histle tone (8th artial)* # # erc 1 erc 2 erc n i () rim # gliss scrae (/ ingernail) center lv rim i " Timani aa (/ suerall stick) ru along strings(slo to ast) lv Vn I Vn II Va Vc D ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _}O O} # O} n }O O} ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n O} }O }O O} ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} # O} # O} # O} ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ }O # O} n O} O} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B O} O} O} n O} O} O} ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} n O} O} O} ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O_} O} n O_} O_} _O} _O} harmonic trill ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n} O O} 9

14 l q = 0 10 **) hold itch i ossile; i not, change artials sloly **) change artials according to indicated grahic line O B Cl Bn Hn C T Mute (straight) T Mute (straight) B T Mute (straight) erc 1 erc 2 erc n Vn I q = 0 olo s molto vi ~~~~~~~~~~~~~ Vn II olo s molto vi ~~~~~~~~~~ Va B olo # n s # molto vi ~~~~~~~~~~~~~ Vc olo # O O (I) vi molto vi # ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ # ~~~~~~~~~~~~~~~~~~~~~~~ over ressure D 10

15 B l 1 2 O 2 B Cl 2 Bn 2 Hn C T T # Mute (straight) 2 1 # # Mute (straight) # (itch end u) (itch end u) B T Mute (straight) 2 2 erc 1 erc 2 erc us cym o Bass drum Tim Tamtam " ru " ru Crotales aa # o n i (alm) i strike / alm scrae along string lv (t) 2 2 gliss ack/orth ithin range lv Vn I (I) Tutti O (kee same sacing) O (IV) over ressure s 2 Vn II (III) Tutti O (kee same sacing) over ressure s s 2 Va n Tutti B (IV) # # O over ressure (kee same sacing) # s 2 Vc # Ȯ (kee same sacing) # Tutti (IV) Ȯ over ressure (kee same sacing) s 2 D (IV) Ȯ (kee same sacing) over ressure s 2 11

16 C (II) alling Leaves l 20 q = (0) ure air O B Cl ure air Bn Hn C T O O enza s T enza s B T enza s erc 1 erc 2 lv erc lv n (take o edal gradually) q = (0) Vn I Divisi Vn II Divisi Va Divisi Vc Divisi D B B Divisi Divisi Divisi Divisi # # Ȯ O Ȯ (I) # O O O O O n O O O Ȯ Ṗ mule*) O Ȯ # # O O O s mule*) *) light ressure, let hand mute, no itch mule*) *) light ressure, let hand mute, no itch mule*) O Ȯ Ȯ mule*) *) light ressure, let hand mute, no itch *) light ressure, let hand mute, no itch *) light ressure, let hand mute, no itch mule*) Ṗ OB OB o on ridge**) **) let hand mute string, no itch o on ridge**) OB OB o on ridge**) **) let hand mute string, no itch o on ridge**) **) let hand mute string, no itch *) light ressure, let hand mute, no itch (ehind ridge) OB BB OB : : : OB BB : : : : OB o on ridge**) OB ms OB Ṗ OB OB o on ridge**) OB ms : OB 12

17 l 2 (turn inards to end itch don) 7 Ÿ~~~~~~~~ } Ÿ~~~~~~~~ } O B Cl 7 7 Ÿ~~~~~~~~ } Bn Hn C T T B T erc 1 BD / nakin aer scrae circularly sloly slo ))))))))))))))))))))) ast erc 2 erc Tamtam scrae ast / aer scrae circularly (slo to ast) ))))))) n *) let ingers alternately ress random itches on our strings raidly ithout oing OB : ms : OB OB BB OB OB : ms : OB OB BB : OB : : : : : : : : : OB ms OB BB OB BB OB OB BB : OB : Vn I OB BB OB : : : OB ms : OB OB : BB : OB OB : BB : OB ms : OB OB BB : : : OB OB ms : OB : Vn II Va Vc D B B OB msob : : : OB (ehind ridge) BB OB OB ms : OB OB : BB OB OB : BB : OB OB ms : OB : : OB : BB : OB OB : ms : OB BB OB : OB ms : OB ms : OB : : : OB OB OB : OB : BB OB OB BB OB OB : ms OB : : ms : OB OB BB OB BB OBBB OB ms : OB : : : : ms : q OB OB h OB : BB : OB OB OB LH taing randomly, (IIV) no oing *) (IIV) LH taing randomly, no oing *) LH taing randomly, no oing *) (IIV) h k (IIV) LH taing randomly, no oing *) h q k q 1

18 l O 0 Ÿ~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ } } } } Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~ } } Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ } } a2 key slas (random itches rhythms) key slas (random itches) key slas (random itches) h h B Cl Bn key slas (random itches) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _} a2 h k key slas (random itches) key slas (random itches rhythms) key slas (random itches) key slas (random itches rhythms) h k Hn a2 ure air (lo air through instrument) C T a2 ure air (lo air through instrument) T a2 ure air (lo air through instrument) B T erc 1 )))) ))))))))) )))))))))))))))))))))))) ))))))) ))))))))) erc 2 erc )))))))) )))))))))))) ))))) scrae ast / aer izzle cymal lv n Vn I Unison OB BB OB *) let ingers alternately ress random itches on our strings raidly ithout oing (IIV) LH taing randomly, no oing *) h **) during LH taing, randomly luck strings / LH () or Bartok izz ( ) Vn II Unison **) during LH taing, randomly luck strings / LH () or Bartok izz ( ) Va B Unison **) during LH taing, randomly luck strings / LH () or Bartok izz ( ) Vc Unison D 1

19 l D (or lo air hard) et Whistle *) ocassionally lay tongue izzicato (oodind izzicato) () during key slas (x) (random itches rhythms) (could e relaced y staccatissimo or other ercussive sounds) izz *) izz *) lo air hard lo air hard staccatissimo ith air (or tongue izz) Æ Æ Æ Æ Æ Æ ' ' Æ staccatissimo ith air (or tongue izz) Æ Æ Æ ' ' ' ' ' Æ Æ O smack \ *) \ \ \ \ \ \ \ B Cl Bn a2 tongue *) sla *) ocassionally lay tongue sla () during key slas (x) (random itches rhythms) (could e relaced y staccatissimo or other ercussive sounds) smack*) \ *) ocassionally lay smack tone (sucking) during key slas (x) (random itches rhythms) (could e relaced y staccatissimo or other ercussive sounds) \ *) ocassionally lay smack tone (sucking) during key slas (x) (random itches rhythms) (could e relaced y staccatissimo or other ercussive sounds) \ \ \ \ \ \ \ \ Hn ure air a2 12 (lo air through instrument) 12 0 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ valve change (randomly change keys ast) valve change (randomly change keys ast) ~~~~~~~~~~~~~~~~~~~~~~~~~~~ valve change 12 0 valve change ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 12 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ 0 valve change 12 0 valve change C T 0 valve change (randomly click keys ast) 0 ~~~~~~~~~~~~~~~ valve change ~~~~~~~~ valve change ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ T vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vi B T ure air (lo air through instrument) vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc 1 aa erc 2 erc Triangle lv scrae ast izz aa lv Tri scrae ast lv ress along string / mug (close to ar) hile ressing key / RH to end itch don n (take mug) (mug) close ar close ar close ar close ar Vn I arco # # Vn II Va B clatt ricochet tasto ont ricochet tasto ont ricochet # Vc ricochet clatt tasto ont ricochet tasto ont h ricochet tasto ont ricochet tasto ont h D 1

20 accel l 9 ' staccatissimo ith air (or tongue izz) ' ' ' ' # ' staccatissimo ith air (or tongue izz) ' ' ' ' ' ' ' ' ' Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ lo air hard staccatissimo ith air (or tongue izz) Æ Æ Æ Æ # ' ' ' ' Æ n Æ ' ' Æ n Æ Æ ' Æ Æ Æ Æ Æ Æ Æ Æ Æ # ' # Æ n Æ ' ' ' ' n ' ' O \ \ \ \ \ \ \ \ \ \ smack (or ercussive itch or staccatissimo) \ \ \ \ \ \ \ \ \ \ \ \ \ # \ B Cl Bn \ \ \ \ \ \ \ \ \ tongue sla (or ercussive itch or staccatissimo) \ \ I smack (or ercussive itch or \ \ \ \ staccatissimo) # n n # #\ \ \ \ \ \ Hn ~~~~~~~~~~~~~~~~~~~~ randomly change keys (slo to ast) slo ast slo ast slo ast ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ randomly change keys (slo to ast) slo ast slo ast slo ast ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C T 0 randomly change keys (slo to ast) slo ast slo ast slo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ T vi slo ast ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ slo ast slo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B T vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vi slo ast ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ slo ast slo erc 1 erc 2 erc n close aa @ i (t) (eyond damer) itches inside iano can e adusted to aroximate one due to inside design izz scrae aa (t) (eyond @ ( accel Vn I Vn II Va Vc D # B # ricochet # s *) arco *) the eginning note o each gesture can e an aroximate high itch (doesn't have to e the exact itch indicated) # # # # # # # s Ȯ # *) (I) s (I) highest note ossile ms *) the eginning note o each gesture can e an aroximate high itch (doesn't have to e the exact itch indicated) 1

21 l O B Cl Bn # n E q = 0 Æ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ quasi gliss Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ quasi gliss Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # n n # n n # n n # n n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ quasi gliss # n n # # n # n # n # # n n n n # # n n # n n n n n quasi gliss # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~ # n n n # Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # quasi gliss # # n # n # quasi gliss # Hn 0 0 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C T Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n # T # vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ B T vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc 1 erc 2 erc us cym on tim lv " ru on surace Tim Tim ~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ (change edal) (change edal) n i lv gliss RH LH gliss alternately / to hands RH i RH lv LH RH i ~~~~~~~~~~~~~~~ gliss ack orth ast lv Vn I q = 0 ms ± (I) highest note ossile } ± (II) (II) } ± } (III) ± } Vn II (II) } } (II) } (III) ± (III) } ± Va (I) (II) (III) B (IV) Vc (II) B (III) (IV) D l gliss arco s (IV) O s arco (IV) Ȯ vi l ~~~~~~~~~~~~ vi ~~~~~~ l s arco (IV) # 17

22 l O B Cl Bn Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ # # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # n # n # n accel # # # n # # n # n # n n n # # n # n n # # # n n # # n q = 727 # # Hn C T Mute (straight) T Mute (straight) B T Mute (straight) erc 1 erc 2 ~~~~~~~~~~~~~~~~~~~~~~~~~~ erc ru on surace n i gliss ack orth ast LH RH i LH gliss ast luck string hard lv accel *) the eginning note o each gesture can e an aroximate high itch (doesn't have to e the exact itch indicated) q = 727 Vn I # (III) *) over ressure } (IV) \ ms Vn II (IV) } # *) # over ressure \ ms Va B (IV) over ressure *) \ # ms # # # Vc # *) # (IV) over ressure \ ms # ms D \ ms ms 18

23 G l 2 O B Cl Bn Hn 1 n # C T Mute (straight) # # l T r B T # r erc 1 " ru circularly on surace along rim erc 2 "ru circularly erc n i ru along strings " # lv i " # ru/sie strings ack/orth in loest range i / oil aer Vn I ms Vn II ms Va B # ms # # n # # Vc # ms # D ms ms 19

24 H l 7 # # O B Cl Bn # # # # Hn C T T O n l O l # n # n a2 # # # R # # # n # # # # # # O # O n l # # l l # # 1 l l l B T # r l erc 1 erc 2 " ru circularly lv us cym rim Triangle center lv erc n i m sie strings in middle range sie to loest strings lv i (/ oil aer) sie to loest strings lv Vn I n l # Vn II Va B l l # # # l # # # Vc (IV) D 20

25 l O 1 # # # n # # et Whistle (or lo air hard) et Whistle (or lo air hard) # B Cl Bn # # # # # n # # # # Hn C T T n # O l # O # # # # staccato n # # staccato O # # O n B T l # erc 1 center center rim erc 2 lv Tim erc n Bell Tree (t) ast gliss (lo to high) lv K lv lv i (/ oil aer) i m (t) Vn I # # O # O Vn II Va Vc D B O l # # # # # # # O O # # O n # # # # 21

26 l O B Cl Bn R R R # R # # # R n R # # # # n # # # # n # ǣ # # # # # # 7 B I q = 0 quasi gliss # n # n # quasi gliss Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # quasi gliss quasi gliss # n # Hn C T # R r # # R # # O n O # # # (itch end u) O (itch end u) O # n # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # T B T R r r n # n # erc 1 erc 2 erc n Vn I Vn II Va Vc D B R r gliss (high to lo) H R lexatone # R # # # # R R # # R # # # # r ~~~~~~ ~~~~~~~~~~ i XU Tamtam " # # # # # # # # ru on surace (/ oil aer) sie in loest strings ider and ider # # # # # ~~~~~~~~ Tri ~~~~~~~~~~~~~~~~~~~~~~ s s # s s s lv (alm) strike / alm (alm) strike strings very hard lv *) directly ut oil aer on strings right eore striking / alm (and let it virate), and then remove it eore the next gesture q = 0 B (IV) 22

27 l O 8 quasi gliss quasi gliss 7 Ÿ~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~ n # # # n n # # quasi gliss quasi gliss quasi gliss quasi gliss n # # n # # # n n n # # n # # n n n # n # n n n # n # n # n n B Cl n quasi gliss # # # # n # n n # n # n quasi gliss # n # n # # n n Bn quasi gliss # # # quasi gliss n n quasi gliss n # quasi gliss # n # # n # n # n Hn ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C T quasi gliss n # # n n # n # n # n # n T # # # n # n B T # erc 1 BD " ru circularly on surace sloly ru on shell " erc 2 erc n Vn I (IV) s # # s ms # Vn II s (IV) s n ms Va Vc B (IV) s s s ms # # s ms # # D s i} n s ms # n 2

28 l 71 q = 72 make muddy/noisy sound O make muddy/noisy sound # # # # B Cl make muddy/noisy sound Bn make muddy/noisy sound Hn make muddy/noisy sound make muddy/noisy sound C T T # make muddy/noisy sound make muddy/noisy sound # # # B T make muddy/noisy sound make muddy/noisy sound erc 1 us cym h (/ drum stick ti) scrae near dome in circular motion continuously (i not orking ell, o ith hard ressure continuously) erc 2 erc Tim Tamtam " ru circularly on surace sloly continuously (/ steel ire all) scrae continuously in circular motion n i UX (/ ruler) scrae ack/orth along lo strings, hard sloly UX UX UX UX q = 72 Vn I scratch (ith very hard ressure) Vn II scratch (ith very hard ressure) Va B scratch (ith very hard ressure) Vc scratch (ith very hard ressure) D ms 2

29 l 7 turn lute outards to end itch u (1/2 or / higher) O B Cl Bn # # # # Hn C T T # # # # # # B T erc 1 lv erc 2 erc n UX lv Vn I scratch (ith very hard ressure) # ms # Vn II scratch (ith very hard ressure) ms Va B scratch (ith very hard ressure) ms Vc scratch (ith very hard ressure) ms D ms 2

30 l O B Cl Bn 80 turn lute outards to end itch u (1/2 or / higher) # K # rit ( q = 0 ) Hn C T T # (itch end u) O (itch end u) O # n # vi ~~~~~~~~~~~~~~~~~~ ast slo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ vi ast slo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # vi ast slo ~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vi ast slo ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B T ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vi ast slo erc 1 o us cym lv erc 2 erc lv " ast slo n i (/ ruler) scrae along string sloly U X U X U X U rit ( q = 0 ) Vn I ms Div (oing seed) scratch ast # slo scratch (/ very hard ressure very slo seed) # Vn II ms Div scratch (oing seed) ast slo scratch (/ very hard ressure very slo seed) Va B ms Div scratch (oing seed) ast slo scratch (/ very hard ressure very slo seed) Vc ms (oing seed) Div scratch ast slo scratch (/ very hard ressure very slo seed) D ms Div ms 2

31 l q = vi molto vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O B Cl Bn Hn C T T # n n # # B T erc 1 erc 2 erc n lv lv lv a (/ sot elt mallet) dark arm lv i m sie ast in high range ack/orth Vn I q = 72 Unison vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ molto vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vn II ms # # # # # s # Va ms # # # n s Vc n ms # # n # n s D ms s 27

32 L (III) Ringing Chaos l vi molto vi 88 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ R q = 0 O B Cl 1 Ø Ø Bn Hn C T 1 1 T B T erc 1 erc 2 Crot o Chimes lv let ring erc t (roll / inger tis) n sie ast ack/orth ider ider lv Vn I ~~~~~~~~~~~~~~~~~~~~ O Ȯ O q = 0 O suito O O olo O O Ø Vn II Unison (I) harmonic gliss # suito olo Ø Va Unison (I) # harmonic gliss suito olo Ø Vc D s Unison (II) harmonic gliss # harmonic gliss # suito suito olo Ø 28

33 l 92 q = 70 (70) O B Cl Bn *) *) hold reath or one note i ossile, ut i needed, take reath here Hn C T T 1 *) *) hold reath or one note i ossile, ut i needed, take reath here B T erc 1 let ring (let all chimes notes ring) n # # # n # # # # erc 2 Chimes let ring (let all chimes notes ring) erc Chimes let ring (let all chimes notes ring) n n n n q = 70 (70) Vn I Vn II Va Vc D 29

34 M l 97 O B Cl Bn Hn C T T B T erc 1 # # n # # # erc 2 erc n (heavy dark, Tamtam not right/shar) i (t / alm) lv (lurry sound) (alm) lv Chimes Crot let ring (let all crotales notes ring) # n # # Vn I Vn II Va Vc D 0

35 l 102 O B Cl Bn Hn C T T B T erc 1 # # # # # erc 2 # # # # # # # # erc n ( ) ( ) # # i (t / alm) # # lv n # # n # # Vn I Divisi Div O Ȯ Ȯ Ȯ Ȯ Ȯ O Ȯ Ȯ O Vn II Divisi O Div Ȯ Ȯ Ȯ Ȯ O O O Ȯ O O Ȯ Va Vc D 1

36 l N # n r R r r O B Cl 1 # r # # # # r r R 1 r R # # # n # Bn B 1 # # # # Hn C T T B T erc 1 # # # # # # erc 2 erc izz gliss ast lv Crot let ring Virahone let ring (let all virahone notes ring) # # # # # # n n n (t / alm) i i (t / alm) lv lv Vn I Divisi Vn II Divisi Va Divisi Vc Divisi D Ȯ O Ȯ O O Div O Ȯ Ȯ Ȯ Ȯ O O Div O O O Ȯ Ȯ n n Ȯ O O Ȯ Ȯ O Ȯ Ȯ n n Ȯ O O O Ȯ O O Ȯ O n n O Ȯ O O Ȯ O # Ȯ n n Ȯ Ȯ O O Ȯ O Ȯ Ȯ O Ȯ O O O O n n O Ȯ Ȯ n n O O O O # 2

37 l O 111 # n n # # n n # n O # # n n # # # n n n B Cl Bn B # # # n # n # # # n # n # # # n # # # # n n # # # n r # # # # n # # Hn C T T B T erc 1 # # # # # # # # # erc 2 erc izz Bell Tree Crot lv ast K gliss (lo to high) Vi # lv # # n n # # # # n n # let ring izz n (t / alm) lv i i (alm) gliss ack/orth in loest range XU XU (t / alm) lv i XU XU Vn I Vn II Va Ȯ Ȯ n n Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ O Ȯ Ȯ O Ȯ n n O Ȯ Ȯ O Ȯ Ȯ O Ȯ O Ȯ Ȯ O Ȯ Ȯ Ȯ # # Ȯ n n Ȯ O n n Ȯ O n n Ȯ O O Ȯ Ȯ O # # Ȯ n n O O Ȯ O O Vc Ȯ Ȯ O n n Ȯ # Ȯ # O Ȯ Ȯ Ȯ Ȯ Ȯ n n Ȯ O D ms s

38 l O B Cl Bn 11 # # # # # n # B n # # # n Hn C T T B T n Mute (straight) Mute (straight) Mute (straight) # # erc 1 erc 2 erc n Crot Tamtam # i lv o thin edge (rom the ack) u and don sloly and continously (hold the tamtam in lace eore oing) i gliss in highest zone *) gliss eyond damers in highest zone *) the itchs indectaed here can e aroximate due to dierent inside design gliss eyond damers in 2nd high zone # n n # gliss in 2nd high zone # # n n n gliss in middle zone # gliss in middle zone Vn I Vn II Va Vc D Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ O Ȯ Ȯ Ȯ O Ȯ Ȯ s s Ȯ Ȯ s s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

39 l O B Cl ith air # # 1 n n # n n n n # n ǣ # n n n n # # n n # n n # n # n n # n # n n n ǣ # #ǣ n # ǣ # n # n n n Bn # # # # # n Hn # n # # C T Mute (straight) # # n # # n T B T # # # # # # # erc 1 erc 2 erc n i let ring let ring lv lv i # Tim gliss in 2nd high zone " i ru gliss in middle zone lv gliss in middle zone # gliss in lo zone } i lv gliss in 2nd high zone Vn I Vn II Unis Unis s s over ressure # Va s Unis Vc Unis Ȯ O O over ressure O D (IV) Ȯ O O s

40 l O B Cl Bn Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 12 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n # n # n # n n n # n n # # # # # n n # n # n n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n n n # n n # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n n # # n n # n n # n n # n n n # Hn C T T B T # (itch end u) (itch end u) O O O O staccato # # # # erc 1 # # erc 2 erc lv lv lv n i gliss in middle zone gliss in middle zone gliss in lo zone gliss in lo zone } lv i gliss in middle zone i gliss in middle zone gliss in lo zone gliss in lo zone gliss in lo zone lv Vn I Vn II Va # over ressure s over ressure (II) # # # (II) # # # Vc (IV) D

41 l Q () Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 129 # # ǣ accel Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( q = 8 ) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # 2 O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ǣ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 B Cl Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # 2 Bn 2 Hn C T T B T O O # # # # # vi # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ǣ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ vi n ǣ # # # ǣ # # ǣ # # 2 # # 2 ǣ 2 vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 vi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 2 erc 1 # as ast as ossile 2 erc 2 2 erc 2 n i (alm) gliss ack/orth raidly in loest range XU i / aer gliss ack/orth raidly in lo range(aster aster) XU XU (aster aster) XU XU XU XU 2 2 accel ( q = 8 ) Vn I kee scratching hard 2 Vn II # # # # kee scratching hard # # 2 Va n kee scratching hard 2 Vc # # kee scratching hard # # 2 D 2 7

42 l O B Cl Bn (or 2") (reeze, hold gesture) (reeze, hold gesture) (reeze, hold gesture) (reeze, hold gesture) (reeze, hold gesture) (reeze, hold gesture) q = 8 rit Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n # # # # n # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # ith air # # n # # # ith air # # # n # n ith air ith air # Hn C T T (reeze, hold gesture) (reeze, hold gesture) (reeze, hold gesture) (reeze, hold gesture) # ǣ # ǣ ǣ # (itch end don) O (itch end don) O Mute (cu) Mute (harmon ithout stem) B T 2 2 (reeze, hold gesture) (reeze, hold gesture) n Mute (harmon ithout stem) erc 1 erc 2 erc damen sounds immediately (reeze, hold gesture) damen sounds immediately (reeze, hold gesture) damen sounds immediately (reeze, hold gesture) # # # lv Crot n 2 2 (kee edal) (reeze, hold gesture) (reeze, hold gesture) i i XU XU X U lv lv (or 2") q = 8 rit Vn I 2 (reeze, hold gesture) kee scratching hard s Vn II 2 (reeze, hold gesture) kee scratching hard # # # s Va 2 (reeze, hold gesture) (I) kee scratching hard n s Vc 2 (reeze, hold gesture) (IV) kee # scratching hard # # # Ȯ # D 2 (reeze, hold gesture) 8

43 R (IV) Rising Butterlies l 17 rit n # ith air ure air # ith air ure air q = 0 rit q = 0 O B Cl Bn ure air ith air ure air # Hn 1 (can take out mouthiece to make louder sound i needed) audile inhale / exhale, hard and exaggerated ure air e q q valve change valve change ~~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~ h C T T B T erc 1 # # # let ring erc 2 erc # # # # o o Virahone lv lv n (take o edal gradually) Vn I Divisi Div s rit (I) # q = 0 rit q = 0 Vn II Divisi Va Vc D Div s (II) (IV) B B Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ # n} O # (IV) s (II) Ÿ~~~~~~~~~~~~~~~~~~ }O har gliss har gliss # s Ÿ~~~~~~~~~~~~~~~~~~~~~ O} Ÿ~~~~~~~~~~ } Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~ } Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O n} har gliss _ } 9

44 l 12 O B Cl Bn Hn C T T B T erc 1 erc 2 erc us cym mm rim n Vn I s Unison (II) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ }O har gliss Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O_} # Ÿ~~~~~~~~~~~ } Ÿ~~~~~~~~~~~~~~~~~~ }I _ O Vn II s Unison (IV) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ }O har gliss Ÿ~~~~~~~~~~~~~~~~~~~~~ }O_ Ÿ~~~~~~~~~~~~~~~ } _ Ÿ~~~~~~~~~~~~~~~~~~~~~~ O}_ Ÿ~~~~~~~~~~~ }_ Va Vc D ~~~ B Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ }O }O }_ }_ # # Ÿ~~~~~~~~~~~~~~~~~~ # O} Ÿ~~~~~~~~~~~~ _} Ÿ~~~~~~~~~~~~~~~~~~~ O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O # O # n} I} n} Ÿ~~~~~~~~~~~~ _} # Ÿ~~~~~~~~~~~~~~ }_ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ I} O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ O} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O # n} Ÿ~~~~~~~~~~~~~~~~~ _} Ÿ~~~~~~~~~~~~~~~~~ }_ Ÿ~~~~ O} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ _O} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ # O n} 0

45 l 1 ith air more more itch Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ith air n ure air more more itch Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I_} (turn inards to end itch don) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ O B Cl Bn Hn # C T T B T erc 1 us cym mm rim erc 2 Glock Tri erc Vi o n Vn I Vn II Va Vc D () Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ _O} _O} }I _ O }I _ O } Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ _O} _O} _O} _O} _O} Ÿ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} }O O} }O }_ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O_} O_} O_} I} O } ms ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # n} O # n} O # # 1

46 l 10 2 O B Cl Bn # # # # ith more more air # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Hn C T T B T # B # Mute (harmon ithout stem) Mute (harmon ithout stem) Mute (harmon ithout stem) Mute (cu) Mute (cu) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # 2 erc 1 2 erc 2 erc Glock # # o o 2 2 R 2 n 2 Vn I Vn II Va Vc D () Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ O_}I 2 O_}I ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O_} 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ O} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ O I} Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I} O R s # # s # # reeat gesture / gliss h reeat gesture / gliss # # h 2

47 l O B Cl Bn 1 # # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ } _ (turn inards to end itch don) ith air Ÿ~~~~~~~~~~~~~~~~~ ith air # # # # # # # # R # # # # # n # # ith air # # # # Hn C T T # 1 # # # B T 2 2 erc 1 o lv 2 erc 2 Tri lv 2 erc Tamtam o lv 2 2 n i " ru along strings lv 2 Vn I Vn II s s h # q k # s # # # # # h k # ms # # 2 2 n n Va Vc q h h h k ms q q 2 2 D arco ms 2

48 l O B Cl Bn 19 # n ure air Ÿ~~~~~~~~~ 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 ure air Ÿ~~~~~~~~~ 7 2 Ÿ~~~~~~~~~ 2 Ÿ~~~~~~~~~ T 2 # # # # # # # # 7 # n # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n # # # Hn C T T # 1 # Ÿ~~~~~~~~~~~~~~ vi ~~~~~~~~~~~~~~ vi ~~~~~~~~~~~~~~~~~~~~~~~~~ B T vi ~~~~~~~~~~~~~~ 2 Mute (harmon ith stem) 2 erc 1 % 2 erc 2 Tri lv 2 erc 2 2 n 2 Vn I Div izz 2 Vn II Div # # izz 2 Va 2 Vc 2 D s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} 2

49 l 1 # # n O B Cl Bn # # Ÿ~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Hn C T T B T # Mute (harmon ith stem) Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ # erc 1 erc 2 erc n (mute) Crot o mm rim Tri lv Tamtam a lv Vn I Vn II Va Vc arco Div clatt Div Div arco clatt clatt Div clatt ms # # clricochet clricochet clricochet Unis ricochet # # Unis s # # # # # ricochet Unis ricochet # # # izz # # n # # B # Ȯ # D O

50 accel l O B Cl Bn 17 # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ # # # # n # # # n # I Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # # # # # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n # n # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Hn C T T ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B T erc 1 erc 2 lv Glock # # # erc n # # # # # # # # accel Vn I Unis Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _O} (I) arco Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O}_ Vn II Va Vc D B (II) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O} O} (II) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # I} O # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I} O (I) I} Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _O }O_ I # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

51 l O B Cl Bn U q = 7072 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 171 n ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # #ǣ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ # # # # # # n # Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Hn C T # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # n T B T erc 1 erc 2 # # # let ring Chimes Crot lv o # o lv erc n lv lv # # Vn I Vn II q = 7072 (I) (II) O O # # # s s # # # # # h Va (II) # O # s # # # # # Vc (I) O # # # s D s 7

52 l O B Cl Bn Hn C T T B T Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ 17 nǣ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # n # ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~ # # # # # # # n # # # # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # O O O O O O O O O O O O O O O Mute (harmon ith stem) 2 O O O O O O O (as ast as ossile) Mute (harmon ith stem) (as ast as ossile) O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Ÿ~~~~~~~~~~~~~~~~~~~~~~~ # erc 1 erc 2 erc n # o o Vi # lv () # () # o # # o o # lv # # # lv o us cym # lv # o o # Tamtam " ru i (t / alm) gliss Vn I Vn II Va Vc q # # h q # h k q q h h q # # q h k # # h k h q h # # # q h # # h k h h # q # D 8

53 V l 179 q = 80 Ÿ~~~~~~~~~~~~~~~~~~~~~ O B Cl Bn Ÿ~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~ 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # B Hn C T T vi ~~~~~~~~ n ~~~~~~~~~~~~~~~~ vi # O O O O O O O B T vi ~~~~~~~~~~~~~~~ O O O O O O O erc 1 erc 2 suito lv BD center rim suito center rim Crot o lv erc n (alm) i strike hard lv lv i " ru along strings # lv us cym Vn I Divisi Vn II Divisi Va Divisi q = 80 Div q q h h # # O # # O # # Ȯ Ȯ # # Ȯ Ȯ Div O O Ȯ Ȯ # Ȯ # Ȯ Ȯ Ȯ O Ȯ # Ȯ # n Ȯ n Ȯ Ȯ s Ȯ s Ȯ s Ȯ # # Ȯ s Ȯ n Ȯ Div s O Ȯ s O Ȯ Vc Divisi Div ms molto vi ~~~~~~~~~~~~~~~~~~ ms molto vi ~~~~~~~~~~~~~~~~~~ st st s s D izz arco s Ÿ~~~~~~~~~~~~~~~~ I} O # st # # ms Ÿ~~~~~~~~~~~~~~~~~ 9

54 W l 18 O B Cl Bn B 1 Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # 1 Hn C T T O # n (itch end don) O (itch end don) O # # # (itch end u) O # n # (itch end u) O 1 1 B T erc 1 erc 2 erc Vi o o Crot lv us cym lv us cym on tim us cym BD lv n Vn I Vn II # Ȯ # O Ȯ Ȯ Ȯ Ȯ # # Ȯ # # Ȯ Ȯ Ȯ Ȯ O # # # O Ȯ # # O Ȯ s s q q # # Ȯ Ȯ q q (I) # # # # (I) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ }_O O # Ÿ~~~~~~~~~~~~~~~~~~~~~ # O I} _ O (I) arco Ÿ~~~~~~~~~~~~~ O } Ÿ~~~~~~~~~~~ O} Va st st # # s (II) # # # # s (II) # # # # h h # n Vc Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ # s s D 0

55 l O B Cl Bn 189 B # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ # R R # n # n # n # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # 2 Hn 2 C T Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ enza s 2 T 2 B T 2 2 erc 1 erc 2 erc n Vn I Vn II Va Vc D Tri lv Glock # 2 # o lv Vi # 2 # # # # 2 2 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # n # n # 2 # # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O # # # n # n # 2 # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # n # n # # # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s # # n # n # # # Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ arco 2 Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ arco s # 2 (I) O arco(i) O O 2 O O arco(i) # O # O 2 # O # O arco(i) s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O } O 1 2 us cym mm rim center rim 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O } O O